Mouthpiece Online is a resource for trumpet players, educators, students and enthusiasts alike. I aim to bring you advice, product features, new artists and recordings to look out for. This resource was set up by John Hutchinson, a UK pro trumpet player, teacher and arranger with extensive experience working with leading manufacturers including Vincent Bach, Yamaha, P.Mauriat and Edwards.
When you talk about getting your trumpets adjusted so that they respond perfectly to you or matching and adjusting a mouthpiece so that it works perfectly with your horn, you are probably already thinking about Bob Reeves!
Johnny Thirkell is one of the great unsung heroes of the music industry. With a truly prolific recording output, his trumpet features on thousands of hits over the past thirty odd years. To find out more about Johnny, please follow this link to read this great interview (even if I do say so myself!) that …
‘Design Innovations’ is a series of articles looking at new and innovative developments in trumpet design, as well as gadgets and tools that are designed to make our practice and performance easier.
Mario Guarneri will be known to many readers as a performer and educator of the highest calibre. A former member of the Los Angeles Philharmonic, Mario is also in demand as lecturer on the pedagogical concepts involved with his designs. Here he shares some thoughts and insights on the processes involved with the development of the BERP.
Interview with Hub Van Laar (June 2018 @ ITG Conference, San Antonio) What made you want to play brass in the first place? As a child you had 2 options in my village. I began by playing football, and in my first game I scored 3 goals… in the wrong direction! It was then decided …
Practice Mutes have become accepted as a necessary evil for brass players. They are not an ideal way of preparing yourself, however there are times where we all accept that you just need to practice or warm-up quietly. Listed below are a number of mutes currently available that will all do the job. They will all have different strengths though, so I have tried to demystify them somewhat with this ‘Buying Guide’.
Marvin Stamm is a colossus of the music world, having performed and recorded with many jazz legends throughout his illustrious career. At 79-years-young, he is still going strong and and has many interesting thoughts here on adapting to change, both musically and physiologically over the years. There is sound and compelling advice here for musicians of all instruments and of all ages!
When I left music college (nearly) 20 years ago, the approach to building a healthy portfolio of freelance work as a trumpeter was rather different to now: Face-to-face networking; Being in “the right place at the right time” with the right people; Backing up any opportunities by being a “good guy to have around” and a good player. This was the limit to one’s self-marketing.
It struck me at the time that even when things were busy, and the diary was booked up a couple of months ahead, there was never a feeling of being in control and having ‘ownership’ (this seems to be the buzz word) of your career. This is what led me to start to explore other things that I could do alongside the trumpet-playing that could bring me more of a sense of control over my own career.
Speaking to younger professionals now, I see quite a different picture. The opportunities that the internet has brought are vast, and musicians are quickly learning how to maximise what it has to offer. Players now have limitless control over their own image and career. This series looks at this in more detail:
Next up in 'Part 2' to help me look at this in more depth is Kate Amrine. Kate is a trumpet player and educator based in New York City. She currently freelances in many different genres from Orchestra to Broadway, and also is an active soloist, currently working on her second album. Music entrepreneurship has always been an interest and she recently presented her "Designing your Career in Music" masterclass at New York University where Kate has been an Adjunct Professor since 2013.
After visiting the Arena in the beautiful city of Verona some 20 years ago, I have been fascinated by not only its history but its use today as one of the most spectacular opera venues that you will ever visit. Built nearly 2,000 years ago, this outdoor amphitheatre could accommodate over 30,000 spectators, attracting audiences from across the Roman Empire.
What would it be like to work here as Principal Trumpet with its resident orchestra? Well Massimo Longhi knows! He has held this position for 25 years now and has kindly shared his thoughts with us.
When I left music college (nearly) 20 years ago, the approach to building a healthy portfolio of freelance work as a trumpeter was rather different to now: Face-to-face networking; Being in “the right place at the right time” with the right people; Backing up any opportunities by being a “good guy to have around” and …