Hi! I’m Katie, a sewist, web designer and cat-mum from North London. This blog chronicles my attempts to build a wearable everyday wardrobe by sewing my own basics, with a few special makes thrown in every now and then. I hope my blog helps people to see that making a simple, unfussy wardrobe of everyday handmade clothes is achievable and fun.
In my ongoing quest for the perfect sundress (and jumping my project>blogging queue again) I sewed up Tilly’s newest offering, the Seren dress, at the weekend in a pretty printed viscose from my stash that I bought locally last year.
Tilly and co kindly sent me the pattern for free to try out. Their new packaging is so pretty and I found it as user-friendly as ever to work with. The pattern includes a view with a neckline flounce and a sweet tie-front option, but it’s already at the upper limits of my ‘girliness’ taste-o-meter so I kept it plain.
I made a toile as this style is usually difficult to fit on me. Starting from the size 4 I made the following changes:
– graded into a size 2 at the top edge, blending out towards the waist; a typical adjustment for me as I have a narrow upper chest.
– split the bust dart into a two – pivoting half of it down into a waistline dart – as it’s quite a big dart and I was getting some bubbling at the tip. I also had to drop the bust point a little lower.
– omitted the waistband from the pattern: not a fan of it visually and I didn’t want to chop my print up too much. I cut a size smaller in the skirt to match with the lower bodice edge directly, since the waistband is contoured hence wider along the bottom edge.
– moved the front straps towards the centre by an inch. Bra strap coverage for the win!
The good thing is this style is pretty easy to adjust as you sew as well since the main fitting points to get right are the upper edge and waistline, so you can fine-tune via the side seams. I think it’s also the type where fabric choice might influence the fit: this viscose version fits a bit looser than my muslin and I have 2-3″ of comfy ease at the waist. I was worried the shape wouldn’t be so flattering on me but it actually skims the lower half really nicely. I typically default to a gathered skirt but will definitely experiment more with A-line or quarter circle types now.
I didn’t massively follow the instructions as it was quite intuitive to construct. I especially liked the all-in-one facing unit which finishes the top edge and gracefully curves into the button band facing; a technique I haven’t really seen before but will be saving to my bank for future use. I did do a couple of things I did my own way for preference:
– topstitched the entire facing down, which as well as keeping it in place created quite a pretty detail around the centre front of the neckline
– created a jump style hem to get a nice finish at the front corners. To achieve this the facing is cut an inch shorter and sewn horizontally to the skirt’s lower edge RST; the resulting length difference ‘jumps’ the hem allowance up, and when it’s turned RS out you get a nice crisp corner.
It feels so cool and comfortable to wear! This viscose was cheap as I recall but it’s nice quality and perfect for this style. I’ll definitely be making a second one in a solid colour (pink or olive green linen, mmm). I also have Closet Case Patterns’ new Fiona dress cut for a wearable toile; it’s a not too-different-style so it will be interesting to see which I end up preferring.
This dress skipped both the sewing and blogging queue. The sewing part was pure necessity because London has gone full heatwave (or summer is actually just starting for really-reals), and the blogging part just took advantage of this sweet golden morning light.
I’ve really got quite behind on blogging, because I bought this fabric on a recent trip to Hong Kong and I really expected to write up the fabric shopping situation there before sewing any of my purchases up! Anyway this is an absolutely gorgeous silk crepe de chine that I bought for about £7.50 metre in a treasure trove just off Ki Lung Street in Kowloon. The shop had a rainbow of plain silks and loads of my weakness, fun ‘conversational’ prints. It was unfortunately cash-only and one of the last places I stopped, so that hampered my buying a touch, but I’m very pleased with what I came away with, especially this one with its weird lady statuette print.
I decided to sew the fabric up rather impulsively, as I didn’t want to be too scared to use it and have it sitting around for ages, and silk crepe is perfect for aforementioned sticky heat season. I really wanted a chuck-on dress and have seen lots of this pretty square neckline around. The problem is this style is all but impossible to fit on me out of the packet. I look at people wearing things like the Tessuti Claudia dress in wonder: HOW is it not gaping at the top or straining at the bust?! HOW did your hips fit into that elegant column shape?! Pear-shape-hollow-chest problems. I knew to get the fit right I would need to go a self-draft/extreme hack route.
Here’s how I drafted the pattern. I used the Salme Double-Layer Cami pattern as a basis, which I had knocking round in PDF from ages ago (it looks like Salme have disappeared off the internet so no link, sorry); the True Bias Ogden would also work although it lacks darts.
1. Cut a line up the bodice front, stopping at the bust point. Also cut along the middle of the bust dart, stopping just before the first line so you have a little hinge point. (If your camisole isn’t darted, run this line all the way almost to the top of the front.)
2. Swing out the lower piece around this point until the gap at the bottom is opened up by around 2 inches. (Your final ‘swing’ will be 4x this measurement as it will be doubled on the front and back.) You might close the bust dart completely in the process, or just make it smaller.
3. Fill in the gap with paper, tape down and true up the side seam at the dart.
4. Add length, following the angle of the side seam and the curve of the hem. Mine is 32″ from underarm to hem. I would’ve gone a bit longer but this was all my fabric would allow.
5. Repeat these steps on the back, but take the vertical cutting line nearly all the way to the top and swing out from there.
6. Square off the neckline from the strap points to centre front. Fill in with paper.
7. Draft facings off the new front and back pieces. Come down about two inches from the underarm and curve up to the centre.
8. Make a toile! This is quite important to check the level of flare is good and that the front and back necklines are not gaping. I used my alternative construction method when it came to adding the straps and facings.
Annoyingly I found that even after a toile and making further adjustments, the front and back STILL gaped, just enough to be noticeable and annoying. My upper chest is very narrow and rather concave, so I can see why it’s difficult to encourage fabric to hug it nicely. I approached the solution differently on the front and back. On the back I nudged the straps inward by 1/2″ and shaved a bit off the side curve, which isn’t ideal as it doesn’t follow the line of my bra straps any more. On the front I sewed a strip of flat elastic into the facing seam, pulling it taut slightly. The result is a slightly puckered front neckline but it does finally lay flat. I’m not sure how I’ll fix this for next time. A narrow band across the top which is tightly eased-in to the bodice edge perhaps.
Outtake for ya to finish! Despite the minor neckline issues I’m thrilled with this dress and it definitely beat the heat today. Josh took these photos as my self timer has broken and I really like how they turned out. Much nicer to be smiling at my boyfriend than a screen… he’ll be delighted to have got the job I’m sure.
I… I think we can finally call spring being here? I’ve packed away my coat and jumpers at least, and I’ve made a spring-y version of my favourite trousers.
Making a second pair of True Bias Lander pants has been on my to-do list for ages. I wear my first pair all the time, but they’re made of quite a thick denim and it’s getting a little too warm for them (hurrah!). My heart got set on an ivory/cream pair, and to that end first off I bought some needlecord which unfortunately proved too this and rather see through. I tried dyeing them but they just turned out patchy and weird. Into the scraps bin they went.
After sulking a bit I ordered some Robert Kaufman Ventana twill from fabric.com, since it’s the fabric Kelli used in all the pattern samples. Ordering from this US-based site from the UK is easy enough by the way and shipping isn’t too costly. I did have to pay £10 in customs and deal with the ungodly nightmare that is UPS delivery; it’s really cheap and has a great range though, so it kinda evens out!
The cotton Ventana twill is indeed a good match for the pattern; I would actually call it light-medium weight rather than fabric.com’s medium/heavy description, which I think is why it creases a bit readily. There is still a bit of pocket and seam-allowance show through but not enough to bother me this time. I decided to convert the patch pockets to inside pockets, which Kelli has a tutorial for, though now I’ve seen them I think I prefer the original pockets to break up my expense of hip, hah.
I’m hoping these will be just as wearable as my denim ones for spring and summer, though being of the clumsy/messy variety we’ll see how long they stay white! I have lots of other sewing plans for the warmer months – most definitely including Kelli’s newest pattern, the Yari jumpsuit.
This is my second Named Reeta dress. My first one, made coincidentally almost exactly a year ago, still gets worn regularly (and for those curious, the Spoonflower poly crepe has held up to washing and wearing very well) so I wanted another one to throw into dress rotation this spring.
I used exactly the same size as before with no extra modifications beyond the length I took off last time. This time I did add the collar and found that while it required careful easing-in the pattern piece does fit fine, so I dunno what I did wrong last time!
I followed the given directions this time which make for a really nice clean interior finish. I managed to get the inner yoke inside out (at least I assume the fabric’s right side should actually face outwards) and sewed a strange Möbius loop at some point which necessitated a bit of unpicking, but it all turned out okay. I’m going to blame those things on sewing in the weekday evenings when my brain’s a bit fried from work.
I made a self-fabric waist tie – just a skinny tube with the ends knotted shut – and the drawstring casing reuses the fabric’s charming rainbow-striped selvedge.
I’ve been hoarding this beautiful fabric for quite a while, maybe three years? It’s a beautifully fluid and drapey viscose from the French website Bennytex. It doesn’t seem top quality unfortunately; I had some fibres pull and snag as I was sewing, particularly around the buttonholes despite interfacing them. But so pretty and twirly!
A dress I made from some other Bennytex fabric (the origami cats one here) sadly didn’t fare well in the wash either, so I’m intending to launder this as little and as gently as possible. The print is so fun and it feels beautifully soft and comfy to wear, so I hope it lasts a long time and get plenty of wear this spring and beyond.
After the Coat project saga, I really wanted a nice palate cleanser, and this dress fitted the bill perfectly!
I’ve been Pinning lots of midi dresses lately as they seem like just the thing to wear on these in-betweeny not-quite-spring-yet sort of days. It’s a super simple hack of Named’s Inari dress. I added 30cm of length at the hem (in fact I just taped a piece of portrait-wise A4 paper to the bottom, heh) and ended up taking a deep hem, so it’s around 20cm longer than the Inari as patterned.
I fine-tune the fit of the Inari each time I make it and for this knit fabric I ended up taking one-inch seam allowances to bring it in a bit. It’s still loose through the middle and tighter at the hip and hem. I made the side split proportionally longer too.
The awesommmeeee fabric is from Maud’s Fabric Finds, one of my favourite places to shop because most of the fabrics are organic and the customer service is so great. (Maud found out this fabric was narrower than expected after my order, so she added another 70cm for free.) This print seems to be sold out but here are some similar ones. It’s between an interlock and sweatshirting weight so quite thick with lots of stretch and recovery. And pyjama-comfortable, needless to say. I think this’ll be on regular rotation until Autumn.
I think this coat combines two of the most luxurious fabrics I’ve ever used. It’s a shame that I’m a little disappointed with the final result :(
First of all, those fabrics, which are absolutely not the source of my ire. The main fabric came from AW Hainsworth, a woollen mill based in Yorkshire with a Royal Warrant who produce premium cloths used for fashion, costumes, uniforms and military dress. Their apparel and upholstery fabric sub-brand Hainsworth kindly sent me some fabric to play with to help raise their profile amongst designers and costumers. (They don’t currently sell direct to consumers online, but will provide prices if you email them via the website.)
I received 2m of the Melton Doe Skin in the shade Fig, a tightly twill-woven 100% merino wool. A description from Hainsworth’s site: “The term ‘doeskin’ originated from the similar appearance and feel of the fabric to the skin of a female deer. Along with the practical purpose for allowing rain to run off the surface in the direction of the nap, the light is captured on the face finish and bounces off the surface to create a lustrous sheen.” So there you go, pretty and practical. As with all wools it was joyful to sew with, cutting easily and moulding willingly with steam and pressing.
I used the Avid Seamstress Coat pattern. I’d been umming and ahhing over making this midi-length partially-lined coat for spring for a while, then a combination of seeing Charlie’s (in a very similar shade to mine) and trying on a sample in Ray Stitch persuaded me to buy it. Manju coincidentally also just used the same pattern for her Hainsworth collaboration project.
Now here’s the issue, which Manju seemed to share: I was disappointed by the pattern and it was not a particularly fun sewing experience. She lists some of the issues I found; namely:
too little guidance on finishing seams – on an unlined coat! Not cool.
changing seam allowances so you have to constantly pay attention; in the case of the collar it changed over the course of one seam.
instructions too chatty/rambling in tone for my taste and photographed steps that are not always that clear to understand
confusion around the vent finishing; I ended up doing mine differently as it looked bulky and rubbish with the bound edges
to my mind, a poor design decision to have front-facing in-seam pockets that are always going to flap around and look messy. Manju switched to patch pockets, and I wish I had had too. There’s also nothing holding the facing in place inside so it tends to bend outwards.
Regarding the finishing, this wool does not fray in the slightest but I’m not the biggest fan of completely raw seams, so I made the somewhat stupid and self-sacrificial decision to bind them all using my lining fabric, a delicious Liberty silk twill in the ‘Minako’ print sent to me by The Fabric Store. Luckily this silk is incredibly well-behaved but still, that’s a lot of binding to cut and stitch and it felt like a real slog. While it looks quite nice it’s not my neatest work in places as I was losing steam. It would have been much more straightforward and neater to line the whole thing!
Like Manju I decided to line the sleeves in my silk as well, to make them more slippery to get on and off. This was pretty simple: I just used the sleeve pieces less an inch or two for folded-back hem allowance. They’re sewn bagging-style to the cuff and attached to the half-lining around the armsyce. Fit-wise I sewed a straight 10 as that was the size of the one I tried on in Ray Stitch and the fit seemed good. I do question why the armsyce has a pretty pronounced curve at the head when the shoulder is very dropped and non-fitted: it seems to produce a bump and puckers at that seam that I had to coax smooth with a lot of steam.
Time will tell if I end up wearing this coat. I think we need a little time out after the sewing experience, however it’d be a shame to not make the most of all that time and the beautiful fabrics. It’s a useful weight for this time of year as well and quite an easy throw-on sort of style, so I hope we make friends again.
It’s not often I buy new patterns nowadays, but I fell hard for the Persephone Pants pattern as soon as Sophie posted them on Instagram. I snapped it up despite a general unwillingness to both buy from ‘untested’ indie designers and to buy a pattern I could hack fairly easily from existing ones, and ended up pretty glad I did.
Mostly I was curious: how on earth can you fit pants with no side seam, especially on a shape like mine where my waist-to-hip measurement spans four sizes on the size chart? I asked the designer Anna on Instagram and she recommended to cut the size to fit my hip – a 14 in my case – then use the back darts to bring in the waist. Plus an extra dart can be added where the side seam would be if needed.
When I basted up the pants I found that pinching an extra inch-and-a-bit out of each dart gave me a fairly snug fit at the waist without distorting the lines too much. Also, as I sewed on the waistband I eased it in pretty tightly to give a bit more hold and cut off the excess at the end. My final waistband length ended up at the size 8 finished measurement which is in line with my waist size, and overall the fit is pretty nice and super comfortable. Nifty!
I used The Fabric Store’s heavyweight linen in Toffee, the same fabric I used in pink for my jeans. A sturdier fabric such as canvas or rigid denim is recommended, and I think that might help with the slight issue I have of the button fly front wanting to pull apart a bit. This is one of those colours that I’m always drawn to – in this case heavily inspired by this picture – while always forgetting it’s not really in my preferred colour sphere for wearing. We’ll see if I end up reaching for them often, but navy or dark green would probably have been a more sensible choice.
Making them was seriously fun and I was incredibly impressed with the pattern. I love making trousers anyway but these have all sorts of little details to make things interesting and satisfying. The instructions are among the best I’ve used for ages and you’re thoroughly guided through seam finishes and topstitching etc to get a really clean and detailed result. The designer Anna Allen was apparently working on this pattern for a year, and it shows! It’s very professional and I didn’t once feel my usual urge to deviate and use different techniques.
The inevitable question is how do these compare to the other high-waist wide-leg pants patterns out there, for example the Landers or M7445 to name two I’ve sewn up before? I think the Persephones are definitely unique enough to have a seat at the table, the main design and fit differences being:
– These are truly high waisted! I have quite a high natural waist so the Landers and M6445 don’t come to my belly button, but these cover it.
– No side seam; the legs are one big wraparound piece. Pretty kool.
– A concealed button fly which is very fun (and easy!) to sew.
– You can’t really tell from the samples or line drawings, but they have super cute little pockets tucked into the waistline at the front.
– Of all three patterns, they’re the snuggest at the hip/thigh area (I upsized to be sure they’d fit but I think they should fit a little tighter) but I think the widest at the hem circumference.
– They have been compared to the cultish Jesse Kamm sailor pants which seems fair, as even the topstitching on the waistband and crotch is the same. But y’know, not $400.
If I was to make them again I think I’d size down to a 12 hip / 6 waist as these have grown a little already (and I’m trying to lose a few spare winter pounds) and I prefer my high waisted pants a little snug. I’d also use a studier fabric as recommended and take an inch or so off the hems. I just bought some cream needlecord which is a toss-up between becoming these or a second pair of Landers.
Shout-out to my new Clarks shoes btw, which I already bought in two colours and am trying to resist the third…
Wendy’s book is a pretty comprehensive primer on all you need to know to sew with knits. Even if you have some experience I’m sure you’d pick up some new tips or find it handy as a reference volume, or simply make use of the six included patterns which include a tank, tee, a skirt, two pairs of trousers and a cardigan along with numerous ‘hacks’ to make more variations.
The patterns are printed onto sheets at the back of the book. They need to be traced and sometimes pieced together. Colour coding and good clear labels made the process really fast, even for this usual tracing-phobe: like well under half an hour to do these two patterns. I outlined my size in black marker to make it even easier to see what I’m doing.
The Derwent trousers which I sewed up first are a cropped flared trouser designed for ponte type knits, with the waist finished with an elastic facing. I used a wool-mix Ponte Roma which was kindly supplied by Minerva Crafts. It’s a lovely weighty cloth with a firm widthwise stretch and an almost felt-like feel.
I appreciated the detailed finished garment measurements breakdown and the way the key body measurement is given to pick your size from – hip in this case. I found them true to size and the fit great, albeit perhaps a little unflattering on my currently rather inflated tummy. I took two inches off the standard length leg to get this ankle-crop length.
I followed the sewing instruction in the book and had no issues at all. They sewed up crazy fast, being only two pattern pieces and just five seams. I especially like the waistline, faced with wide elastic and folded back on itself for a clean and firm finish. I added a label so I can quickly tell the back! The book has a separate techniques section for things like this which is referenced from the individual pattern instructions where relevant.
I made the Peak tee next, in a pale lilac interlock that’s been in my stash for a while. This is a boxy-cut crew-neck tee which falls to high hip length. Variations include a long sleeve and elasticated waist dress views, for which instructions are given in the book.
In terms of fit I found the back neckline a bit too broad for me; the neckband keeps it snug but I’d make an adjustment before sewing up again. Also the sleeve head is symmetrical which I think is causing a little excess fabric around the front armsyce/upper bust on me. Both quite common fit issues on me since I’m smaller through the back and upper chest, so I can alter the pattern accordingly for next time. Overall I think the proportions are great, and it also sewed up quickly with thorough instructions. I hemmed the sleeves to the outside for a cuffed effect.
Overall I’d definitely recommend this book to those either brand new to sewing knits as a project-based learning book, or those who have some experience and want six cool basic-with-a-twist patterns and technique references. Thanks for having me on the tour and to Minerva for my trouser fabric! You can check out other projects from the book at the other tour stops below:
And if you fancy a copy, MAKEetc.com are offering 25% off the £12,99 cover price with code BLOG25 until 21st April. Not bad for six patterns!
I’ve just got back from a short holiday to Mexico; it was our third time there as it’s probably my favourite country in the world (vying closely with Japan!). In the week prior I decided I needed a couple of new holiday dresses, so spent some very enjoyable evening and weekend time sewing up some simple frocks ideal for the spring heat. I also did a few crafty things out there and a spot of fabric browsing!
(Yep, I found a sewing sign!)
I dug out an old PDF that I haven’t used for a while, Grainline’s Alder pattern. Thanks to past me I had View B adjusted for fit as I’ve made it twice before – one, two – plus an uncut copy shop version of View A which I decided to try this time. I applied similar fit and style adjustments to View A: converting the collar to a V-neck (Jen’s tutorial here), a small FBA and swinging out from the hip to add more needed hip-space. I’ve made so many simplifications to the pattern that it’s now only two pieces, ha!
Both dresses have the same construction: French seams throughout (well, there’s only the shoulder and side seams so hardly a huge effort) and self bias tape to finish the neckline and arm edges. Some hate it but I quite like making self-bias and it always seems to behave better than any bought stuff. I’m the weird sewist who likes doing buttons and buttonholes too so this was quite the dream sew, hah. They both have my little custom labels that I designed and had made by Nominette too.
Onto some in-situ holiday snaps… (sorry these look kinda pixelly? Something weird going on with my exports.)
The first one is in a beautiful lightweight but opaque printed linen from The Fabric Store. I ordered this fabric actually expecting the use it to make some cushions, but once it arrived the drape and smooth handle were so lovely I couldn’t resist a dress instead. (And I have enough left for those cushions, yay!)
I spent a while at the cutting stage trying to get the print lined up across the seams and centre front. Giving myself a B+, it’s pretty darn close!
These pictures were taken in the lovely suburb of Coyoacán, fitted with scented flowers, cobbled streets and colourful walls.
The second one is made from Kokka double gauze that I bought in Tokyo last spring. This abstract print was far less critical to match! I adore the colours in this fabric and it’s butter soft.
Happy to report it was both heat- and cycle-friendly! I can’t wait until the English summer or another holiday to wear these again.
Onto some other crafty stuff I did over there. One day we did short workshop in the lovely San Angel area to learn about alejibres, the richly-decorated little folk animals you find in every Mexican craft market, and to paint our own versions. They have an interesting history that merges pre-hispanic traditions with the work of one of Diego Rivera’s proteges, Pedro Linares. I made a little pink ‘n’ green kitty and Josh painted the crazy lightning lad.
We also took a class on another day to make a small weaving using yarns mainly dyed with natural products such as indigo, cochineal and flowers. This took place in the Chapultepec Forest and was also really fun and relaxing. We booked both of these days (along with some other trips) on Airbnb experiences, and I really recommend those as a way to meet locals, hear their stories and maybe do a little holiday crafting.
The artisan markets are full of wonderful crafts too. I brought home a lovely blackwork Otomi embroidery like in the right-hand photo above, which I’m going to hang on the wall. You can read a bit more about Otomi’s history and how it’s made here.
Finally, I did a spot of fabric shopping in the city of Puebla, a couple of hours east of Mexico city, where we decided to spend a night fairly last-minute. It was a good decision as Puebla is a beautiful place, with an amazing antiques/flea market, stunning old churches, and plenty of fabric shops!
Like most Mexican cities, similar shops tend to clump together along a street or block, so there were several fabric shops conveniently next to each other around Calles 2 Ote and 8 Pte towards the north of the small city centre. Josh handily entertained himself by going to buy tacos árabes, a local speciality (another interesting read), while I poked around a few of the stores.
There were the usual suspects that I encountered on my first trip to Mexico, the large chains called Parisina and Modatelas. These usually contain haberdashery and other crafting / misc household stuff too, and the fabrics are mostly synthetic and very bright! However I did spot some nice rayons, linen blends, ‘crepe ghost’ whatever that may be, and traditional style woven stripes and smocking.
I liked the smaller shops better; these typically have sections for knit/woven dress prints, costume type fabrics like tulle and sequin, and a wall of more premium cashmere and wool suitings. Prices are mostly in the $50-150 MXN (£2-6 GBP) per metre range, thought probably more for the fancier stuff.
I only bought one thing, this irresistibly silly cat print knit which I’ll use for a simple pyjama top. But it’s still always a treat just to browse in fabric shops while traveling! Here’s a list of some of the shops in Puebla in case you are travelling there:
Telas La Moderna, Av 2 Pte 106
Telas Janina de Miguel Velázquez, Av 2 Pte 310,
Modatelas, Av 2 Pte 304
Parisina, Av 2 Pte 111
Telas Boaltex, Av 8 Pte 116
Telas Rafa, Av 8 Pte 307
Here’s the second pair of jeans made from my self-drafted pattern! In a classic blue denim this time, an indigo selvedge number from my go-to denim source, Ditto Fabrics.
I made a few little tweaks from my pink pair, mainly to get the centre back fitting better. I angled the back yoke seam even more to account for excess fabric in the small of my back, and also transferred a sliver at the top of the back leg onto the bottom of the yoke, as the yoke was looking a bit shallow. I’ve still got a fold there, so next time I’ll take even more out.
In further recycling efforts from my Monki base pair, this time I reused the zip! I used some scraps of rather loosely-woven ikat cotton for the pocket bags. I should have used something more stable, I hope they don’t shred quickly.
To keep things interesting I tried a different technique for the waistband, where the inner waistband is sewn to the inside of the pants first. Then you flip over the outer waistband, tuck in the seam allowance then topstitch and seal the outside in one pass. It’s a little bit like the tutorial that Heather recently posted on her blog. The benefit is there’s no need to invisibly secure the inner waistband like the regular technique, since you sew that first and then secure the outer waistband from the outside.
However I found that while the inside does indeed look super neat and tidy, it was harder to achieve a good looking result on the outside, particularly at the centre fronts where it felt bulkier than usual and was difficult to keep all the fraying edges tucked away, even with a liberal use of Aqua Glue. I had to re-sew a few bits where my stitching went awry, and was glad I wasn’t using contrasting topstitch thread!
My daily wardrobe has been desperate for jeans like these, since all my RTW pairs of this style are currently a little too tight (cold weather comfort eating and no exercise, I see you) and I don’t own a plain indigo pair. This pair has the benefit of being way more comfortable than my Monki RTW ones even when they did fit, since the denim is super soft and quite lightweight (and I think it has some elastane in, unusually for a selvedge), and the fit being obviously more tailored to me. They’ve had plenty of wear already! I just wish I’d done slightly contrasting topstitching for a bit of visual interest. I’m now on the hunt for a true solid black to continue building up my jeans rota.