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By Phoebe Chen For certain filmmakers—attractive women—there is a popular kind of on-set photo that telegraphs authority: one eye ..read more
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Interviews  No God But the Unknown Pietro Marcello and Maurizio Braucci on Martin Eden by Jordan Cronk I See a Darkness: Pedro Costa on ..read more
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By Jordan Cronk “Of course it was beautiful; but there was something more than beauty in it, something more stingingly splendid which had ..read more
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A moving study of mourning and memory, Pedro Costa’s revelatory new film offers an indelible portrait of Vitalina Taveres Varela, a ..read more
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The prospect of spending an hour and a half with people lacking in notable virtue, alluring vice, or any apparent interest, may seem like ..read more
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Although there have always been intrepid critics and cinephiles who have engaged with films belonging to the non-narrative avant-garde, ..read more
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In 1974, a group of students from the prestigious Ewha Womans University in Seoul formed South Korea’s first feminist film collective, ..read more
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Having been in Locarno at the premiere of Vitalina Varela, I can testify that every single one of the 3,000 people who remained in the Fevi ..read more
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The 72nd edition of the Locarno Film Festival—the first under the artistic direction of Lili Hinstin—was notable for the strength of ..read more
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The news cycle waits for no one, not even J. Hoberman. Opening up the former Village Voice critic’s new book Make My Day—the conclusion ..read more

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