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South Florida winter colors at Grassy Waters Park. Plein air morning  sketch with iPhone photo reference help. 11×15″ Fabriano Artistico 140lb. cp.

GrassyWaters_190217a
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Sketch from plein air study and iPhone reference of the middle to Palm Beach. Arches 90lb, cp.

MiddleBridge_190215a
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Plein air morning  sketch with iPhone photo reference help. 11×15″ Saunders Waterford 140lb. cp.

GrassyWaters_190210a
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Plein air sketch with iPhone photo reference help of the afternoon light on the pool side flower pots. 9×12″ Arches 90lb. cp.

PoolsideFlowerPots_190209a
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Plein air sketch with iPhone photo reference help of the early morning light on the pool side chair. 9×12″ Arches 90lb. cp.

PoolsideChair_190209a
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Continued practice. Graded wash dark to light to dark with arbitrary leftover grays. Value study using leftover colors on top of a practice graded wash of arbitrary grays. Repeating a scene, testing pre-wetting the paper, leaving whites, working wet into wet with sequential light to dark washes.

WorkshopPractice_190208d1 WorkshopPractice_190208d1 WorkshopPractice_190208c1
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Continued practice. Painting from a photo, doing a value study, testing pre-wetting both sides of the paper for one sketch and then one side for another. Leaving whites, then laying sequential light to dark washes, working wet into wet. Sensing the timing and density of wash applications, painting all in one go. Making mistakes.

WorkshopPractice_190208j1 wet one side, top WorkshopPractice_190208i1 wet both sides WorkshopPractice_190208h1 value study
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Continued practice. Plein air color/value study and color sketch from the study and a reference photo. Testing pre-wetting the paper, leaving whites and sequential light to  dark washes, working wet into wet. Making mistakes.

WorkshopPractice_190208f1 WorkshopPractice_190208g1
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Continued practice. Repeating a scene, testing pre-wetting the paper, working wet into wet with sequential light to  dark washes. Making mistakes.

WorkshopPractice_190208b1
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Continued practice. Repeating a scene, testing pre-wetting the paper, leaving whites and sequential light to  dark washes.

WorkshopPractice_190208a1

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