I wasn't sure what to finish this week....it seems like there is always so much to do and so little time. This hat, which was the closest project to being finished, was a good candidate. I have been procrastinating finishing the top because I was scared that I would mess it up. Turns out it took less than an hour, and it was pretty easy! Once again, I'm thankful for the accountability of finish it up Friday!
Last December, my friend and I went yarn shopping and we saw a knit sample of this hat in the yarn shop. My friend bought the yarn, I bought the pattern and knit it up. It was a delight to make! I'm excited to give it to her. I may even try to get some modeled shots eventually. :)
I have not done repairs on an antique quilt before, but I'm about to dip my toes in the water. I guess I'm going to have to make it up as I go along! I've had this quilt for almost a year now, and I'm still SO thankful that I was the one to find it and rescue it. (You can read more about it in this post.)
The binding has disintegrated, so removing that was the first step. I'm pretty sure that the maker used pre-packaged bias binding. (I'm only guessing, but I've seen enough vintage pre-packaged binding in thrift stores. This looks like one of the signature colors.)
The binding was hand-stitched to the back of the quilt, so it was easy to remove. (It was actually kind of fun!)
When it came down to it, there was surprisingly little binding removed.
I decided to keep the front half of the binding on the quilt. I didn't want to remove it, because the line of (machine) stitching is holding all the layers together. The quilt isn't extremely fragile, but I certainly don't want to open up those delicate edges.
I had some bias binding pieces leftover from some other projects, so I used a few scraps to test out an appropriate width of binding. I started with a 2" wide strip, which was too narrow. (There wasn't enough binding to adequately wrap around and cover the line of stitching.) This strip measures 2.375" and it's just right. I will attach the binding with a seam allowance that is slightly larger than 1/4", so the new binding will cover the remains of the original binding.
This fabric was just supposed to be a test, but I actually like how it looks on the quilt, especially with all those orangey-red hexagons. I have plenty of it in my stash, so I'm considering using it to bind the quilt. Besides, if you have to go to all the trouble of making bias binding, showing off a pretty plaid pattern just makes sense, right? :)
Option A: plaid
Option B: Canary Kona cotton
The other option would be to use a solid yellow. I do like this option because it is more in keeping with the original quilt. I am using a brighter shade for three reasons: 1. I'm not a fan of the golden yellow, 2. The brighter yellow holds it's own against the orangey-red hexagons. (A lighter yellow looks washed out.) and 3. The yellow is a better match to the yellow fabrics that are a part the actual quilt.
Since I can not decide which fabric to use, I'm going to ask you to vote.... which option would you choose for binding and why? I'd love to hear what you think. Thanks in advance for your help!
I'm excited to be taking on this challenge of repairing the quilt and giving it many more years of life. That's the hope, anyway!
Hello! I thought that it would be fun to share a tutorial for making a scrappy churn dash block today. I originally planned to include this idea in my book, but I didn't like any of the versions I made while testing, so I switched gears and made the ring me quilt in it's place. I'm glad that things worked out that way, because I adore that quilt. I wasn't going to give up on the scrappy churn dash block completely, so today I revisited the idea. I'm pleased to report that I finally made a version of the block that I LOVE. Hurray!
For the background fabric, I'm using Quilter's Linen by Robert Kaufman in the color Ecru. (I have a whole bolt of this fabric, which is very exciting!) I love that it looks like Essex linen, but it's actually quilting cotton, which is easier to work with because it's less bulky.
From the background fabric, cut: (1) 5" square for the center (2) 3" squares for the corners (4) 1 1/2" x 5" rectangles for the sides
From a contrast fabric, cut: (2) 3" squares for the corners
From scraps, piece several together, end to end, to make: (4) 1 1/2" x 5" scrappy strips
Cut each of the 3" squares in half on the diagonal once, to make a total of 8 triangles. Place one background fabric and one contrast fabric, right sides together. Sew to form a half-square triangle. Make 4 total.
Press the seams. (I like to press my seams open when making half-square triangles, but you can press the fabric in any direction you choose.) Trim each half-square triangle to 2 1/2" square.
Place one strip of background fabric and one strip of scrappy patchwork, right sides together. Sew along one long side and press seam to the background fabric. Make 4 total.
Arrange the pieces as shown.
Sew the block units into rows. Press the seams in the top and the bottom rows toward the triangles. Press the seams in the middle row toward the center.
Sew the rows together to assemble the block. Press seams toward the center. The block should measure 9" square. I think I'm going to make an entire quilt from these....eventually! It'll be a great way to use up my smallest scraps.
Here are my three original scrappy churn dash blocks that I made in the testing phases. Like I said, I wasn't thrilled with any of them, but they do make dandy pot holders, hot pads, or whatever you call them! If you'd like to turn your scrappy churn dash block into a hot pad, you can use this tutorial as a guide. I love to turn orphan blocks into usable objects. Less clutter hanging around the sewing room!
If you give this block a try, I'd love to see it! Have fun sewing up your teeny tiny scraps!
This gingham doll quilt, which is a mini version of my new king size quilt, was such a delight to make. After I had finished the king size quilt, I threw all the extra scraps into a bag and stashed it in a bin. (That's a bad habit to get into!!!) It felt so good to pull out the scraps and actually use them!
I made a teeny tiny little pillow case to match, because...cuteness!!! (I used my OLD doll bedding tutorial from 2008, which can be found here. Still works. Hahaha!) I haven't done much sewing with my Emma and Myrtle fabric since it came out, so it was nice to use it for this project.
I decided to quilt it on the baby lock tiara, which went very well. I had to snap a picture of it mid-quilting, because the scale of the machine vs. the scale of the quilt is comical. Turns out a lot of throat space is lovely, no matter the size of quilt. :)
Right before I was about to make the binding, I discovered some leftover binding from the king sized quilt. Guess what? I had enough left to bind the doll quilt with about 5" to spare. It was perfect!!
I'm going to give this to my daughter. (Either for her birthday in a few months, or sooner if she reads this blog post and finds out about it. Ha!) The quilt can be used for any one of her many, many stuffed animals....
....or she can use it for her favorite doll, Sage. (Isn't this vintage cradle just perfect? I picked it up at a garage sale for ONE DOLLAR several years ago. It was quite the bargain!)
Seriously, is this not squeal-worthy??? She's going to LOVE it!!!
The doll quilt measures approximately 18" x 22" and it is scrap project #199!
Now, it's your turn! Please link up your finishes for the week. Thank you, as always, for joining me for finish it up Friday! Have a GREAT weekend!
Wow! You guys seem to like scrappy quilts as much as I do! I'm pleased that so many of you stated that you were going to start your own version of a scrappy 4 patch quilt. That's exciting! Many thanks go to Jean Gilbertson for the wonderful inspiration!
Since I had so many questions about the pressing direction on my 4 patch blocks, I thought I would show my work. (ha!) The beauty of this quilt is that there is an alternate block that is not pieced, so pressing direction really doesn't matter. Woohoo! Right now I'm pressing to the dark fabric for step one and the center seam gets pressed to one side. Honestly, if the pressing would have been fussy, I probably wouldn't have attempted this quilt in the first place.
I also had a lot of questions about the background color. I'm not sure yet, but I do love the suggestion of the same color as my aqua desk. My one hesitation is that I have a LOT of aqua scraps, so they would fade to the background. Hmmmm. Thankfully, I have a lot of time before I need to make a final decision.
I'm happy to report that I'm making great progress, though. I have over 100 blocks done already! I decided that I'm going to bag them up in groups of 100 as I finish them. That will save me tons of time counting and re-counting. It will also help keep me motivated, I think.
Over the weekend we had lots of pretty SNOW and I had plenty of time to SEW! It was lovely! I started my last batch of log cabin blocks. When I say my last batch, I'm trying to be optimistic that I'm farther along that I really am. I have 70 blocks complete, I started the final 62. I guess any progress is good! I'm QUITE anxious to see this one as a quilt top!!!! (Block measurements can be found here. Last progress photo of the quilt can be found here.) The nice thing about working on these two projects at once is that they both use 1 1/2" pieces. Perfect! Happy Monday to you!
I made my first pincushion of the year! It's about time, no? I had 5 of the 6 sections pieced for months and then it got set aside. Yesterday I finally pieced the final section and finished it up. I got hung up on fabric placement, (and then distracted by 100 other things!) which is why it took me so long to finish it. Seems silly now, because I love how it turned out! It's scrap project #198. (Pattern can be found in Plenty of Pincushions, Volume 2.)
This week I finished my 10th block for my Mark Twain quilt. It's pretty exciting to see the pile growing! I have a low-key goal to make 5 blocks a month, so I'm about a week ahead of schedule. (I'm rarely ahead of schedule on ANYTHING, so I'll celebrate that miniscule victory. Ha!) I have been enjoying hand stitching so much!
I decided that this project needed a brand new WIP bag. (Pattern can be found here.) This version is extra large...it measures about 18" x 20"! I was happy to discover that it was very easy to upsize the pattern. (I have a post about sewing with vinyl and shortening zippers here, that you might find helpful.)
It's really hard to convey the size of the bag, so I took a photo of it on my 18" x 24" cutting mat for scale. It's HUGE! I look forward to filling it up with finished blocks!
If you have the Work In Progress Bag pattern and would like to make an 18" x 20" bag, here are the measurements you will need: Use a 16" zipper. Cut 1 piece of vinyl 2 1/2" x 18" Cut 1 piece of vinyl 17" x 18". Cut 1 piece of vinyl 18" x 20". Cut 2 pieces of fabric 2" x 18" for the zipper casings Cut 2 (or 3?) strips of fabric 2 1/4" x WOF for the binding Zipper with tabs should measure 17 3/4". Assemble the bag according to the pattern directions.
Alright! I think that's it for me today! Please link up your finishes for the week. Thank you, as always, for joining me for finish it up Friday! Have a great weekend!
Last November I had the opportunity to speak to the St. Cloud Heritage Quilters. A woman named Jean Gilbertson brought this amazing quilt for show and tell that literally made my jaw drop...in the best way possible, of course!
If I recall correctly, this is at least a queen size quilt. It was truly stunning.
Each of the 4 patches finish around 2", so each individual square finishes at about an inch, I believe.
I was foolish and asked the only question that came to mind, which was: "how long did it take you to make that?" (I should know better. Hahahaha!) No surprise that her response was: "a long time". After seeing this EPIC quilt, I knew I had to make something inspired by it....someday. After a mandatory three month waiting period, I STILL want to make it, so....
...I pulled out some scraps and started sewing! I had a small bin of 1 1/2" squares that I had previously cut, so I was able to sit down and sew.....no prep needed. How fantastic!!! Of course I've already blown through my supply of pre-cut squares, but that means I'm making good progress! I made it a point to not overthink the fabric selection. I know that some day in the future I will look at some of these blocks and think, "what was I thinking", and other days I will think, "hey, those aren't bad at all". I waver back and forth, depending on the day, or my mood, I suppose. (Does that happen to anyone else???)
The pieces are small, but not unmanageable. That's a good combo! (Quarter in the photo for scale.)
There are a lot of things to love about this project:
-There is only one seam in the center to match up. -Playing with fabric combinations within each block is a delight. -They are small, so you can get away with finger pressing the seams during the block construction. (I do press them with an iron once a bunch of blocks are finished.) -They are addictive. As I was sewing, I found that I kept telling myself, 'just one more'. -They are QUICK to make. -It's easy to check the block for accuracy with a 2 1/2" square.
Did I mention that it's FUN sewing up scraps??? I'm having a blast!
A friend asked me, "how many blocks do you need to make?" I think this is one case where it's better to NOT do the math quite yet. Why take all the fun out of it so soon? Hahaha!
I decided to my quilt "Lost in the Crowd", for a few reasons. One, because it would be really easy to camouflage ugly scraps and get away with it. Two, if you wanted to point out a favorite fabric to someone, good luck finding it!
Rarely do I have a name for a quilt this early in the game, so that's pretty exciting! I think I'm going to go sew just a few more blocks now. :)
Abby's sunset quilt is complete! I LOVE the simplicity of this quilt. It's made of just plain squares and just solid fabrics, but it's anything but boring. Hurray!
This is a variation of my Hot and Cold quilt. (The original pattern can be found in my book No Scrap Left Behind.) I loved playing with the contrast of warm and cool colors again, but this time I wanted to let the colors mingle a bit more than the original, yet still be separate. (I talked about the construction of the quilt top in this post, if you care to read more about it.) I can only guess how many different colors are represented in this quilt top. (It's a LOT!) As with any scrap quilt, the more the better!
For the backing I used some of my good neighbor's yardage in this lovely lime green. I love how it looks like a field of flowers. A row of patchwork squares breaks up the repeat, so no fancy piecing is needed to match up the print exactly. (I did think about trying, but then I came to my senses. Phew!)
I quilted it on my Janome Horizon with a walking foot. Normally when I machine quilt, I use the same colored thread in the top and the bobbin. Why invite unnecessary trouble? Well, this time I decided to use two different colors of thread: green in the bobbin and silvery gray in the top. It's not perfect, but it's not an eye sore, either. In the end, I'm glad that I made that choice. The straight line quilting, however.....it's. not. easy. In fact, when I started quilting this on Saturday, I got soooooooo spun up and frustrated at how poorly I was quilting it. Thankfully I had enough good sense to walk away and take a break. (I normally don't!) The next day I assessed the situation again. When I showed my husband where I was going to pick out some stitches, he scolded me....and he even used my middle name!!! I guess I was being a little bit unreasonable. (what??!?!) Let me tell you, I have a perfectionist streak that runs DEEP and I got to stare it right in the face. (It wasn't pretty....sigh.) Anyway, I carried on and finished the quilting. It's definitely not perfect. I did go back and pick out some slightly crooked lines...and then I tried to let go of the rest. Again, not. easy. I know that some people say that if you can't see it from a galloping horse 10 feet away, then it's good enough. (That one always drives me crazy!) I certainly don't agree. Somewhere in the middle there has to be a happy medium, right?
I used two different colors of Kona cotton for the binding: cerise and dark violet. I used cerise for the top section, in the warm area, and the dark violet in the cool area. I was pleased that I could come up with a decent solution from the stash. I did all the hand binding in a marathon session...less than 4 hours. (I love to savor the binding process, but yesterday it was a race against the clock, and the sunset!)
When my daughter and I were taking photos it was CRAZY windy. Here are some of the outtakes...just for fun.
I LOVE how the front and the back look together!!!
At the end of the photoshoot, my daughter was holding the quilt and I thought it would be fun to add a quick snapshot of her, since the quilt IS named after her and all. I love this photo so much! She posed like that all on her own. :) I also love the fish house in the background and the little bit of sunset, too. It sure sums up a Minnesota winter!
The quilt measures 62" x 74" and it's scrap project #197. This is also my first completed quilt for my "salute to solids" challenge. (You can read more about that here.) It feels good to have one done!
Here's a few sunsets from the past few months, taken right outside my patio door. Of course a camera doesn't capture half of the awesomeness of the sunsets....but you have to try, right?
Alright! Now it's your turn! Please link up your finished projects for the week. Thank you, as always for reading, commenting and joining me for finish it up Friday! I sure appreciate it! Have a great and safe weekend. xo