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Israel Galván: La Consagración de la Primavera review – Stravinsky with a flamenco stamp 
‘I can’t take up a weapon, so I create’: how Ukraine’s artists are taking on Putin’s Russia 
When Burnley was the UK’s cultural capital | Letter 
Tamara Rojo wades into bitter row over London arts funding 
The Royal Ballet: A Diamond Celebration review – looking forward with friends