Blue Roof Designs blog | Adventures in Bookbinding
Bookbinding blog by Elissa Campbell of Blue Roof Designs. Learn about her work in handmade books. Work includes Journals, photo albums and guest books handmade using traditional bookbinding techniques.
Welcome to your Book Arts guide for Spring Open Studio Weekend 2019!
Vermont Open Studio Weekend is coming up this weekend (May 25 & 26)! I like supporting other book artists when I can, so I dedicate a blog post to them during every open studio event. There are four book artsy studios participating (besides mine) this spring.
I created the Google map at the bottom of this post which includes all of the studios to help you plan your travels. I wish I could say that the book arts studios are close to each other, but sadly, they’re not. Look at this way – you’ll get a really great tour of Vermont’s gorgeous landscape while on your travels.
I’ll be referring to studios by both name and number – the number refers to a listing in the yellow Spring Event and Resource Guide. The colors of the studio numbers in this post match the colored markers in the Google map. By the way, I’m studio #128.
There are several ways to get your hands on a map:
I tried to find the most direct route between the studios so you could avoid backtracking. This route starts at the northernmost studio and travels clockwise. And away we go!
The first studio is #1,Meta Strick – she does it all. Oh my goodness, her calligraphy! She does wonderful mixed media work, including dolls that have a book component. She has a great philosophy that you can make anything into a book – it should come as no surprise to you that she’s a teacher.
Next is #140, Ken Leslie. Ken often creates books in a circular format – a practice that developed out of his dissatisfaction with rectangular painting shapes. His themes frequently focus on natural cycles, such as day/night and the seasons. The size of his work ranges from miniature to really ginormous – you can walk through some of his books when they’re open.
Stop number three is studio #127 – Kelly McMahon of May Day Studio. Kelly is both a letterpress printer and a bookbinder. She carves many of her designs in linoleum for her beautiful gift wraps (which are totally frame-able). She was lucky enough to intern at the San Francisco Center for the Book, so you know she’s got skills. Kelly’s studio is about 1.6 miles from mine.
Last stop on the tour is studio #48 is Carolyn Shattuck, a seasoned printmaker and bookmaker. She often cuts up scrap monotypes and uses the pieces in her handmade books. For her, the book arts have been the focus of a body of work combining drawing and print assemblage techniques in three dimensional form. Many of her books include pop-up elements to set the scene for her deeply personal storytelling.
Here’s the aforementioned Google Map for planning your route:
Click on the map to enlarge
If you go to any of the studios, please share your experiences in the comments below. And if you have pictures, I’d love to see them…sadly, I don’t get to leave my studio to visit others during the event.
I was recently tapped to participate in a binding project using unbound copies of Uppercase Magazine‘s Encyclopedia of Inspiration. I was surprised that I was picked – some heavy hitters have been chosen for previous editions.
That said, I accepted the challenge and now an unbound copy of Ephemera sits before me in all it’s naked glory. What have I gotten myself into?
So, this project I mentioned – what’s that all about? Well, Janine Vangool, publisher, editor and designer for Uppercase Magazine gives sixteen unbound copies of each book to bookbinders who then create covers based on the contents. The resulting bindings are unique in approach, with different covering materials, bookbinding structures and ornamentation techniques. When a new volume of the encyclopedia is published, the most recent binders select sixteen new binders to participate.
Thankfully, I have an idea of how I might create my binding – if all goes well, it will incorporate things I collected during my 2016 trip to Japan.
If you’d like to learn more about the different volumes included in the Encyclopedia of Inspiration series, check out these links:
You can follow along on my binding journey here on my blog, or you can check out my Instagram feed. While you’re there, follow hashtag #bindephemera to see what all of the project participants are doing.
Vermont’s 27th Spring Open Studio Weekend is coming up this Memorial Day weekend, May 25 & 26! Artists across the state are busy creating work and cleaning their studios just for you.
Most Vermont craftspeople work in studios located in or close to their residences. These are places of production and inspiration located in downtowns as well as at the ends of dirt roads. They are exciting places to visit because they reflect the dynamic yet organized process that is used to produce the finished work of art.
The studio itself is enormously informative because you can see at a glance how the artist works. Buying or ordering work during an Open Studio sale is a unique experience because you have the opportunity to speak to the artist directly.
I send out a postcard every time I participate in Open Studio Weekend (yep, people still use mail). Check out the snazzy postcard that went out this time:
If you’d like to be added to my snail mail list, just let me know. I love stamping postcards!
My studio is an obvious first stop on your tour. Books are my thang and I will talk your ear off if you let me. In a good way, I promise.
Once you’ve had your fill of book talk and Cabot cheese, you can easily visit five other artists within a 15 minute drive of my studio. Montpelier and Worcester offer sweet little gems for your studio hopping pleasure.
I’ve listed these local studios below, where I’m referring to them by both name and number – the number refers to a listing in the yellow 2019 Spring Event & Resource Guide. There are several ways to get your hands on a guide:
Note: If you’re wondering why the studio numbers are different colors, that’s because they correspond with the marker colors on the map I created to help you plan your travels. Behold – the Google Map!
Click on the map to enlarge
If you do plan on coming to the Montpelier area, let me know and I’d be happy to recommend some local restaurants for your dining pleasure.
If you’ve followed my blog for a while, then you know how much I love book arts-related badges/patches. It all started with a set of bookbinding merit badges I purchased nine (!) years ago. Since then, I’ve grown my collection to include scout badges from Ireland and New Zealand, along with other non-scout patches.
I recently discovered DIY.org, an online community where kids (16 years and younger) can learn new skills and earn patches for their efforts. If you consider yourself un-scouty, then this program might be right up your family’s alley. And it’s free!
Memories and treasures should last a lifetime and be passed on to future generations. Sponsored by the ALA’s Association of Library Collections & Technical Services (ALCTS), Preservation Week inspires actions to preserve personal, family, and community collections in addition to library, museum, and archive collections. It also raises awareness of the role libraries and other cultural institutions play in providing ongoing preservation education and information.
Preserving the artifacts of your own history is an important effort. Photographs, documents, heirlooms – they’re not just things, they’re a collection of precious, personal stories and they shouldn’t be lost to future generations.
Here are some things you can do this week to join in the movement:
It’s that time of year – this little blog of mine is 11 years old!
In keeping with my custom of following the schedule of traditional and modern anniversary gifts, I will be giving myself fashion jewelry or something made of steel. Okay, so that jewelry thing isn’t going to happen – I’m really not a fashion gal.
There are so many options for steel when it comes to bookbinding tools. I already have several in my collection, including spatulas, awls, and dividers. Among my favorites are a stainless steel Kelm folder and awl made by Shanna Leino…
…and a pair of Nigiri Basami, traditional Japanese sewing scissors that I acquired on a trip to Japan.
I think what I’ve settled on is investing in more screw punches – the bits are made of steel. I want to get the punches so students can use them in my classes.
If you have any other steely suggestions, I’m all ears!
First sponsored in 1958, National Library Week is a national observance sponsored by the American Library Association (ALA) and libraries across the country each April. It is a time to celebrate the contributions of our nation’s libraries and librarians and to promote library use and support. All types of libraries – school, public, academic and special – participate.
I love libraries. This should be evident in the fact that my daughter’s bedroom is library-themed – check out her awesome book cart:
Official celebrations during National Library Week include:
It’s been a while since I participated in the Are You Book Enough challenge on Instagram (#areyoubookenough). It’s ironic that this month’s theme is family, considering that that’s what made it so hard to join in the fun (21-month-old daughter = very little free time).
Luckily, I recently made something for another purpose that fits with the theme so I’m going to double dip this month.
If you’re new to following me, you may not yet know that my daughter is adopted. We have an open adoption and I feel that by extension, Anna’s biological family is our family.
We send Anna’s biological parents four written updates annually and being me, I’ve felt like I should do something more than just typing up a letter on my computer. It has been a wonderful to revisit Anna’s life every three months and to memorialize her experiences on paper. On paper! Our most recent update included the most pieces to date. I created the full set in an edition of three – one for each bio parent and one for Anna.
We call our written updates Annagrams. This update was bound with a pamphlet stitch and a handmade paper cover. Our updates include details of trips to the pediatrician (head circumference!), her current favorite songs, and daily activities. Included with the book is a selection of photos wrapped in Unryu and secured with washi tape.
I also created an accordion book to hold images that were suited to the square format, collages that my husband put together. Each tells one of Anna’s stories – her first trip to the dentist, visiting with family during the holidays, etc.
I hope that the updates we send are successful in conveying the deep love and gratitude we feel. We have truly been given a gift beyond measure.
This past weekend, a bunch of souls braved a blizzard – not weather-wise, but learning-wise. I held my first Blizzard of Blizzards workshop at Studio Place Arts, where folks completed five structures invented by the fabulous Hedi Kyle.
Just look at the serious faces on these folks:
Hedi invented her famous folded Blizzard Book structure during a snowstorm. By making modifications to the folded components, you can create other structures – Hedi affectionately refers the collection as the Blizzard Clan.
This workshop was folding-heavy and there was no getting around it. One of my students called the experience the Triangle Wrangle. I love that so much.
I love picking out papers for workshops. Japanese Chiyogami is perfect for folding because it doesn’t crack and it’s happy to go in any direction you choose. Printed papers by Debra Glanz (sadly no longer available) have a very pronounced grain, so I’m glad I tested them before including them in the kits.
One of the structures required paper with a measurement that was beyond usual paper sheet dimensions. For this structure, I used kraft paper from a roll. It’s a very forgiving paper and I’m happy with how well it worked. I got it from Amazon. FYI – This is a genuine recommendation (I don’t get a commission).
Ahhh…blizzards in the sun…
If you want to learn these structures yourself, they’re all included in the very awesome book The Art of the Fold. The book was written by Hedi and her daughter Ulla Warcholand was published last year.
If you’re on the fence about getting this book, don’t be – you should totally get it. It now has a permanent home on my list of recommended texts on bookbinding and it’s destined to be a classic.
A group of my Book Arts Guild of Vermont friends and I have two challenges going on at the moment, the first of which I just started to tackle.
The project involves a bunch of sign letters and grid paper that one of my friends found at a flea market. Letters and grids were batched up for everyone and we were given free rein on what we decided to do with them.
Each letter comes in three sizes, as you can see below.
My friend Marcia (@marciavogler) already finished her book – you can see it on Instagram and it is so cool. And another friend, Becky (@boardbecky) finished hers, but it’s not up on Instagram yet. I am feeling the pressure.
My process was jump-started by thinking about how I might use tombstone rubbing wax to create text. I bought a batch after having used them during Hedi Kyle’s workshop at North Country Studio Workshops last year.
I wanted to get the full rainbow rubbing wax assortment like Hedi’s, but couldn’t find it online. I called the manufacturer and was told that the sets are no longer being made. In addition, the silver and gold waxes are no longer being produced because lead is one of the ingredients. Bummer.
I laid out some letters, put a piece of silk bookcloth over it, and rubbed away.
I thought it came out great – and the best part is that the wax doesn’t seem to rub off much if something comes in contact with it (I rubbed a piece of paper on it to test). I also tried rubbing the wax on both sides of a sheet of paper to see if there would be any weirdness – nope. It was all good.
I have a vague idea of my book’s overall concept, but it needs work. Stay tuned to see where this goes!