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Although The Architecture of Happiness did not gain momentum after its publication in the mid-2000s, the ideology of architecture and well-being has remained a topic of intrigue until today. To further explore this ideology, the Canadian Centre for Architecture (CCA), with the curation of Francesco Garutti, have put together an exhibition that explores how the “happiness industry” has controlled every aspect of contemporary life after the 2008 financial crash.
Our Happy Life, Architecture and Well-being in the Age of Emotional Capitalism is a non-archival show that exhibits work from architects, artists, and photographers. Metropolis’ Samuel Medina spoke to Garutti to discuss the notion behind the exhibition, social media, and architecture’s new spaces of meaning.