Another masterpiece signed by Yes, coming from the album "Relayer". With Patrick Moraz jazzy style and a beautiful melody by Steve Howe born during a guitarist's boat ride on The Serpentine lake in Hyde Park. Anderson added his signature spiritual lyrics focusing on the liquid element (We go sailing down the calming streams / Drifting endlessly by the bridge / To be over) and flying high, as usual.
Yes lineup for "Relayer". It didn't last long, but worked well.
To enhance the spiritual side of "To Be Over", Howe also plays the sitar here, topping the rich arrangement with an Eastern touch. I also like the classical sounding solo by Moraz, so perfectly matching with the rythm section... and it's a White / Squire section, that's to say something! What a beautiful song, my dear progfriends!
The Aaron Clift Experiment is a highly skilled trio based in Austin, Texas and leaded by Mr Clift with an open wided and eclectic approach to prog. Their records include many of my favourite features: tempo changes, unpredictable passages, acoustic/electric mix and, last but not least, an enviable balance of old glorious sounds and up-to-date solutions. That said, "Absent Lovers" comes from the band's 2018 album "If All Goes Wrong" and deliciously swings between dreaming moods and vigorous progressions.
"If All Goes Wrong" is the third studio album by the band.
As usual, Aaron's voice is strong and tense, while the guest string trio (violin, viola and cello) and Fred Springer's classical guitar add a special charm to the composition. You'll find some welcome King Crimson and early Genesis hints here and there, but also a remarkable coherence of such a rich musical plot. "Abesent Lovers" is divided into three acts, kind of a mini-suite following the sea scented lyrics, based on the hero's return, an emotional rendering of the Odyssey I really appreciate. Here I point up another highlight of Aaron & friends: despite their literary references and their lushing instrumentation, they never go showy and their music has the grace and the soundness we expect on good prog rock.
Riverside go on changing and exploring, that's why I like them. This song, taken from the album "Love, Fear And The Time Machine", is a dreamy ballad, and it also includes beautiful mellow instrumental passages, never too sweet and never too long. The lyrics are beautiful too, about life's recurring times and chances. Mariusz has a beautiful voice, both srong and soft and this is a brilliant performance.
...And what about this misty cover art?
The moody way the band has to build up transparent, fluid atmospheres easing deep meditations is slways surprising and the more their song gets plain, the more they reach the listener's soul. This is exactly what "Time Travellers" does, so it doesn't need a longer ntroduction.
A very intense and intimate song from Nine Stones Close, a project leaded by Dutch multi-instrumentalist Adrian Jones. It comes from their second album titled "Traces" and includes some of the band's highlights, namely beautiful melodies and great guitar dreaming solos by Mister Jones. But there's more than this. I especially like Mark Atkinson's vocals, full of inner emotions and perfectly balanced between delicate and tense moments.
Nine Stone Close already have a considerable discography.
A prog ballad isn't an easy thing to do, believe me: Jones and his friends have to mix plain sung sections and instrumental breaks keeping the coherence of their song and they surely succeed there. "Falling to Pieces" has a melancholy, even pessimistic mood, but it also features a strong spiritual perspective, building up a sentimental trip through sorrow and hope, a strong emotional experience that only good prog can add to an apparently simple track.
This Spanish band released their first album titled "El Circo de la Tierra" in 2011 and were a pleasant surprise to me. Sure, some of their tracks are too much on the metal prog side for my mellower tastes, but many songs are plain and very good progressive rock in a vital and colourful mood I like very much. " Pequeño animal" is one of them, full of bombastic and melodic lines, and also featuring well found changes in both rythm and tempo.
This cover art perfectly matches with the band's music, IMHO.
The background keyboard work by Carlos Álvarez Prades is brilliant, and all the musicians know how to play their instruments. Maybe a special mention goes to Ángel Belinchón Calleja's powerful vocals (and after all, Dry River used to perform Queen's covers in their early days...), adding a somewhat operatic pop-rock touch to the great picture, a welcome and original twist. And I also highly recommend to your attention their following albums...
Taken from "Waterloo Lily" album, this is undoubtely one of the best prog ballads ever and a blooming flower into Canterbury musical garden. Caravan mix the acoustic set with a soft vocal performance, conjuring up a spring smelling track, a true love song, including all the I love yous one can imagine.
Caravan: all is so Seventies in this picture!
Still, the original way the band wrap up their gift and the never too sweet sound we enjoy is true Canterbury prog, full of warm guitars and also featuring a misty mix and a folk inspiration. True, this is a catchy song, not so far from the best pop songs from the early Seventies, but if all of them were as good as this one, well, I'd listen pop music 24 hours a day!
Since the early 2010s Gazpacho evolved from a mellow and captivating mix of pop and prog to a darker and somehow spiced post-progressive sound, including moments of ethereal beauty and a rich, even ethnic choice of instruments. This song, taken from the album "Molok" is a good example of this phase of the band's career. Arcane sounds and solid guitars surround the vocals by Jan-Henrik Ohme, much in the style of Marillion's Steve Hogarth.
Another fascinating cover. I really like the colours here.
The mood changes are very well done, especially when a tight line gets a wider breath, or when an acoustic passage follows electric ones. That's why I like "Know Your Time" and its unpredictable stream of creative music. I won't even try to explain the tricky theories about God and ancient religions behind this track and the whole album, but I confess I love the way Gazpacho approach such a challenging concept keeping their feet well on the ground.
I listened to some Mavara's songs some years ago and liked it, so I was tempted to introduce them to my blog's readers. When their fourth album "Consciousness" was released, however, I definitely made up my mind and I decided to put this song in my blog. "Time Makers" shows how much the band improved and is now able to make an eclectic and unpredictable kind of prog.
I'm in love with this cover art. Aren't you too?
They mix math-rock elements with classic prog and just a little bit of metal providing bright edges to their compositions. Their wall of sound effect remind me of Riverside, but you'll find hints of H-era Marillion, Porcupine Tree and, of course, King Crimson. Not only the melodies are enjoyable, but there are also clever changes and a beautiful dreaming guitar solo. What else could I ask for? Fairy tales and solid sounds... and they're from Tehran, Iran. Prog is everywhere you go.
Italian prog never dies. It even evolves and conjures up new landscapes. This is the case with AltaVia, whose rather eclectic approach to prog never betrays our favourite genre's roots. This track, taken from the album Kreosote, features a fully enjoyable mix of classic prog, space rock and - why not? - mainstream pop-rock. Andrea Stagni's keyboards and vocals follow the narrow and winding path between familiar sounds and contemporary moods, building up a fairy (but never too fragile) musical architecture.
Kreosote is the second studio album by AltaVia.
The rest of the band is also up to such a tricky task: please take Mauro Monti's hearty guitar solo or the creative rythm solutions provided by Giuliano Vandelli and Marcello Bellina. This everchanging song has the spicy flavour of the Seventies and the fragrant taste of a freshly baked cake. That's exactly the kind of musical food I just can't get enough.
This band was already responsabile of some excellent neo-prog music (and you can find a few posts about them in this blog), but their 2017 album has a somewhat richer taste. This title song is an enjoyable and unpredictable collection of moods, some old and some new, some rough and some elegant.
"House of The Mind" was the band's fourth studio album.
There's a great guitar work, both rythm anGrazie d solo ones and, of course, a good choice of atmospheric keyboards. Last but not least, the melodies are all very well found and the arrangements are all effective. And as I also like the dynamic tempo changes, I can only recommend this track to you all.