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One of the many reasons I haven’t had much time to blog lately is the fact that I went back to grad school in September. I’m working on my doctorate at Northeastern University. Working full time and going to school has meant all the writing I’ve had time to do has mostly been for school, but it’s been a fantastic learning experience so far. I have learned so much from the reading and writing I have done. I can’t even compare my experience with earning my master’s degree to my experience working on my doctorate, and I’m only sorry I wasted so much tuition money and time on the master’s. Here I’m showing my ignorance, but I didn’t realize one could go right into a doctoral degree program with a bachelor’s degree.

My dissertation in practice is an action research investigation on grading and assessment practices. If you’ve been reading this blog for a while, it’s perhaps not a surprise, as assessment has been an interest of mine for a long time. I have come to the conclusion that grading impedes not only motivation but also learning, as students tend to focus on the grade at the expense of the learning. It’s true that some students don’t find grades to be a motivator, and those students tend to view them more as a stick than a carrot. Whether grades motivate students or not, however, they do encourage students to focus on the wrong thing, and even students who truly want to learn find grades demotivating. Students have told me they are afraid to take risks. They select “easier” options. They try to figure out what the teacher wants to hear and parrot it back rather than think for themselves. All of this is anecdotal—I’ve seen it many times over the years; however, I see no reason why students would be dishonest about their feelings regarding grades.

Going back to school has put me in the same position as my students. The anxiety I have experienced over my grades has been difficult to manage at times. Of course I want to learn, and I’d be lying if I said I didn’t want to please my professors. Even though I’m actually studying the effects of grading and know exactly what is happening to me, I find myself unable to focus only on the learning. I want to earn good grades too badly. It’s utterly ironic on a few levels. I’m actually doing very well, for one thing, and for another, the research is quite clear that grades are subjective, demotivating, and even contribute to poor performance (Cvencek, et. al., 2018; Klapp, 2015; Brackett, et. al., 2013; and Bloxham, et. al., 2016). My hunch is it has to do with mindset. I noticed my students relaxed quite a bit once I instituted a liberal revision policy.

One of my classmates mentioned that a professor I will have for a summer course is a hard grader. So naturally, I’ve already started worrying about a class I won’t start for nearly a month. It made me reflect a little bit on reputation. I don’t think I have a reputation for being a hard grader. One person told me my reputation was my expectations are “reasonable,” and I’ll take it. My students this year seemed to be happy in my classes, and my course surveys revealed they felt cared a for and that the choice and agency they had was important for their growth. I relaxed a lot on my own grading practices as a result of the research I have done and because of my own experiences as a student. I truly do not understand the need for a graduate program to use grades.

We know what to do about grading and assessment. I think one reason I was not accepted to another graduate program to which I applied is that my research does not examine a gap in the research. On the contrary, there is plenty of research on grading and assessment, and going all the way back to the 1800s, the research has been fairly clear. And yet, we keep reporting learning by using grades. So even though there is no gap in the research, it’s clear to me that classroom practices haven’t changed as a result of the research, and that’s what I’m interested in: change. We need to do right by our students and fix this problem that has plagued education for far too long.

References

Bloxham, S., den-Outer, B., Hudson, J., & Price, M. (2016). Let’s stop the pretence of consistent marking: Exploring the multiple limitations of assessment criteria. Assessment & Evaluation in Higher Education, 41(3), 466-481. doi:10.1080/02602938.2015.1024607

Brackett, M. A., Floman, J. L., Ashton-James, C., Cherkasskiy, L., & Salovey, P. (2013). The influence of teacher emotion on grading practices: A preliminary look at the evaluation of student writing. Teachers and Teaching, 19(6), 634-646. doi:10.1080/13540602.2013.827453

Cvencek, D., Fryberg, S. A., Covarrubias, R., & Meltzoff, A. N. (2018). Self‐concepts, self‐esteem, and academic achievement of minority and majority North American elementary school children. Child Development, 89(4), 1099-1109. doi:10.1111/cdev.12802

Klapp, A. (2015). Does grading affect educational attainment? A longitudinal study. Assessment in Education: Principles, Policy & Practice, 22(3), 302-323. doi:10.1080/0969594X.2014.988121

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©BBC, Fair Use for Educational Purposes

I know I am really late to this party, but I just discovered The Great British Bake Off. I have been catching up on each of the seasons available on Netflix. It’s rare for me to actually be able to binge-watch something, but I can watch The Great British Bake Off all day. I find it helps me destress a bit. I love seeing what the contestants come up with. I admit I haven’t watched the American versions. If you have, feel free to chime in here, but my feeling is that it couldn’t quite work the same way with American contestants because one of the best things about The Great British Bake Off is the fact that even though contestants are competing against one another, they support each other, show each other kindness, and even seem happy for others when they are named Star Baker or win the competition and sad to see contestants go. I’m not sure Americans are like that in a competition.

I don’t have this idea fully formed in my head yet, but for the past couple of weeks, I have been wondering what educators can take away from this show. I don’t mean the competition aspect, necessarily, but the structure of the show intrigues me as a learning model.

If you haven’t seen it, each week has a different focus: Bread Week, Pastry Week, French Week, etc. Some of these themes repeat each season, while others don’t necessarily. For example, the most recent season available on Netflix included a Vegan Week. Bakers have to display a wide variety of skills and apply what they know about baking to several challenges.

The first challenge in each episode (or week) is the Showcase Challenge. This challenge sets a goal, such as making 24 identical buns, that allows contestants to demonstrate their skills. They know the Showcase Challenge in advance and are allowed to practice recipes at home. The second challenge is the Technical Challenge. For this challenge, contestants do not know the recipe, and often, the judges set really difficult baking tasks for the contestants. They must apply what they know about baking to the challenge because in some cases, they are not given full, precise directions. It’s not uncommon, for example, for the baking directions to just say “bake” without offering baking time or temperature. The final challenge each week is the Showstopper Challenge. For this challenge, contestants must impress by going all out to create something truly amazing that fits the theme. For example, if it’s Cake Week, the judges might ask for a landscape cake with a whole scene in edibles.

I am a bread baker, somewhat new to baking bread as I had always thought it too intimidating. I’ve been baking bread about a year and a half or so. Not too long. I love baking bread. It tastes good, and it provides just the right amount of challenge coupled with simplicity—after all, it’s mostly just flour, water, salt, and yeast. I have had a sourdough starter going for about 15 months.  I started watching The Great British Bake Off thinking I would find it entertaining since I like to bake. I didn’t really expect to learn anything from the show, and not because I’m an expert or anything, but mainly because I don’t usually learn much from television or video. I generally have to read books. I actually will read cookbooks cover to cover. However, aside from learning a few things about baking that I didn’t expect to learn, I also noticed the show teaches a few important skills and competencies that it would be good for all students to learn.

First, the show asks contestants to apply their knowledge about a variety of baking skills, from cookies (or biscuits) to cakes to bread to pastries. All aspects of baking are important: the appearance, the flavors, the ability to follow instructions and deliver what is asked. Each week’s three challenges offer an opportunity to demonstrate different skills:

  • What can you produce within the confines of certain expectations with time to practice?
  • What can you produce bringing to bear what you know about baking when you are giving a challenging task?
  • What can you make that will really impress?

These skills could be applied to other kinds of learning. What if an art class tried these three different challenges? A Showcase with a chance to paint something you know well? A Technical that challenges you to apply a skill, such as stippling, to create a painting? A Technical that challenges you to apply an array of painting skills to create something.

What if a writing class gave students a Showcase challenge that allowed them to write in a genre of their choice about a topic? A Technical that gave a topic and challenged students to write in a specified genre? A Showstopper that asked students to write in several different genres on a topic?

These ideas are obviously not fully formed, but I must admit when I watch this show, several things impress me. The contestants take feedback really well and learn from it. They demonstrate a great deal of resilience and dedication to learning. They have to display a wide array of baking skills, probably far more than the average home baker usually knows. As I mentioned before, they are really supportive of each other. I have actually seen several contestants help others when they’re struggling.

I can’t help but wonder what might happen in a classroom that looked a little bit like The Great British Bake Off.

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Tomorrow I start the second quarter of my doctoral program, and I’m reflecting on last quarter. I am studying assessment, particularly grades and why they are not effective. I believe they reduce motivation, increase anxiety, and don’t actually tell us what students have learned. We can absolutely assess student learning without grades. I know many schools have gone gradeless, and I am hoping my research will help me explore the best ways to assess students.

My experience as a student being graded myself for the first time in a while was interesting. Though I was studying assessment and grading and knew what was happening intellectually with my anxiety and motivation, I couldn’t prevent myself from focusing on my grades. I will not go so far as to say I was motivated by my grades. Quite the opposite: I was terrified of my grades. For me, they weren’t a carrot, but a stick. And the strange thing is that I did very well last quarter. I did as well as I possibly could do. And the better I did, the more anxious I became because I felt like I had to maintain it. At a certain point, I was incredibly anxious just a single point would be taken off. That’s just ridiculous.

One night, I dreamed that one of my professors told me she would need to give me a bad grade on an assignment, and she also said I wouldn’t be able to revise. I remember feeling frustrated because each assignment seemed important for my learning, and if I really hadn’t done well, I needed to revise. Otherwise, what was the point of the assessment?

My dream never came true. I really enjoyed what I learned in my courses. I was able to have rich discussions with peers, and the assignments were really helpful in focusing my research and teaching me what I needed to know in order to move forward. I received good feedback from my professors and peers. I enjoyed the readings.

I’m writing this reflection for a couple of reasons. The first is that I need to be kind to myself and not focus as much on my grades from now on because the stress I put on myself was harmful. My back stayed clenched just about all quarter. I just need to remember the grades are not as important as the learning. I know they are not. They are meant to be feedback, even I believe they are imperfect feedback at best and incredibly harmful at worst.

The second reason I’m writing this is I might be just like a student in your class. When one of my students expressed anxiety over a small grade drop, I was much more empathetic with her than I might have been in the past because I was anxious about the same issues. I understood it wasn’t about a couple of points. The problem is deeper than that. And yet we call students “grade grubbers” and tell them not to focus on the minutiae, but at the same time, we tell them over and over how important grades are. And some of us, and you know who you are, insist the learning is important, but make no provision for revision.

I feel much more empathy for my students in general after going back to school. I would never characterize myself as lacking empathy, but the quality of my empathy has changed. One day my students came in stressed out over grades, college applications, graduation projects, and I don’t know what all. I asked them if they wanted to do a meditation exercise, so we used my iPhone app and did one. One of them gave me a shout out in morning meeting for “taking care of” them.

My goal is to prevent, as much as possible, causing undue stress. For the first time this year, I added a section to my course outline, which I adapted from my colleague Matt Miller:

Taking Care of Yourself

As a student, you may experience challenges that interfere with your learning—strained relationships, increased anxiety, feeling down, difficulty concentrating, and/or lack of motivation. These mental health concerns or stressful events may diminish your academic performance and/or reduce your ability to participate in daily activities.

It is important that you take time to take care of yourself. Do your best to maintain a healthy lifestyle by eating well, exercising, avoiding drugs and alcohol, getting enough sleep, and taking time to relax. Maintaining a healthy lifestyle will help you achieve your goals and cope with stress. If this class is the result of undue amounts of stress on you, please come discuss your concerns with me so that we can work on a solution to help you better manage your stress.

If you or anyone you know experiences serious academic stress, difficult life events or feelings of anxiety or depression, I strongly encourage you to seek support from a parent, teacher, advisor, coach, or counselor. Please let me know if I can assist you with this any way.

Be kind to your kids. And if you’re not being kind to yourself, fix that, too.

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I’ve been a little bit frustrated by my first unit in AP Lit. since my first year teaching it. Since this year is my fourth, it was time to make some changes or scrap it altogether, and since I felt it had some real potential, I decided to rethink the selections I was using to introduce literary analysis tools and critical lenses. I’m a little embarrassed it took me three years to figure out the solution. Even more embarrassing? I stumbled on this solution by accident after forgetting I was a day ahead of where I thought I’d be in my lesson plans. But after that serendipitous change went well, I knew what I needed to fix the rest of my unit: student agency.

I started peeking into discussions on Twitter at the hashtag #TeachLivingPoets some time ago. I asked which collections teachers using the hashtag recommended, and they offered a great list. I already had Clint Smith’s Counting Descent, which I highly recommend, and Wisława Symborska’s Poems New and Collected. I found Second Space by Czesław Miłosz, The Vintage Book of Contemporary American Poetry edited by J. D. McClatchy, and Miracle Fruit by Aimee Nezhukumatathil in a classroom, presumably left behind by a teacher who departed our school.

I ordered the following:

I put all these collections in a box I called my Box of Books by Living Poets. Of course, Miłosz and Symborska are not living poets, but they are at least 20th-21st-century poets. I carried the box with me to class.

The books that generated the most interest were Counting Descent and Citizen Illegal, though students also looked into Calling a Wolf a Wolf, Electric Arches, American Journal, Miracle Fruit, and The Vintage Book of Contemporary American Poetry. To be honest, no one cracked open either Miłosz and Symborska. Some students elected to focus on poems they knew and loved by poets as diverse as Rupi Kaur, Allen Ginsberg, Dr. Suess, Eminem, and Emma Lazarus.

The first thing students do with the poems is learn how to use one of several literary analysis tools to help break down the poem. In my AP Lit workshop a few years ago, I learned about DIDLS, TWIST, and SIFTT (video). Lisa Huff had already introduced me to TPCASTT (weirdly, this TPCASTT post on my blog is the one that consistently receives the most traffic). If you know who invented any of these strategies, let me know so that I can give proper attribution. I do not know who created them, but they’re widely shared.

Students worked in groups to use the literary analysis tool to analyze a poem of their choice, create a presentation using Google Slides explaining how to use the analysis tool, and demonstrate their application of the tool to their own poem analysis.

In between using the literary analysis tools and learning critical lenses, students discussed Thomas C. Foster’s How to Read Literature Like a Professor.

Students created a second presentation using critical lenses to deepen their poem analysis. They could use the same poem as before or a different one. Most students chose a different poem, again from the Box of Books by Living Poets or one of their own choosing. Again, students analyzed the poem using one of the literary analysis tools and added the layer of the critical lens.

Some of my takeaways from the change:

Students were much more engaged in this unit this year. It’s probably obvious, but the reason why I think they enjoyed the unit more was the selection of poetry. They had an opportunity to either analyze poetry they really like or they were introduced to poetry by living poets, with the immediacy and relevance of those voices bring with them. Students were really enjoying Clint Smith’s poetry. They were excited by the fact that José Olivarez’s book had been released just weeks ago, and they were probably some of the first students to analyze his poems.

Students were reading more poetry than they had in previous years. They had to find the poems they wanted, which in itself was a process. Students also shared their poems in presentations, reading the poems they were analyzing before sharing their analyses. Because of the large variety of poems available, students were simply reading more of them.

Students were able to bring in literature that was important to them. One student lamented in a recent discussion that she didn’t feel represented well in our school’s curriculum. She had read one major text by an author with her background, and to quote her commentary, “It was weird.” Because of these projects, she was able to bring in poets with backgrounds similar to her own background and share those poems with her classmates. Another student brought in her own poem to analyze. Two other students brought in a poem by a student their age at another school (video).

Students understand the literary analysis tools better. They are better able to articulate why they selected certain tools. For example, they noted the diction was interesting, and it prompted them to use DIDLS. If tone seemed really important, they chose TWIST. They loved TPCASTT for its versatility.

Students understand the critical lenses better. Purdue OWL has revamped their pages on critical lenses, and they are amazing. Having really good introductions to the critical lenses made a huge difference. Also, I think choosing their own poems asked students to think more about which lenses could be used to interpret the poems. For example, students with experience reading Clint Smith’s poems for the first presentation knew he would work well for critical race theory in the second. A student who loves Eminem knew his song “The Monster” was ripe for a psychoanalytical analysis. As a result of having to select their poems, students had to use higher-order critical thinking skills of application and evaluation to do their analysis as opposed to the past, when I selected poems I thought would be good to use for the critical lenses.

I was more engaged in the classroom, too. No, it’s not about me as the teacher, but I was way more interested during the students’ presentations because their own engagement and interest showed through in their work. Watching the presentations this year was really a lot of fun.

My prediction is that students will use both the literary analysis tools and the critical lenses more this year than they did in past years. I am hoping to grab a few minutes to ask their feedback on the unit in the upcoming week, but one student remarked as she left class Friday that “this is fun English.”

Note: This post contains affiliate links.

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This morning my Keurig decided to break. I have a single-serve Keurig that I have to fill with a cup of water each time I use. Only half a cup came out. I knew there had to be water trapped inside, but I wasn’t able to open it to see. So I turned it upside down over the trash can, and super-concentrated coffee went everywhere. Including the legs of my chinos. I knew they’d dry fast based on the kind of material they’re made out of, and my previous experiences getting them wet taught me I could try to wash the coffee out of my pants in the bathroom, and they’d probably be dry by class time.

I sat down and checked Blackboard. I started my doctoral program yesterday, and we are introducing ourselves to each other in both of my classes. I also wanted to see if my professor had answered my question. She had.

Then I thought to check my plan book to see what my AP Lit classes had on the docket for today, and I realized with horror that I’d made a big mistake. I had actually finished a project with them a day earlier than I had anticipated when I created my plans. I didn’t have anything for my students to do.

I knew I wouldn’t have time to create a meaningful lesson out of whole cloth, and I couldn’t move ahead because I had given my students until tomorrow or Thursday (depending on which class they are in) to finish Thomas C.  Foster’s How to Read Literature Like a Professor.  It wouldn’t be fair to tell them they had to create seminar questions today when they might not be quite finished reading.

The project my students had just completed was to learn how to use a literary analysis tool (one was TPCASTT) and teach it to their peers in a presentation in which they also share their analysis of a literary work using the tool. In past years, I’ve been frustrated that the tools have been introduced early in the year and haven’t gained any traction. The students thought they were useful, but later on, they simply didn’t return to them when they were analyzing literature. We fall back on habits and methods that we know. We forget.

I thought fast. What if my AP Lit students worked in groups to choose a poem in one of my new collection of books by (mostly) living poets, chose a literary tool they learned last week (not one they themselves presented), analyzed a poem, and shared their findings with the class?

I tossed my poetry books in a box and made my way across campus. It was just starting to rain. I was glad I had remembered my umbrella so the books would stay dry.

All went well in my first class. After you’ve taught for a while, you come up with some handy go-to techniques you can use to stretch a lesson.

As I made my way back across campus slowly and carefully in a torrential downpour that was the remains of Hurricane Florence, I tried to keep the books dry and succeeded in making my pant legs wet all over again—the puddles were unavoidable—and arrived back at my office about ten minutes late for my “office hour” ( really half-hour). Thankfully, no one was waiting for help. I dried off my shoes with a paper towel from the bathroom and prepared to do the lesson again in my second class.

What started out as a mistake turned out to be serendipity. The students dove into the poems and presented thoughtful analyses. They considered which tool to use thoughtfully, thinking about what their chosen poems included in terms of diction, literary devices, imagery, symbols, and other elements. It was brilliant. And I think it may have helped me along the path to achieving my goal of convincing students to use these tools to analyze literature.

Thank you to #TeachLivingPoets, and thank you to generous AP teachers everywhere who share their ideas. In spite of me, I had some great classes today.

Slice of Life is a weekly writing challenge hosted by Two Writing Teachers. Visit their blog for more information about the challenge and for advice and ideas about how to participate.

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Photo by josephmatthews

As of today, this blog is a teenager. Thirteen years ago today, January 25, 2005, I started blogging at huffenglish.com.  I always post on my blog anniversary, and usually, I share some statistics, but I’m not going to do that today.

Instead, I’m going to ask for your help. If you have found this blog useful, and you want to pay it forward, I support these organizations and would be happy if you would support them, too.

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John Moore, Getty Images

Literature is a powerful means of helping us understand things we don’t understand otherwise. It can offer us new perspectives. It can reflect ourselves, certainly, but it can also help us understand others who are not like us. It offers us an opportunity to see things from a perspective besides our own. It’s incredibly obvious to me that our current president doesn’t read because he lacks that important perspective.

We have all, at one time or another, been blind to others’ perspectives. For instance, I have been thinking a lot lately about homelessness. I have held some beliefs about it that I am questioning, and I’m also questioning why I believed these things when I admit now that I didn’t have certain information. My information about who becomes homeless and why was woefully incomplete. I have had an opportunity to get to know some young people who found themselves homeless, and not for reasons I would have thought.

I was watching some videos last night when I was having trouble falling asleep. Because I went to a U2 concert on Thursday night, my ears are still full of their music, and I’m still feeling that post-concert energy. (I had a really hard time going to sleep Thursday night after the concert.) I was really just clicking through different videos, feeling 80’s nostalgia big time with some of them, and I happened upon this short interview with the Edge in which he describes working on a documentary about homelessness and how he had begun interrogating his feelings about homelessness. It’s fairly candid. It’s hard to admit you were not open-minded about something in the past or that you held political or social beliefs in the past that you now disagree with. Watching that video, in which someone I admire a great deal admits to a certain blindness about a situation—I blindness I shared—helped me figure out what I wanted to say about the current crisis at America’s southern border. We all change. As Taylor Mali says in “Like Lilly Like Wilson,” “changing your mind is one of the best ways / of finding out whether or not you still have one.”

As I have learned from others, I have changed my mind many times. It’s not “waffling,” it’s adjusting based on information you didn’t have before. In order to adjust, you have to be open to that information. Many people reject information that conflicts with what they believe. Cognitive dissonance is not a rare phenomenon. People confronted with information that contradicts beliefs they have held will do one of several things:

  1. Change their mind or their behavior based on the new information.
  2. Justify it in some way.
  3. Ignore or dismiss the new information.

We should interrogate the source and strength of the information, of course, but if the information is both strong and comes from a reliable source or data, we are lying if we do anything except change our minds or behavior. Climate change is a good example. A lot of people are choosing either to justify not doing anything for the climate or to ignore it and say climate change is made up.

A long time ago, I believed every person coming into our country should follow the legal channels. What is the big deal? If you want to become an American, I thought, fine, but do whatever paperwork you need to do. I changed my mind after reading Barbara Kingsolver’s book The Bean Trees. What made me change my mind is that Kingsolver opened my eyes to the fact that a lot of people cannot follow legal channels and come to America for a variety of reasons: their governments are so corrupt that they will never be able to complete the required paperwork and go through official channels or their lives are in danger (often because of their corrupt government). Obviously, there are a host of other reasons.

In The Bean Trees, the protagonist Taylor Greer meets a couple, Estevan and Esperanza, who are undocumented immigrants from Guatemala. Taylor’s friend Mattie runs a sort of “underground railroad” for undocumented immigrants out of her home. Kingsolver allows Taylor to stand in for the uninformed reader. Her naivete about what is happening in the world around her mirrored my own, despite the fact that I watched the news, and I knew about the rampant corruption and violence in Central and South America. I didn’t see it because I didn’t know anyone who had experienced it, and one thing novels allow you to do is live vicariously through the characters.

Getting to know Estevan and Esperanza changed my mind about undocumented immigrants. They were fleeing a civil war in Guatemala. Their lives were in danger. Their child was taken from them in Guatemala. Kingsolver gets at the heart of the issue many Americans have with refugees and undocumented immigrants through Estavan. After the character Virgie May Parsons declares that immigrants should “stay put in their own dirt, not come here taking up jobs” because “before you know it the whole world will be here jibbering and jabbering till we won’t know it’s America” (143), Taylor feels she should apologize to Estevan for Virgie’s comments. Estevan says, “I understand . . . This is how Americans think. You believe that if something terrible happens to someone, they must have deserved it” (157). We blame victims of oppression instead of looking at policies and systems that created oppression.

Later when Taylor learns that Estevan and Esperanza’s daughter Ismene was kidnapped because Estevan was a member of an underground teachers’ union in Guatemala. Esperanza’s brother and friends are also in the union and are killed in a police raid. Ismene, Estevan and Esperanza’s daughter, is abducted as a form of “ransom.” If they will give up the information they have about the union, the government will return Ismene to them. Giving up the information they have will mean death for union members. Taylor is horrified when she finds out that Estevan and Esperanza had to choose to leave their daughter behind, and she says, “I can’t even begin to think about a world where people have to make choices like that.” Estevan replies, “You live in that world” (184).

I lived in that world, too, and like Taylor, I didn’t know. I didn’t know because I had the privilege not to know. The way I handled the cognitive dissonance that came with learning that not everyone can follow the proper channels when they are seeking to come to America is that I changed my beliefs. I don’t feel threatened by people coming to America to seek a better life, but I understand that for one reason or another, many people do feel threatened.

I had the opportunity recently to hear Clint Smith speak as part of the Multicultural Teaching Institute in Weston, MA. I didn’t attend the entire institute; I have attended in the past. The only part of the institute I attended was Clint Smith’s talk. One thing he said really resonated with me. It isn’t indoctrination to teach the truth. Present the information to the students and let them decide what to do with the information. For example, he cited the statistic from a Southern Poverty Law Center study that found that only 8% of high school seniors name slavery as the cause of the Civil War. This, despite the fact that many primary source documents written by secessionists name slavery as their reason for wanting to break from the union. Smith says that it’s not our job as educators to convince students to agree with us. Present the information in its totality, however, and let them grapple. It is our job to complicate the narrative, to show the complexities and contradictions. But the students will need to cope with the potential cognitive dissonance. And they have a few options. They can accept the new information and change their minds or behavior. They can justify it in some way. Or they can reject it. But we need to make sure students have the information they need to make that choice. They need to read books like The Bean Trees. Check out the work in #DisruptTexts on Twitter to learn how to share multiple, diverse perspectives with students.

“Home” by Warsan Shire seems appropriate to share.

"Home" by Warsan Shire - YouTube

Thank you to my friend Glenda for 1) reminding me to write about The Bean Trees, which has been much on my mind lately, and 2) to challenge educators to write about this issue.

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