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(by Meera Ramanathan) Before I begin my post, I want to call a truce. A firm believer in “we are all in this together” am hoping we can ..read more
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‘Kaappaan’ wants to be everything to everyone, and that’s not a problem, but the writing is so clumsy that you don’t feel for ..read more
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Read the full article on Firstpost, here: https://www.firstpost.com/entertainment/hirokazu-kore-edas-like-father-like-son-and-its-nature-vs ..read more
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The “deliberate” theatricality is everywhere. The very location looks like a stage, with the barest of props and a very visible ..read more
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For more, subscribe to FILM COMPANION SOUTH: http://bit.ly/2xoNult Copyright ©2019 Film Companion ..read more
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The director, who’s from television, doesn’t want ‘people’. He is content with flat, sitcom-style cartoons and poke-in-the-ribs ..read more
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Read the full article on Firstpost, here: https://www.firstpost.com/entertainment/why-czech-film-extase-by-gustav-machaty-is-important-for- ..read more
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All the A-for-apple screenplay wants to do is comfort us with clichés — say, the fact that friends you have lost touch with over the ..read more
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Santhakunar’s second film sounds better than it plays out — and part of it, I think, is the strain of striving to be a Great Movie™. ..read more
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For more, subscribe to FILM COMPANION SOUTH: http://bit.ly/2xoNult Copyright ©2019 Film Companion ..read more

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