Loading...

Follow Dichosis Studios on Feedspot

Continue with Google
Continue with Facebook
or

Valid

Cinematography is about using time and motion to explain and record change. And while there are only a handful of fundamental camera movements, choosing which ones to combine and in what way can be daunting. As a story artist whose job it is to render the first look of a film, TV series or commercial, it helps to know a bit about the world of cinematography. But first, some background information.

Source

Read Full Article
  • Show original
  • .
  • Share
  • .
  • Favorite
  • .
  • Email
  • .
  • Add Tags 

Filmmakers starting out all seem to have the same limitations. But for us, these limitations aren’t problems. In fact, if you accept them, the answers become pretty clear, pretty quickly. What camera do we use? The one that we’ve got I guess. How do we gather crew? How many favours can you call in? What’s a worthy script look like? Well, do we like it…? We (Lexy Anderson and Ben Murray) are a...

Source

Read Full Article
  • Show original
  • .
  • Share
  • .
  • Favorite
  • .
  • Email
  • .
  • Add Tags 

As a storyboard artist you are responsible for creating the ‘first look’ of a film, and by way of simply drawing out the scenes you become a kind of film director in your own right. This transformation is most readily apparent if you leave nothing open to interpretation. Your work should be rock solid and include every bit of necessary detail before it is handed off to other departments. Signs...

Source

Read Full Article
  • Show original
  • .
  • Share
  • .
  • Favorite
  • .
  • Email
  • .
  • Add Tags 

While there is an established way of formatting a screenplay or shooting script, there is no one way of visually interpreting them. If there were, the role of a storyboard artist would have been given over to automation long ago. In practice, much of the action described in a script is intentionally left open to interpretation. This presents a challenge to the director in the form of greater...

Source

Read Full Article
  • Show original
  • .
  • Share
  • .
  • Favorite
  • .
  • Email
  • .
  • Add Tags 

Developing as a concept artist is a deeply involved pursuit. It requires countless hours of practice and study in such areas as product, industrial, environmental and architectural design. There is no way around it. How else are you going to be able to adapt to the ever-evolving needs of art directors and prove your understanding of what they and production designers look for in potential team...

Source

Read Full Article
  • Show original
  • .
  • Share
  • .
  • Favorite
  • .
  • Email
  • .
  • Add Tags 

Separate tags by commas
To access this feature, please upgrade your account.
Start your free month
Free Preview