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Massachusetts metallers ALL THAT REMAINS are putting the finishing touches on the songwriting process for the follow-up to last year's "Madness" album. Singer Phil Labonte told the Rock 94.7 radio station at last weekend's Rock USA festival in Oshkosh, Wisconsin (see video below): "We have another record that we are just about finished writing. We are working. We'll have it out sometime either end of this year [or] beginning of next year. I don't have a solid date yet, so I can't tell you exactly when, but it's coming very soon. We've got a bunch of stuff already written; we've got some stuff recorded already as well. So keep an eye out; it's coming." "Madness" was released in April 2017 via Razor & Tie in the U.S. and Eleven Seven Music in Europe. The disc was recorded at West Valley Studios in Woodland Hills, California with producer Howard Benson, who has previously worked with such acts as MOTÖRHEAD, PAPA ROACH, THREE DAYS GRACE, FLYLEAF, P.O.D.mand HALESTORM. At the time of the album's release, Labonte dismissed "sellout" accusations due to the more radio-friendly sound of the first single and title track, "Madness". He told Ryan Daniels of of Rock 105.5, Carolina's Pure Rock radio station: "If you're doing something — making music — and specifically catering to an audience that you have catered to or that has found something to attach to, is it a sellout to try and change and do something different? Or is it a sellout to be, like, 'Okay, this is the safe play where I know I can make my money?' It's, like, I know I that I can cater to this narrow group of people, and if we don't stray, these people will keep buying our records, these people will keep coming to our shows. Is it a sellout to be, like, 'I'm gonna try something different?'" He continued: "People have been saying 'sellout' about us since 2006, since we put out 'The Fall Of Ideals'. We started doing clean choruses, and people were, like, 'Oh, sellout!' And it's, like, gimme a fucking break. We've always tried to push [the envelope] and change."
Phil Labonte of All That Remains With Terry Stevens at Rock USA 2018 - YouTube
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Former DIO and current DIO DISCIPLES guitarist Craig Goldy says that Vivian Campbell's LAST IN LINE project is "nowhere near" the first DIO three albums in terms of quality, despite the fact that it was formed by three original members of the DIO band. Campbell, drummer Vinny Appice, bassist Jimmy Bain and Ronnie James Dio worked together on the first three DIO albums — 1983's "Holy Diver", 1984's "The Last in Line" and 1985's "Sacred Heart" — before Irishman Campbell left to join WHITESNAKE in 1987. Vivian later publicly took issue with Ronnie's need for total control of the band, claiming that finances played a major part in the bad blood that preceded the split. Vivian, Vinny and Jimmy reunited in 2012 alongside singer Andrew Freeman to launch LAST IN LINE. When LAST IN LINE formed, the intent was to celebrate Ronnie James Dio's early work by reuniting the members of the original DIO lineup. After playing shows that featured a setlist composed exclusively of material from the first three DIO albums, the band decided to move forward and create new music in a similar vein. Asked in a recent interview with All That Shreds what he thinks about Vivian's claim that he was fired during the "Sacred Heart" tour due to his very vocal financial disagreements with Ronnie, Goldy said: "It's just unfortunate, because I was there from the very beginning. Even in the 'Holy Diver' days. Ronnie and I were friends because I was working with him with the band ROUGH CUTT. "Vivian keeps trying to say that Ronnie broke a promise," he continued. "Ronnie is a man of his word. It wasn't a broken promise; it was a promise deferred. That's a totally different thing. I was there. I remember when they first started, the truck showed up and there was no crew. Ronnie was there unloading gear and everybody else was just standing around. I've seen this so many times when something needed to be done and there was nobody there to do it. Ronnie and Wendy [Dio, Ronnie's wife and manager] would do it, and I was just looking at them, like, you know, they're doing so many things that I thought were so beneath them, that it would hurt my heart, so I would lend a hand, just because I couldn't stand to see him do stuff, but they were building. "Little by little, there is a pecking order. When [Ritchie] Blackmore left DEEP PURPLE, it was his time to call the shots and Ronnie didn't make very much money out of that. When Ozzy [Osbourne] left BLACK SABBATH or whichever the case may be, it was Tony Iommi and the rest of the original members time to call the shots and get the market share to do what they thought was best for the band. When Ronnie formed DIO, it was his time to call the shots. Even though Blackmore and Iommi did what was best for the band, Ronnie turned around, did what was best for the fans. So he was bringing them 18-foot fire-breathing dragons with real fire come out of their mouth and lasers shoot out of its eyes and explosions would occur. He never hiked the prices up to make up the cost; that was his way of giving back to his fans. Ronnie basically cut his profit margin in half and everybody wants to say how much money Ronnie made, but they don't discuss how much they spent here and they were on to something that some of the guys didn't want to do. They weren't on with that, because that meant a cut of there pie would get smaller. They were honest about it. Wendy and Ronnie's hearts weren't in it for the money." Goldy went on to discuss LAST IN LINE, which takes its name from the second DIO album released in 1984. "Jimmy Bain and I did some stuff together," he said. "Vinny Appice is a dear friend of mine and I like what Vivian did. The iconic sound, but people forget that everything that he did was under Ronnie's guidance. LAST IN LINE is nowhere near what they created on those first three albums. They were produced under Ronnie's guidance. That's what made them so great. Ronnie knew how to pull the best out of people." Craig continued: "When I joined DIO and I got my advance from the record company, all of a sudden, you know, people who shall rename nameless started asking to be with me because they wanted me to give them money. They felt that they deserved more money than what they got even though they didn't do anything. Wendy and Ronnie told me I'd be crazy to give them any. "Vivian is a gentleman sometimes. He's always been a gentleman to me. Vivian did come from money. A lot of guys who come from money are kind of spoiled. Ronnie didn't come from money. "Let's just call a spade a spade. Vivian is a great guitar player and he can be a gentleman. He can be a wonderful person, but, you know, dear Lord, the only person I know that can hold 30-year-old grudges is my mom." Two years ago, Campbell told BigMusicGeek.com that he didn't think LAST IN LINE was "even in the same league as the DIO DISCIPLES," which is made up of former members of DIO, along with a rotating lineup of singers, including former JUDAS PRIEST frontman Tim "Ripper" Owens. "None of those guys were original members of the band DIO," he said. "We're the original band. We're the guys who formed the band with Ronnie. Not only were in the band, but we wrote all the songs with Ronnie. If you look at the writing credits on the first three records, it was very, very much a collaborative creative venture. That's what made the early DIO records so strong. The guys in the DIO DISCIPLES... As far as I'm concerned, there is zero credibility with the DIO DISCIPLES." Vivian went on to say that he didn't know about DIO DISCIPLES' existence until 2012, almost two years after the band first started playing shows as a tribute to Ronnie. "It was around the time that [LAST IN LINE] got together to jam that I had first heard of the DIO DISCIPLES," the guitarist said. "I wasn't even aware of them. It was actually Vinny who told me. I couldn't believe that these guys were going out and playing songs that we actually wrote with Ronnie. I thought, 'Well, if they're doing it, then why shouldn't we do it?' With us, there is a legitimacy to what were doing, ya know? I doubt that there is a real legitimacy in the DIO DISCIPLES." In a 2016 interview with All That Shreds, Campbell said that he was fired by Wendy Dio because he refused to accept a new contract, and claimed she was not "musical" enough to understand that DIO was a "creative unit" and not just Ronnie James Dio's "backing band."
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In a recent interview with Ireland's Overdrive, VOLBEAT frontman Michael Poulsen was asked how he ended up writing the liner notes to the Relapse Records reissue of "Spiritual Healing", the legendary third album from death metal pioneers DEATH. "I've got to tell you, that's something that I'm just so proud of," Michael said. "I'm a huge DEATH fan and Chuck Schuldiner was 'the man' and DEATH was 'the band.' 'Spiritual Healing' is one of my all-time favorite albums, no question! "The story of how this happened is kind of strange, to say the least," he continued. "Many years ago, I was with my ex-girlfriend were out shopping and we went into an antique store and there was this fake skeleton sitting on a chair just inside the door and I ended up buying it, as I wanted it for my house. We put the skeleton in the back of the car and it stayed there for a long time as I was in the process of moving house and was getting new furniture, etc. That fucking thing was in the backseat of my car for months. [Laughs] So, one day in Copenhagen when we left home, with a DEATH t-shirt on and blasting DEATH from the car, this guy came up to me and was, like, 'Hey, man, awesome t-shirt. I'm actually the manager of the band!' I totally recognized him [Eric Greif] and actually, we found out that back in the day he was judging some death metal event which [Poulsen's pre-VOLBEAT death metal band] DOMINUS was playing and he was voting for us. So, we talked a little about that and he just thought it was great to see everything that was happening with VOLBEAT. He always comes to our shows when we're in Canada, and now I'm lucky enough to call Eric one of my very good friends. "I have spent a lot on DEATH merchandise over the years with the vinyl reissues, etc., and he saw how much I truly loved that band and also how VOLBEAT was growing, and said to me that Chuck would have loved to have loved to have worked with us, had he still been alive," Michael added. "Eric actually asked me if I would have been interested in stepping in to do vocals on DTA [DEATH TO ALL, the Chuck Schuldiner tribute touring project], but I was too busy on the road with VOLBEAT to commit to it. He knew that I was totally able to do it, thanks to my background in DOMINUS, but the timing was not right, so I recommended some other vocalists that would be perfect for the position. So, he then asked me if I would be interested in doing the liner notes for the reissue of 'Spiritual Healing', and it was a no-brainer for me. "[Eric is] still one of my very good friends and I'm just still blown away that I got to do something so cool for one of my all-time favorite albums." Poulsen, who played extreme metal with his first band, DOMINUS, back in the early '90s, recently said that he wouldn't rule out a return to death metal in future. "I do have things at home — I can pick up some few death metal riffs here and there," he told Heavy TV. "I've got so many good friends in the death metal scene, and I've been talking to some of them to one day, when the time is right, sit down and write some old-school death metal. When that's going to happen, I don't know. It will happen; it's just timing is everything." VOLBEAT plans to enter the studio before the end of the year to begin recording its seventh album for a tentative 2019 release. The follow-up to 2016's "Seal The Deal & Let's Boogie" will mark the band's first full-length effort to feature bassist Kaspar Boye Larsen, who joined VOLBEAT too late to appear on the last CD.
Dominus now called " volbeat " - Infected Cadaver Flows live 1993 - YouTube
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Former SLIPKNOT drummer Joey Jordison says that he is open to to the possibility of a reunion of the MURDERDOLLS. Two months after he spent Memorial Day weekend hanging out with his onetime MURDERDOLLS bandmate Wednesday 13, Joey told the "Talk Toomey" podcast that he isn't opposed to the idea of the two musicians collaborating on new music. "It's cool that I've been talking to Wednesday recently, but I can't disclose anything [about a possible reunion]," he said (hear audio below). "Never say never, man — I mean, that's life. It's kind of funny, 'cause we have a bunch of songs that have been written and a bunch that are ready to go. Timing is everything, man — not necessarily anything about, 'Oh, we need to do this to impress people,' or, 'We need to put out this record or do something like that.' Timing in life is everything, so we'll see. Only time will tell." Jordison's meeting with Wednesday 13 marked the first time the two musicians were in the same room together since 2011. MURDERDOLLS has been inactive since completing the touring cycle in support of its sophomore album, "Women And Children Last", which came out in August 2010 via Roadrunner Records. In May, Wednesday 13 told Metal Wani that he had gotten in touch with Joey "about a year ago and just established contact again and mentioned the idea of doing something in the future — not [putting] a time on it or anything; just the idea of, 'Would you be into it?' And we both said, 'Yes.' And then I got busy doing my stuff, he was touring and putting a record out, and that's the last I really kind of heard of it," he said. "So that's kind of where it is. So I can't say that it will happen, or it won't, but there's definitely not any plans or anything that's changed since the last thing I must have said [in an interview]." Jordison told CrypticRock.com last year that he "would love to do another record" with MURDERDOLLS. He explained: "I have this punk rock and pop side of me that I don't really get to get out in other areas in my life. When we did that band, it was just pretty much to express fun, have a great time, and kind of throw a monkeywrench into what was going on in rock and metal at the time, and it worked." Jordison — who played guitar for MURDERDOLLS — went on to say that the the tours he did with the MURDERDOLLS were "really awe-inspiring when you look in hindsight of what we accomplished in a short amount of time and the two records we did. I could not be more proud and happy of what we accomplished in that time," he said. "Everyone that was in that band, the couple of different personnels we employed, the MURDERDOLLS were killer."
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The Danish/Swedish group NORDIC UNION — which features PRETTY MAIDS vocalist Ronnie Atkins and guitarist/songwriter/producer Erik Martensson (ECLIPSE, W.E.T., AMMUNITION) — will release its sophomore album, "Second Coming", via Frontiers Music Srl on Nov. 9. The album's cover artwork can be seen below. NORDIC UNION released its acclaimed self-titled debut album – which also featured Martensson's ECLIPSE and AMMUNITION bandmate Magnus Ulfstedt on drums — in January of 2016. Much like W.E.T., which saw Martensson join forces with vocalist Jeff Scott Soto (SONS OF APOLLO, TALISMAN) and keyboardist/guitarist Robert Säll (WORK OF ART), the musical collaboration between Martensson and Atkins was the brainchild of Frontiers president Serafino Perugino. The resulting partnership between the two Scandinavians worked well, and together, they created some musical magic which impressed fans of both highly regarded musicians. Prior to the release of the NORDIC UNION's debut — which included the song "Hypocrisy", the music video for which appears below — Atkins described the album as "a killer melodic hard rock album with a lot of good songs on it." "The music has a focus on good melodies, and there's some good guitar work as well," he said. "I had a good gut feeling ever since I heard the first songs from Erik, and I was right – he's a very gifted and talented songwriter! I could really feel the songs as mine and identify with [them]." Atkins, 53, co-founded PRETTY MAIDS with guitarist Ken Hammer in Denmark in 1981. The group has released 15 studio albums to date, most recently 2016's Jacob Hansen-produced "Kingmaker", which cracked the Top 40 in Germany, Switzerland and Sweden. The band plans to release a new album in 2019. Martensson is a prolific Swedish producer, guitarist and songwriter who is best known for fronting ECLIPSE — who will also release a new album in 2019 – and serving as the "E" in the melodic rock supergroup W.E.T., whose third album, "Earthrage", was released via Frontiers on March 23.
Nordic Union - Hypocrisy (Feat. Erik Martensson & Ronnie Atkins) [Official Music Video] - YouTube
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Mitch Malloy made his live debut as the new singer for GREAT WHITE on July 14 at the Lucky Eagle Casino & Hotel in Rochester, Washington. Fan-filmed video footage of the concert can be seen below (courtesy of Rolf Vellek). Malloy joined GREAT WHITE as the replacement for Terry Ilous, who was fired from the band earlier in the month. Malloy, a celebrated songwriter and artist now based in Nashville, takes the reins as the third official lead vocalist in GREAT WHITE's 36-year history. "Mitch is an incredible singer, artist, songwriter and engineer," GREAT WHITE lead guitarist Mark Kendall said. "We're beyond excited to stretch our musical muscles with a fresh, new take on GREAT WHITE's catalog of hits." He added: "Terry Ilous has been released to join his other projects. We wish him the best of luck and thank him for his run with GREAT WHITE." Malloy, who originally hails from Dickinson, North Dakota, charted his first solo single, "Anything At All" in 1992. His subsequent hits "Nobody Wins In This War" and "Our Love Will Never Die" also made Billboard's Top 100. Most recently he's been cranking out penned hits and producing clients for his Malloy Master Tracks studio. These clients include Taylor Swift, BOYS LIKE GIRLS, Kenny Loggins, Craig Morgan, Johnny Gates and many more. Malloy has been in this is this situation before. In 1996, VAN HALEN asked Malloy to take the reins as its singer. Although Malloy didn't take the gig, he further established his reputation as a universally respected frontman. He's thrilled to be a part of GREAT WHITE. He's not trying to be a "clone" of previous singers Jack Rusell and Ilous. "I have to represent this music honorably," Malloy said. "I respect what has come before me, and have to remind fans of where they were when they first heard these songs. I also have to be myself at the same time. When I first heard my own voice with GREAT WHITE's music, I knew something special was going on." GREAT WHITE guitarist and keyboardist Michael Lardie praised Malloy for his musical chops and reputation. "We had an immediate rapport with Mitch," Lardie said. "I'm positive the fans will embrace Mitch and continue to support GREAT WHITE. This music is bigger than any one person." "We're ready to rock with Mitch," drummer Audie Desbrow added. "2018 and beyond still has a lot in store for GREAT WHITE. Don't ever count us down and out. It feels like we're just getting started." GREAT WHITE continues to tour worldwide and in the last four years logged nearly 400 dates in several states and countries. The band celebrated numerous milestones that included several sold-out performances, a return to the Zurich, Switzerland's Rock Im Tal festival, the 10th anniversary of M3 Rock Festival and a handful of intimate, acoustic performances. In June 2017, GREAT WHITE reunited with its original producer, Michael Wagener on the thrilling "Full Circle". The nine-track album spawned the balls-to-the wall single "Big Time". And for the first time in its career, GREAT WHITE gave a peek behind the curtain to its fans with the accompanying DVD "The Making Of Full Circle".
Great White - Rock Me (live)

Great White [Band] 'Rock Me' first performance w vocalist Mitch Malloy. Band has been fantastic live forever; have seen at least 10x since '89. FB album with best highlights, pics/vid: https://www.facebook.com/media/set/?set=a.10156375631366897.1073742189.790886896&type=1&l=ff65377421

Posted by Rolf Vellek on Thursday, July 19, 2018

Save Your Love clip

Posted by Rolf Vellek on Sunday, July 15, 2018
Great White - Desert Moon clip 7.14.18

Wow, what a debut for new vocalist of one of my favorite live rock bands. Clearly proven that this is a GREAT fit. ?? FB album with best highlights, pics/vid: https://www.facebook.com/media/set/?set=a.10156375631366897.1073742189.790886896&type=1&l=ff65377421

Posted by Rolf Vellek on Sunday, July 15, 2018
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The North West, U.K.-based blackened death metal sextet HECATE ENTHRONED — whose "brutal epic scornful metal" has earned extensive acclaim over the past two decades — has signed a worldwide recording contract with the American label M-Theory Audio. The group plans to release a new album — their sixth full-length, and first in five years — in January. More information about the recording will be revealed in the coming months. Originally co-founded in Wales by guitarist Nigel Dennan in the mid-1990s, HECATE ENTHRONED is dedicated to delivering their own brand of evil metal with little regard to politics or the trends of popular demand. The group's 1997 debut full-length, the Andy Sneap-produced "The Slaughter Of Innocence, A Requiem For The Mighty" (Blackend Records), was a seminal release in the then-burgeoning orchestral black metal movement. Since then, several full-lengths and EPs and numerous live performances have firmly established the band as one of extreme metal's most important voices, a sentiment that the group's forthcoming album will surely reinforce. "It is with a great amount of pride that we announce this deal with M-Theory Audio," says longtime bassist Dylan Hughes. "We feel M-Theory is the right label to take the band on to where we want to be, and we have total confidence in them to handle the new album as it deserves to be. Marco's reputation and character is second to none, and we look forward to working and developing together. Along with Extreme Management Group, we have a great team behind us and can honestly say that this marks a new era for HECATE ENTHRONED. We would like to thank all our fans for their patience during these months of uncertainty around the new album but be assured – the wait will be worth it." HECATE ENTHRONED will next perform live at the MetalDays festival in Slovenia on July 23 alongside the likes of BEHEMOTH, SKELETONWITCH and CARPATHIAN FOREST. The group has also announced a September 15 headlining show at London's Black Heart. Advance tickets are on sale now for just £8. Additional tour dates will be announced in the near future.
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The full lineup for the DANZIG's 30th-anniversary "Halloween Hell-Bash" at FivePoint Amphitheatre in Irvine, California on Saturday, November 3 has been announced. This will be the only California DANZIG live date for 2018. Joining DANZIG on the bill are special guests THE DAMNED, VENOM INC., THE METEORS, POWER TRIP and MUTOID MAN. Tickets will go on sale Friday July 27. DANZIG Halloween 2018 tour dates: Oct. 24 - Portland, OR - Roseland Oct. 25 - Seattle, WA - Sodo Oct. 27 - Salt Lake City, UT - The Complex Oct. 28 - [to be announced on July 25] Oct. 31 - Denver, CO - Fillmore Nov. 01 - Albuquerqe, NM - El Rey Theatre Nov. 03 - Irvine, CA - FivePoint Amphitheatre These will be the last DANZIG live dates for awhile as Glenn Danzig will be concentrating on other projects which will be announced at a later date. As previously reported, Glenn Danzig and his band will perform DANZIG's 1992 album, "Danzig III: How The Gods Kill", live in its entirety exclusively at this year's Psycho Las Vegas festival, set to take place August 17-19 at Hard Rock Hotel & Casino in Las Vegas, Nevada. It will mark the only time "Danzig III" will be played in full in the U.S. this year. Glenn previously played "How The Gods Kill" live at Riot Fest and his own Blackest Of The Black festival last year. Glenn will also celebrate DANZIG's 30th anniversary this year by playing a limited number of special shows in Europe in August. The run begins August 2 at Wacken Open Air, where DANZIG will headline one of the main stages, and includes stops in the U.K., Germany, Luxembourg and Czech Republic. DANZIG will complete the tour with a headlining performance at Brutal Assault festival on August 11 in Jaromer, Czech Republic.
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STATUS QUO will release a pair of "twin" live albums, "Down Down & Dignified At The Royal Albert Hall" and "Down Down & Dirty At Wacken", on August 17 through earMUSIC. These releases capture the legendary band delivering two sets, each full of hits, energy and passion, while each offering a radically different tone and style of delivery. Francis Rossi said: "There's no other venue like the Royal Albert Hall; every artist wants to play there. So, to bring our 'Aquostic' show there was a dream come true. The QUO classics were stripped back and delivered by the band in a new fresh way that really allows the melodies to shine. Fully acoustic and featuring some fantastic extra musicians and vocalists, this is a show we'll always be proud of." He continued: "Wacken is like no other festival. The energy, the crowd, the volume. Where better for QUO to get down and dirty and crank out all of the QUO classics as loud as possible? Naturally, this was a full electric set, delivered at full throttle. Nothing else would be acceptable at Wacken! It's full-blooded performances like this that QUO's reputation is built on." STATUS QUO have sold more than 118 million records, received countless gold awards and top 10 singles, played over 6000 shows together and spent 23 years away from home on tour to rock around the world. The lineup for both these shows, recorded last year, features Francis Rossi, Andrew Bown, John "Rhino" Edwards, Leon Cave and Richie Malone. "Down Down & Dignified At The Royal Albert Hall" and "Down Down & Dirty At Wacken" demonstrate both the evergreen quality of the timeless QUO catalogue, the sheer musicianship and stagecraft required to deliver those hits, and the versatility of the band. Who else but QUO could deliver the stunning sets captured on these twin releases of such wildly differing style and be equally happy taking to the stage at the venerable Royal Albert Hall and in the midst of the Wacken wildness?
Status Quo "Whatever You Want" Official Song Stream - new album out August 17th - YouTube
Status Quo "Down Down" (Live At Wacken 2017) - "Down Down & Dirty At Wacken" out August 17th - YouTube
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According to Billboard, Round Hill Music has acquired a signifcant stake in JUDAS PRIEST's catalog. Former PRIEST guitarist K.K. Downing's rights to 136 songs, including classic tracks like "Breaking The Law" and "Living After Midnight", were put up for sale earlier this year. The move followed last year's announcement that original Downing's luxury golf resort fell into administration (similar to Chapter 11 insolvency in the U.S.). As a result, the 320-acre estate, located in Shropshire, England, was put up for immediate sale with an asking price of more than £10 million ($13.5 million). According to administrators FRP Advisory LLP, who handled the rights sale, Downing's catalog share generates between £250,000 (approximately $337,000) and £300,000 (approximately $405,000) a year. The latest development comes two years after Downing bought out his Birmingham, U.K.-based partners, stating at the time that he was planning to build a leisure resort around his countryside golf course. The estate has an 18-hole, 71-par championship golf course and a stately home used for charity and corporate events. Administrators from FRP Advisory blamed "tougher economic times within the wider corporate hospitality market," which had put "unsustainable pressure on the cashflow of the estate under its current financial structure." The sale was initiated by Alastair Massey and Steve Stokes from financial services firm FRP Advisory which is handling the administration of Ken Downing Ltd. Back in May, Massey said in a statement: "Ken Downing was a founding member of JUDAS PRIEST and was one of the driving influences of the band's work up to his departure in 2011. "As part of the administration process, we are selling the rights owned by Ken Downing Ltd. to 136 tracks, which provide a unique investment opportunity." K.K., who is a founding member of the British heavy metal legends and was part of the group since 1969, announced his retirement from PRIEST in April 2011. He later shot down as "inaccurate" reports that he left JUDAS PRIEST because he chose to concentrate on running the golf courses on his property. This past February, Downing said that he was "shocked and stunned" that he wasn't approached to rejoin JUDAS PRIEST following Glenn Tipton's decision to retire from the road due to his battle with Parkinson's disease.
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