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I have spent longer time on this demo painting, so I get additional details on the metal pot. I really like the texture.
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Texas has been getting too hot. So I went Vermont. This is 1st demo at Landgrove, VT.
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Yes, that red rock is in Sedona AZ, but I like to use it to announce my plein air painting workshop in Austin this fall. Texas summer is brutal. However, November is a good time to go outdoors. I am going to paint the beautiful Texas hill country. I hope you can join me and I will share all I know about plein air landscape painting in this 3-day workshop. Please check: http://www.qh-art.com/qiang-huang-plein-air-workshop-2018.html for detailed info and sign up. Thank you.
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Nowadays, there are too much going on. We are information overloaded. We are over too busy. I felt I am a machine. Doing one thing after another. I can only react mechanically. In this rat race kind of life, can we still generate good art? I doubt it. I am mindful about it. I know my demos are pretty much the same. It serves its purpose in workshops. My art is still going. I have hope.
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When I post my painting, I write spontaneously what is in my mind. However recently my mind is blank. I feel I start to have Alzheimer's. So we just let the painting talk visually. This is the third demo I did on my Austin workshop.
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Life keeps  on going. I still have paintings to post. This is my second demo in Austin.
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Back to my usual mode of teaching. This is my first demonstration on my Austin workshop. Low key, and bright center of focus. You have seen too many of my demos like this. Please be patient with me. Life is keep on going.
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I am happy to see my color scheme change in paintings. I use to use value dominantly to create the drama for my art. Now I tend to establish dominant color tones for my paintings. I get more chances using higher chroma colors in large areas. I am in the transition from a tonalist to a colorist. Can you believe I did not use ultramarine blue in this painting?
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This one is harmonized to yellow.
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This one I harmonize the color to blue.
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