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https://ellingtonreflectionsdotcom.files.wordpress.com/2019/04/bubber-miley.mp3“Bubber Miley was from the body and soul of Soulville. He was raised on soul and saturated and marinated in soul. Every note he played was soul filled with the pulse of compulsion…..

Bubber was born in South Carolina, but his family moved to New York when he was quite young, and he was raised there. His growl solos with the plunger mute were another of our early sound identities, and between 1925 and 1929 he laid the foundation of a tradition that has been maintained ever since by men like Cootie Williams and Ray Nance.” –

– Duke Ellington, Music Is My Mistress

The recordings heard on this podcast episode: (UNDER CONSTRUCTION)

Take it Easy

Black and Tan Fantasy

East St. Louis Toodle-oo

The Mooche (1 Oct 1928)

The Mooche (17 Oct 1928)

The Mooche (30 Oct 1928)

Louisiana (Paul Whiteman Orchestra)

Louisiana

Flaming Youth

Doin’ the Voom Voom

Rockin’ Chair .

— Our closing music —-

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

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https://ellingtonreflectionsdotcom.files.wordpress.com/2019/04/portrait-of-fred-guy.mp3“Freddy Guy  was born in Georgia, but he had been in New York most of his life when he joined us in 1925, and he knew Harlem backwards and forwards. He was rather a serious type of fellow, and was always giving us advice, but his guitar was a metronome and the beat was always where it was supposed to be. He was a good man at managing finances, too. Herman Stark, the manager of the Cotton Club, used to say to me, “You are going to be a very famous star, but Freddy Guy is going to wind up with the money.””

-Duke Ellington, Music Is My Mistress

Fred Guy and Duke Ellington, 1925

Fred Guy, 1946

Fred Guy’s Autograph (from eBay)

Fred Guy played and endorsed Levin, a Swedish guitar brand

The recordings heard on this podcast episode:

Rainy Nights (CD: 1924-1926: Birth of a Band, Vol. 1 EPM #HS151042)

Recorded November, 1924 New York City

Bubber Miley  – trumpets; Charlie Irvis – trombone; Otto Hardwicke – alto sax; Duke Ellington – piano; Fred Guy – banjo; Sonny Greer – drums.

Echoes of the Jungle (CD: Highlights from the Duke Ellington Centennial Edition (1927-1973) RCA Victor 09026636722)

Recorded 16 June 1931, Camden, New Jersey

Arthur Whetsel, Cootie Williams, Freddie Jenkins – trumpet; Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.

The Sergeant Was Shy (CD: “The Complete 1932-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248)

Recorded 28 August 1939, Boston

Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor – bass; Sonny Greer – drums.

Warm Valley (CD: “Duke Ellington: Stereo Reflections In Ellington” Natasha Imports ‎– NI-4016)

Recorded 31 July 1940, Detroit

Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Ben Webster, Johnny Hodges, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor – bass; Sonny Greer – drums.

Caravan (CD: “Black, Brown & Beige” Bluebird 6641-2-RB)

Recorded 11 May 1945, New York City

Shelton Hemphill, Taft Jordan, Cat Anderson, Ray Nance, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Claude Jones – trombone; Jimmy Hamilton, Otto Hardwicke, Johnny Hodges, Al Sears, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Junior Raglin – bass; Sonny Greer – drums.

— Our closing music —-

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

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https://ellingtonreflectionsdotcom.files.wordpress.com/2019/03/podcast-treasury-part-iii.mp3

“In April 1945, Duke Ellington began what was to be the largest single recording project of his career, though it is most unlikely that he or anyone else thought of it in such terms at the time… [He] signed an agreement with the newly formed American Broadcasting Company to broadcast a series of hour-long Saturday afternoon network shows under the title “A Date With The Duke.”… The recordings of these complete broadcasts…make up the largest single block of material in the Ellington discography.”

– Eddie Lambert, A Listener’s Guide – Duke Ellington

 

Seventh War Loan Drive 220475-27 | Footage Farm - YouTube

The recordings heard on this podcast episode:
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https://ellingtonreflectionsdotcom.files.wordpress.com/2019/03/podcast-19-005-duke-ellington-raconteur-extraordinaire.wav

Lesson about finger snapping - Duke Ellington - YouTube

The recordings heard on this podcast episode:

Monologue (Pretty and the Wolf)  (CD: “The 1953 Pasadena Concert” Vogue 600105)

Recorded 20 March 1953, Pasadena California

Duke Ellington – narrator; Jimmy Hamilton, Russell Procope – clarinet; Harry Carney – bass clarinet; Wendell Marshall – bass; Butch Ballard – drums.


Ballet of the Flying Saucers/Zajj’s Dream (CD: “A Drum Is A Woman” Sony Music Distribution COL4713202)

Recorded 25 September 1956, New York City

Willie Cook, Cat Anderson, Ray Nance – trumpet; Clark Terry – trumpet, flugelhorn; Britt Woodman, Quentin Jackson, John Sanders – trombones; Jimmy Hamilton, Russell Procope, Johnny Hodges, Rick Henderson, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano and narration; Jimmy Woode – bass; Sam Woodyard – drums; Joya Sherrill, Margaret Tynes, Choir – vocals.

My People/The Blues (CD: “My People – The Complete Show” Storyville Records 1018430)

Recorded 20, 21 & 27 August 1963, Chicago

Duke Ellington – speech; Bill Berry, Ziggy Harrell, Nat Woodard, Ray Nance – trumpet; Britt Woodman, Booty Wood, John Sanders – trombone; Russell Procope, Rudy Powell, Harold Ashby, Pete Clark, Bob Freedman – reeds; Billy Strayhorn – piano; Joe Benjamin – bass; Louie Bellson – drums; Juan Amalbert – conga; Joya Sherrill – vocal.

The Little Purple Flower, Parts I and II (LP: “The Yale Concert” Fantasy Records F9433)

Recorded 26 January 1968, New Haven, Connecticut

Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Johnny Hodges, Russell Procope, Jimmy Hamilton, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Jeff Castleman – bass; Sam Woodyard – drums.

Chinoiserie (LP: “Concerts in Canada” Special Release of the Canadian Duke Ellington Society commemorating Ellington ’87 may 16 – 18 Toronto)

Recorded 25 May 1973, Winnepeg

Cootie Williams, Mercer Ellington, Harold “Money” Johnson, Johnny Coles – trumpet; Vincente Prudente, Murray McEachern, Chuck Connors – trombone; Russell Procope, Harold Minerve, Harold Ashby, Paul Gonsalves, Doug Harris, Harry Carney – reeds; Duke Ellington – piano; Joe Benjamin – bass; Rufus Jones – drums.

The Clown

Recorded 29 September 1969, UC Berkley

Duke Ellington – narrator; Cootie Williams, Cat Anderson, Willie Cook, Mercer Ellington – trumpet; Lawrence Brown, Benny Green, Chuck Connors – trombone; Russell Procope, Johnny Hodges, Harold Ashby, Paul Gonsalves, Harry Carney – reeds;  Victor Gaskin – bass; Rufus Jones – drums.

Ellington Final Speech (CD: “Duke Ellington’s 70th Birthday Concert” Solid State SS 19000)

Recorded 26 November 1969, Manchester, England

Cootie Williams, Cat Anderson, Mercer Ellington, Rolf Ericson – trumpet; Lawrence Brown, Chuck Connors – trombone; Russell Procope, Norris Turney, Johnny Hodges, Harold Ashby, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Victor Gaskin – bass; Rufus Jones – drums.

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https://ellingtonreflectionsdotcom.files.wordpress.com/2019/02/podcast-treasury-ii.mp3

“In April 1945, Duke Ellington began what was to be the largest single recording project of his career, though it is most unlikely that he or anyone else thought of it in such terms at the time… [He] signed an agreement with the newly formed American Broadcasting Company to broadcast a series of hour-long Saturday afternoon network shows under the title “A Date With The Duke.”… The recordings of these complete broadcasts…make up the largest single block of material in the Ellington discography.”

– Eddie Lambert, A Listener’s Guide – Duke Ellington

 

Seventh War Loan Drive 220475-27 | Footage Farm - YouTube

The recordings heard on this podcast episode:

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https://ellingtonreflectionsdotcom.files.wordpress.com/2019/02/and-now-for-something.mp3

Moon Maiden represents my public debut as a vocalist, but I don’t really sing. I’m a pencil cat. My other number will be I Want To See The Dark Side Of Your Moon, Baby. Everybody dreams about going to the moon, but I have too many obligations here, too many projects I haven’t completed.”

Duke Ellington

Apollo 11: As it Happened - Duke Ellington: Moon Maiden - YouTube

Duke Ellington's Moon Maiden - YouTube

The recordings heard on this podcast episode:

Moon Maiden (LP: “The Intimate Ellington” Pablo 2310-787)

Recorded  14 July 1969, New York City

Duke Ellington – vocal, celeste.

Moon Maiden (CD: “Live and Rare” Bluebird 09026-63953-2)

Recorded 4 September 1969, New York City

Cootie Williams, Willie Cook, Lloyd Michaels – trumpet; Lawrence Brown, Benny Green, Chuck Connors – trombone; Norris Turney, Russell Procope, Johnny Hodges, Harold Ashby, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano, vocal; Wild Bill Davis – organ;Paul Kondziela, Victor Gaskin – bass; Rufus Jones – drums.

Black and Tan Fantasy (CD: “Jump for Joy” Jazz Life CD CD 15012)

Recorded 25 May 1962, New York City

Bill Berry, Roy Burrowes, Cat Anderson, Ray Nance – trumpet; Leon Cox, Lawrence Brown, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Aaron Bell – bass; Sam Woodyard – drums.

Discontented Blues / Once In A Blue Mood (CD: “The Complete Capitol Recordings of Duke Ellington” Mosaic Records MD5-160)

Recorded 19 May 1955, Chicago

Ray Nance – trumpet; Quentin Jackson – trombone; Russell Procope – clarinet, alto sax; Duke Ellington – electric piano; Jimmy Woode – bass; Dave Black – drums.

(CD: “Duke Ellington: Stereo Reflections In Ellington Natasha Imports ‎– NI-4016)

Mood Indigo/Hot And Bothered/Creole Love Call

Recorded 3 February 1932, New York City

East St. Louis Toodle-O/Lot O’ Fingers/Black And Tan Fantasy

Recorded 9 February 1932, New York City

Arthur Whetsel, Freddie Jenkins, Cootie Williams – trumpet; Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.

— Our closing music —-

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

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https://ellingtonreflectionsdotcom.files.wordpress.com/2019/01/portrait-of-johnny-hodges-new-total.mp3“You ever drink any cool, clean spring water? You can add things to it, make lemonade, beer, coffee, or what have you, but when you’re thirsty it’s hard to beat it just as it is. And it’s probably better for you than the kind hyped up with chlorine. Well, to me, Johnny [Hodges] was like that spring water – the real thing, unadulterated. He didn’t change either. Maybe he added ideas as he went along, but he was always true to himself.”

Earl “Fatha” Hines

Johnny Hodges

1963 Payroll ledger sheet for the Duke Ellington Orchestra. Johnny Hodges (line 12) was the highest paid member of the band.

Click here for a link to hear Johnny Hodges interview by Willis Conover

Duke Ellington & Johnny Hodges - Passion Flower - YouTube

"Rondolet" ("Slamar in D-Flat") - The Duke Ellington Orchestra (Live In Studio) - YouTube

Johnny Hodges on All of Me - Saxophone Solo Transcription (Duke Ellington and his Orchestra) - YouTube

Johnny Hodges -WICKED| BAD|Sax solo -things aint what they used to be transcription - YouTube

Jazz Process Video #12 - "Johnny Hodges Amazing Alto Sax Style" - YouTube

Bend Notes Like Johnny Hodges! - YouTube

The recordings heard on this podcast episode:
  1. Jeep’s Blues (CD: “Ellington at Newport 1956 (Complete)” Columbia Legacy C2K 64932)

    Recorded 07 July, 1956 Live at The Newport Jazz Festival Newport, RI

    Cat Anderson, Clark Terry, Willie Cook, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Johnny Hodges, Russell Procope, Paul Gonsalves, Jimmy Hamilton, Harry Carney – reeds; Duke Ellington – piano; Jimmy Woode – bass; Sam Woodyard – drums.

Half the Fun / The Star-Crossed Lovers (LP/CD “Such Sweet Thunder” Columbia CL 1033/Columbia/Legacy 65568)

Recorded 24 April 1957, New York City

Willie Cook, Cat Anderson(t); Clark Terry(t,fl); Ray Nance – violin; Britt Woodman, Quentin Jackson, John Sanders – trombones; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Jimmy Woode – bass; Sam Woodyard – drums.

 

Flirtibird (CD: “Anatomy of a Murder” Columbia/Legacy CK 65569)

Recorded early June 1959 in Los Angeles

Cat Anderson, Harold Baker, Gerald Wilson, Clark Terry, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington, Billy Strayhorn – piano; Jimmy Woode – bass; Jimmy Johnson – drums.

 

The Midnight Sun Will Never Set / Goodbye (CD: “Recollections Of The Big Band Era” Atlantic Jazz ‎– 7 90043-2)

Rondolet (CD: “Duke Ellington ‎– The Private Collection, Volume Eight Studio Sessions” Saja Records ‎– 7 91232-2)

Hi, June (CD: “Cool Rock” LaserLight Digital ‎– 15 782)

Blood Count (LP: “The Greatest Jazz Concert In The World” Pablo Records ‎– 2625 704)

Snibor (CD: “…And his Mother called him Bill” RCA 6287)

Recorded 28 August 1967, New York City

Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington – trumpets; Clark Terry – flugelhorn; Lawrence Brown, Buster Cooper – trombones; Chuck Connors – bass trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Aaron Bell – bass; Steve Little – drums.

 

Blues for New Orleans (CD: “New Orleans Suite,” Warner Bros. 7411644)

Recorded 27 April, 1970 New York City

Cootie Williams, Al Rubin, Mercer Ellington, Fred Stone – trumpets; Booty Wood, Julian Priester, Malcolm Taylor – trombones; Russell Procope, Norris Turney, Johnny Hodges, Harold Ashby, Paul Gonsalves, Harry Carney – reeds; Wild Bill Davis – organ; Duke Ellington – piano; Joe Benjamin – bass; Rufus Jones – drums.

— Our closing music —-

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

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https://ellingtonreflectionsdotcom.files.wordpress.com/2019/01/portrait-of-johnny-hodges-pt.-ii.mp3

“I don’t suppose there is anybody in the business who can do more with a melody than Johnny Hodges.”

Wild Bill Davis

Johnny Hodges and Billy Strayhorn

The recordings heard on this podcast episode:

Straight Back (CD: “The Complete Verve Johnny Hodges Small Group Sessions 1956-61” Mosaic MD6-200)

Recorded 7 April 1959, New York City

Harold “Shorty” Baker – trumpet; Quentin Jackson, John Sanders – trombone; Johnny Hodges, Jimmy Hamilton, Ben Webster – reeds; Jimmy Jones – piano; Les Spann – guitar; Ray Brown – bass; Jo Jones – drums.

Echoes of Harlem/ Black, Brown and Beautiful (CD: Oliver Nelson “Black, Brown and Beautiful” )

Recorded 17/19 March 1970, New York City

Ernie Royal, Snooky Young, Marvin Stamm, Randy Brecker – trumpets; Al Grey, Garnett Brown, Quentin Jackson, Thomas Mitchell – trombones; Johnny Hodges, Danny Bank, Frank Wess, Jerome Richardson, Jerry Dodgion, Joe Farrell, Bob Ashton – reeds; Hank Jones – piano; Ron Carter – bass; Grady Tate – drums.

Wanderlust (CD: Johnny Hodges “Buenos Aires Blues” Lone Hill Jazz ‎– LHJ10373)

Recorded 26 May 1963, New York City

Johnny Hodges – alto sax; Lalo Schifrin – piano; Barry Galbraith – guitar; George Duvivier – bass; Dave Baker – drums.

Squatty Roo (CD: “Johnny Hodges, Verve Jazz Masters 35” Verve 314 521 857-2)

Recorded 20 February 1959, New York City

Johnny Hodges – alto sax; Dizzy Gillespie – trumpet; Junior Mance – piano; Les Spann – guitar; Sam Jones – bass; Lex Humphries – drums.

Back Beat (CD: “Johnny Hodges, Verve Jazz Masters 35” Verve 314 521 857-2)

Recorded 17 November 1959, Los Angeles

Johnny Hodges – alto sax; Gerry Mulligan – baritone sax; Claude Williamson – piano; Buddy Clark – bass; Mel Lewis – drums.

In a Sentimental Mood (CD: “Johnny Hodges with Lawrence Welk’s Orchestra” Ranwood Records 8246)

Recorded 21 December 1965, Los Angeles

Johnny Hodges – alto sax; Lawrence Welk orchestra – musicians uncredited.

Rabbit Out of the Hat (CD: “Con Soul & Sax/Wild Bill is the Boss” Lone Hill Jazz LHJ10283)

Recorded 17 January 1966, New York City

Johnny Hodges – alto sax; Lawrence Brown – trombone; Jimmy Hamilton – clarinet; Wild Bill Davis – organ; Billy Butler – guitar; Bob Bushnell – bass; Joe Marshall – drums.

Stolen Sweets (CD: “Mess of Blues” Lone Hill Jazz LHJ10285)

Recorded 3/4 September 1963, New York City

Johnny Hodges – alto sax; Wild Bill Davis – organ; Kenny Burrell – guitar; Osie Johnson – drums.

Don’t Sleep in The Subway (CD: “Johnny Hodges, Verve Jazz Masters 35” Verve 314 521 857-2)

Recorded 17, 18, 21 August 1967, Los Angeles

Johnny Hodges – alto sax; Ernie Royal, Snooky Young – trumpet; Bill Berry – trumpet, vibraphone; Tony Studd – bass trombone; Jerome Richardson, Frank Wess – flute, clarinet, alto sax; Jimmy Hamilton – clarinet, tenor sax; Danny Bank – baritone sax, clarinet; Hank Jones – piano; Everett Barksdale – guitar; Milt Hinton – bass; Grady Tate – drums; Jimmy Jones – arranger, conductor

Broadway Babe (CD: Mercer Ellington “Stepping Into Swing Society” Fresh Sound Records FSR-CD 531)

Recorded 20 July 1958, New York City

Cat Anderson, Harold “Shorty” Baker, Clark Terry – trumpet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Johnny Hodges, Russell Procope, Jimmy Hamilton, Ben Webster, Harry Carney – reeds; Jimmy Jones – piano; Skeeter Best – guitar; Wendell Marshall -bass; Joe Marshall – drums.

The Gal From Joe’s/ Your Love Has Faded (CD: “Johnny Hodges, soloist, Billy Strayhorn and The Orchestra” Verve 314 557 543-2)

Recorded 11/12 December 1961, New York City

Cat Anderson, Harold “Shorty” Baker, Ed Mullens, Bill Berry – trumpets; Lawrence Brown, Quentin Jackson, Chuck Connors – trombones; Johnny Hodges, Russell Procope, Jimmy Hamilton, Paul Gonsalves, Harry Carney – reeds; Billy Strayhorn – piano; Jimmy Jones – piano; Aaron Bell – bass; Sam Woodyard – drums.

Once Upon a Time (CD: Earl Hines “Once Upon a Time” Impulse! A-9108)

Recorded 10/11 January 1966, New York City

Cat Anderson, Clark Terry, Ray Nance, Bill Berry – trumpet; Lawrence Brown, Buster Cooper – trombone; Johnny Hodges, Russell Procope – alto sax; Paul Gonsalves, Harold Ashby – tenor sax; Earl “Fatha” Hines – piano; Aaron Bell -bass; Elvin Jones – drums.

— Our closing music —-

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

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https://ellingtonreflectionsdotcom.files.wordpress.com/2018/12/Portrait-of-Johnny-Hodges-part-I.mp3

“As a youngster, Johnny Hodges was a saxophonist in Boston whose style, in the estimation of all other alto saxophonists, was unique. Even now, I have never yet met and don’t know of a saxophonist who didn’t say he was knocked out by Johnny Hodges”

-Duke Ellington, Music is my Mistress

Mark Sowlakis‘ blog post on Johnny Hodges, which features several transcriptions, can be found at this link

Birth record for Cornelius Hodge

Johnny Hodge(s)’ application for a Social Security Number

Cootie Williams, Harry Carney and Johnny Hodges – 1938

Ben Webster, Charlie Parker, and Johnny Hodges – 1952

The recordings heard on this podcast episode:

Tishomingo Blues

Jeep’s Blues

The Jeep Is Jumpin’

Riding on a Blue Note

On the Sunny Side of the Street

On the Sunny Side of the Street

In A Mellow Tone

Blue Goose

Giddy Bug Gallop

Mood to be Woo’ed

Castle Rock

In A Mellow Tone (CD: John Coltrane “First Giant Steps” RLR Records, RLR 88619)

Recorded June 1954, Los Angeles

Johnny Hodges – alto sax; Harold “Shorty” Baker – trumpet; Lawrence Brown – trombone; John Coltrane – tenor sax; Cal Cobbs (?) – piano; Joe Williams – bass; Joe Marshall – drums.

What is this Thing Called Love (CD: Charlie Parker “Jam Session”       )

Recorded July 1952, Los Angeles

Charlie Shavers – trumpet; Johnny Hodges, Benny Carter, Charlie Parker – alto sax; Ben Webster, Flip Phillips – tenor sax; Oscar Peterson – piano; Barney Kessell – guitar; Ray Brown – bass; J. C. Heard – drums.

— Our closing music —-

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

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