I have been remiss in posting this, but I had the chance to see legendary post-everything-metal/blackgaze innovators Alcest play their record Kodama in it’s entirety, and boy was it a beautiful thing. Even more beautiful, however, could have been the performances by the two openers–LA’s own King Woman and GLAARE, who put on extraordinarily powerful shows. GLAARE, in particular, just about knocked me over with the sultry hex they wove. Check out the photos below.
There’s an exhilarating rush knowing that you’re about to be surrounded with living, breathing music and wild personalities for an hour or more. Sure, it’s likely the band you go there for that gives you those feels, but sometimes it’s the venue. Some of the best ones have this storied allure of being small but feeling large and procuring energy from like-minds and enjoyment in togetherness.
It’s how I feel about The Regent in Downtown, and it might be why Danish toughs Iceage performed there twice in the same year during the same album-touring cycle. Though you might expect the band to put on the same show, you’d only be partially right: the set was mostly the same, with most of the material devoted to this year’s Beyondless. But the energy was more tense and, in a sense, controlled, like the band had refined what was otherwise an already formidable concert act from months before.
The crowd was also more riled up, given the co-headlining of Atlanta’s dependable garage punk rockers Black Lips (who played material both old and new) and the fervent speed punk stylings (and wow-ings) of Brooklyn newcomers Surfbort. It made for a night at The Regent another one of giddy joy, in which moshing is par for the course and the bands put on a display of power in a room that handles it nicely.
Cleveland-based punk rockers Cloud Nothings shot right out of a cannon in the early 2010’s as ones to watch, and as I have been watching them since the release of 2012’s Attack On Memory, it’s been a pleasure watching leader Dylan Baldi continue to hone and craft some of the most compelling and honest songwriting the genre has had to offer so far this century. Seeing them again on this new touring cycle for their latest record Last Building Burning has only reminded me of the strengths the band has, pulsating speeds of fury in tight compositions that are candy-sweet.
The band performed the album in its entirety, front-to-back, at The Teragram Ballroom Friday night. In addition, they performed tunes from previous works Here and Nowhere Else and Attack On Memory. With slamdancers swirling to “Pattern Walks” and “Stay Useless” and getting caught up in saying “I thought there would be more than this” as a newly-minted 30-something, it was fun to see a compact crowd rollick with the same drive the band had procured six years earlier.