Directed by Jacques Tourneur
Starring Dana Andrews, Brian Donlevy, Susan Hayward, Patricia Roc, Ward Bond, Hoagy Carmichael, Andy Devine, Lloyd Bridges
Canyon Passage (1946) is a large-scale tale of the Oregon Territory, Jacques Tourneur’s first Western and first color film, was a big hit back in 1946. It’s got a great cast (Ward Bond is terrific) and incredible Technicolor photography from Edward Cronjager, who also shot Lang’s Western Union (1941).
It’s coming to Blu-Ray from Kino Lorber later this year. You can bet it’ll look great.
Heard this morning that Peggy Stewart — who’ll find in everything from Son Of Zorro (1947), a Republic serial, to pictures with Roger, Autry and Elliot to an episode of Seinfeld — has passed away at 95.
Peggy was great in all those Westerns (I’m particularly fond of the ones she did with William Elliott), and as anybody who ever spoke with her at a Western convention or something will tell you, she was a really nice lady.
Directed by Nathan Juran
Starring Ronald Reagan, Dorothy Malone, Preston Foster, Alex Nicol, Ruth Hampton, Russell Johnson, Chubby Johnson, Dennis Weaver, Tom Steele
Just a reminder that Nathan Juran’s Law And Order (1953), a solid Western from Universal-International, is coming to Blu-Ray next month from Shout Factory. Can’t wait to see Clifford Stine’s gorgeous Technicolor photography in high definition.
Ronald Reagan’s a fed-up lawman who decides to hang up his guns. But you know how those things work out — soon he’s having to strap em back on to settle an old score. Reagan’s cool, Dorothy Malone is beautiful in three-strip Technicolor, and director Nathan Juran settles in for a good run of Westerns at U-I.
I don’t care what your politics are, this one comes highly recommended.
Directed by Edward Dein & Carlos Véjar Hijo
Starring Cesar Romero, Katy Jurado
Okay, so it’s not a Western. But Sword Of Granada (1953), also known as El Corazón Y La Espada and The Heart And The Sword, has plenty to recommend it. First, there’s the cast — Cesar Romero and Katy Jurado. Then there’s the fact that is was co-directed by Ed Dein, who also did Shack Out On 101 (1955) and Curse Of The Undead (1959). Dein wrote it with his wife Mildred. Then there’s the fact that it was the first Mexican film in 3D.
The folks at The 3D Archive have a Kickstarter campaign going to restore this thing in 3D — and include it in the second volume of their 3D Rarities series. Part of the plan is to track down the English tracks, too. All in all, a very cool endeavor.
If you’d like to be part of it, click on the half-sheet above.
Directed by Andre de Toth
Screenplay by Philip Yordan
Director Of Photography: Russell Harlan
Starring Robert Ryan, Burl Ives, Tina Louise, Alan Marshal, Nehemiah Persoff, David Nelson
1959 was a great year for 50s Westerns, taking the decade out on a really high note. And, for me, one of the cream of the year’s crop would have to be Andre de Toth’s Day Of The Outlaw. Kino Lorber has just announced a Blu-Ray release for August. Russell Harlan’s B&W cinematography should make this a must-have Blu-ray.
James Maitland Stewart
(May 20, 1908 – July 2, 1997)
Jimmy Stewart, one of the greatest movie stars of them all, was born 111 years ago today. Here he is with a couple more “greatest of them alls,” John Ford and John Wayne, on the set of The Man Who Shot Liberty Valence (1962). One of my favorite movies, and this is one of my favorite photos.
Directed by Henry King
Starring Gregory Peck, Helen Wescott, Millard Mitchell, Jean Parker, Skip Homeier, Karl Malden
One of the key 50s Westerns, Henry King’s The Gunfighter (1950, is making its way to Blu-Ray from Germany’s Explosive Media. Pictures like this, Winchester ’73 and Devil’s Doorway (all 1950) were a pretty good indicator that something was happening to the Hollywood Western.
This one is absolutely essential. Can’t wait to see Arthur C. Miller’s B&W cinematography in high definition.
Directed by Henry Hathaway
Starring John Wayne, Glen Campbell, Kim Darby, Robert Duvall, Dennis Hopper, Strother Martin, John Doucette
To mark the 50th anniversary of True Grit (1969), TCM has put together a string of screenings in hundreds of theaters this Sunday and Wednesday, May 5 and 8. To find a theater near you, click the lobby card above.
I’m always on the lookout for a photo of William Castle working on one of his Westerns. This one, from the set of The Americano (1955), is the only one I’ve come across. (He became a lot more visible when he started producing his own horror movies.) He’s seen here with executive producer Sam Wiesenthal and Ursula Thiess. The Americano — with Glenn Ford, Frank Lovejoy, Cesar Romero and Miss Thiess, was a troubled production begun by Budd Boetticher in Brazil and finished some time later by Castle.
William Castle might be my favorite filmmaker. From the Whistler series to gimmicky stuff like House On Haunted Hill (1958), he sure made the movies fun. The low-budget Westerns he did at Columbia for Sam Katzman — pictures like Masterson Or Kansas and The Law Vs. Billy The Kid (both 1954) are among my favorites.