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Scriptnotes Podcast by John August And Craig Mazin - 1w ago

Craig and John spend the entire episode discussing and dissecting Raiders of the Lost Ark, looking at both its structure and scene work.

This amazing and iconic 1981 film established so much of what we expect of out movie heroes and set pieces -- but a lot of what it does would have a hard time getting through modern studio development. Five-minute exposition scenes! Nazi monkeys! Helpless heroes at the climax!

And yet it works so well. There are great lessons to be learned for screenwriters in every genre.

This episode originally aired on January 22, 2013.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

UPDATE 1-25-13: The transcript of this episode can be found here.

 

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Scriptnotes Podcast by John August And Craig Mazin - 1M ago

John and Craig investigate actual villains in this installment of How Would This Be a Movie? From the eerily prescient writer of “How to Murder Your Husband” to the dark comedy of Jacob Wohl, sometimes reality provides the character — now you just need an actual story.

We also look at the craft behind writing for ensemble, plus follow-up on the end of FilmStruck, “No Writing Left Behind,” specifying character race in scripts and the hopeful resurgence of family-friendly Christmas movies.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

 

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Scriptnotes Podcast by John August And Craig Mazin - 1M ago

John and Craig talk romantic comedies with screenwriter Tess Morris, whose film Man Up is unapologetically part of the genre.

We discuss what distinguishes rom-coms from other comedies, and why they get singled out for disdain and death-of articles.

Also this week: Amazon Storywriter, overused dicks, and follow-up on Whiplash.

This episode originally aired on November 24, 2015.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

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Scriptnotes Podcast by John August And Craig Mazin - 2M ago

John and Craig look into simultaneity and how to visually articulate two things happening at once with the temporally-limited medium of written word.

We also explore how simultaneity can ramp up tension, fracture narrative and play with expectations. Then we apply what we’ve discussed to three new entries in the Three Page Challenge.

Links:

Email us at ask@johnaugust.com

You can download the episode here.

 

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