With the Cherry Blossoms in Washington, D.C. forecast to hit Peak Bloom tomorrow, I thought I’d share a few shots from a Cherry Blossom Festival from years past. Here are some of my favorite shots from the festival in 2014. I went twice - once at sunset and the next morning at sunrise. Enjoy!
This year, I finally got to check off one of my New York photography bucket list items - covering the Chinese Lunar New Year Firecracker Festival. Here are my favorite photos from the Year of the Pig celebration in Chinatown.
I love the way the boy is in the light and everyone else is in the darkness.
Sometimes attention can be the subject. No two people in this shot are looking at the same thing.
I underexposed this shot to dramatize the way the gold rims of this guy’s glasses caught the reflected sunlight.
I took a bunch of perfectly in-focus images from this same angle. But this accidentally blurry one is the only photo from the series that actually feels like an explosion.
Sometimes I take a photo and realize afterwards that it’s an echo of an image I’ve loved before. In this case, the inspiration of this photo comes from this image by Jay Maisel from his book, Light, Gesture and Color
Year in review time once again. Also known as “fingers-crossed-that-I’m-not-getting-worse-at-this-anxiety-fest.”
It’s amazing how much this annual recap changes from year-to-year. Whether the shift represents an evolving style as a photographer, or just the randomness of trying find time to shoot in the spare minutes between life, parenthood and full time work, it’s always interesting to see the different themes that catch my eye from year-to-year.
But I made the most of New York - and especially its weather. Lots of dramatic fog, snow and sunset shots made the list this year. I also had a thing for long exposure landscapes and timeless black and white photos.
One other big shift for 2018 was a big focus on lighting and portraiture. I spent a lot less time taking photos and a lot more time taking photography classes on CreativeLive. If all goes well, that effort will be evident in the 2019 year in review. (If not, I’ll have some lighting equipment for sale on Craigslist.)
Without further ado, here are the 20 (ish) best photos of 2018.
“White out” January 4, 2018. Carroll Gardens, Brooklyn Fujifilm X Pro2, 23mm, f2.5 , 1/1400 sec, ISO 200
2018 began with a boom, er, bomb. On January 4, a winter storm called a “bomb cyclone” (aka “bombogenesis”, aka “winter hurricane”) hit New York and made for some apocalyptic snowstorm photos. Tip your seamless delivery guys, people.
“Neither rain, nor snow, nor bomb cyclone” January 4, 2018. Carroll Gardens, Brooklyn Fujifilm X Pro2, 23mm, f2.8 , 1/1000 sec, ISO 1000
In spite of the bomb cyclone, the mail was in fact delivered. Respect.
“Carroll Street Station” Carroll Gardens, Brooklyn Fujifilm X Pro2, 23mm, f/2.8, 1/220 sec, ISO 6400
I see this view of the exit from the Carroll Street subway station just about every day. It’s totally unremarkable. But add some giant fluffy snowflakes and suddenly it’s a scene from a movie.
“Dancers” PDN Photo Plus Expo. October 26, 2018. Javits Center, New York Fujifilm GFX50R, 45mm, f/2.8, 1/500 sec, ISO 800
Full disclosure. This shot was kind of cheating. I took it at at the PDN Photo Plus Expo, where Sony arranged lights and dancers to showcase the capabilities of their Sony alpha cameras. But I wasn’t using a Sony alpha camera. I was using the new $5,000, 50-megapixel Fujifilm GFX50R medium format camera that the lovely folks across the room at Fujifilm let me play around with for the day. (Sorry Sony.) Underexposing by a few stops made the scene far more poetic than you’d expect for something shot on a convention center floor. Pictured: @mathildeguerrero_ and @r0mains0n
“Thwack!” May 25, 2018. Lower East Side, New York Fujifilm X Pro2, 55-200mm, f/9, 1/1250 sec, ISO 200
I caught some good shots of the handball players making contact with the ball too. But I much prefer the tension, anticipation and gesture in this moment-just-before-the-moment.
“Williamsburg Bridge sunset” February 26, 2018. East River State Park. Williamsburg Brooklyn. Fujifilm X Pro2, 56mm, f/8, 131 sec, ISO 200
A two minute long exposure turned the East River into an ethereal fog in this sunset shot from the Williamsburg waterfront. The wiggly light trails on the right side of the frame were created by the ferry pulling away from the dock.
“Empire Tribute” September 11, 2018. Rockefeller Center, New York Fujifilm X Pro2, 56mm, f/5.6, 1.5 sec, ISO 200
This is the eighth year I’ve documented the September 11th Tribute in Light. This year, I tried to get the classic postcard angle from Rockefeller Center. But the fog was so thick, you could barely see lower Manhattan, let alone any lights. Fortunately, the clouds cleared for a moment, just long enough to get this one shot before the lights disappeared back into the fog.
“City of Light” September 11, 2018. Lower Manhattan, New York Fujifilm XPro2, 14mm, f/20, 10 sec, ISO 200
With thick fog obstructing the Tribute in Light, I realized I had to get as close as possible to photograph the display. This shot was taken from the pedestrian footbridge that crosses the entrance to the Hugh L. Carey Tunnel. I set a ten second long exposure and waited for cars to create the light streaks in the foreground.
“Tribute Reflected” September 11, 2018. Lower Manhattan, New York Fujifilm XPro2, 14mm, f/3.2, 0.4 sec, ISO 200
This reflection was made in a puddle on the roof of the parking garage where they stage the lights.
“Stock exchange snowstorm” March 7, 2018. Wall Street, New York Fujifilm XPro2, 23mm, f/2.8, 1/125, ISO 5000
I love how timeless this snowy image of the NY Stock Exchange feels.
(Except for the very not-timeless banner. I did not add the stock exchange on snapchat.)
I waited for a loooooong time to get someone with an umbrella to cross in just the right spot to cast that shadow in that little pool of light on the cobblestone. When this woman finally hit the mark, I could’ve hugged her. (I didn’t do that either).
“Fleet week” May 25, 2018. Brooklyn, New York Fujifilm X Pro2, 55-200mm, f/4.7, 1/1900 sec, ISO 200
Sometimes your camera auto-focuses on the wrong thing and you get really annoyed. Here I was trying to focus on the naval officer and make the city go soft in the background. So I refocused and took that shot next. In this case, my camera was the better photographer.
“East River Sunset” February 26, 2018. East River State Park, Williamsburg, Brooklyn Fujifilm XPro2, 56mm, f/16, 14 sec, ISO 200
This shot is from the same sunset as the Williamsburg bridge shot above.
“Only only only” May 25, 2018. DUMBO, Brooklyn Fujifilm XPro2, 55-200mm, f/7.1, 1/3000, ISO 400
The next three shots happened within a few minutes of each other during a walk home over the Manhattan Bridge. This one is taken from the pedestrian walkway looking down Prospect Street, in front of Etsy HQ.
“Cartwheels and shadows” May 25, 2018. DUMBO, Brooklyn Fujifilm XPro2, 55-200mm, f/8, 1/250 sec, ISO 320
Another shot from the Manhattan Bridge pedestrian walkway. This was looking down over Brooklyn Bridge Park in DUMBO.
“Waiting for green” May 25, 2018. Chinatown, New York Fujifilm X Pro2 55-200mm, f/11, 1/450 sec, ISO 400
This one is from the Chinatown side of the Manhattan Bridge. I love the way the sunlight catching her shopping bags made them glow like lanterns.
“The city is never complete.” September 5, 2018. Greenpoint, Brooklyn. Fujifillm X Pro2, 35mm, f/2, 1/170, ISO 200
This shot and the following one were taken four months apart, but have the same soul. I like their messiness. I think these are the kinds of skyline shots you start to take when you’ve taken all of the pretty skyline shots.
“The Skater” May 7, 2018, Brooklyn, New York Fujifilm X100s, 23mm, f/8, 1/120, ISO 200
Earlier this year, I got a copy of Stephen Shore’s Uncommon Places, and visited his exhibition at MOMA. This composition was heavily influenced by that work. I love the detail of the lone skateboarder.
Having done this a few times now, it seems like it should get easier. But the Fourth Annual “20-best” has been the hardest to cull by far.
This is for two main reasons: 1. I took a lot more photos this year and 2. I’m getting a lot worse at self-editing.
Long story short, “The 20 Best of 2017” is now “The 36 Best of 2017.”
The process of reviewing a year’s worth of photos is always interesting, because common themes always emerge. Last year, I was all about geometry, primary colors and umbrellas. This year, I apparently had a thing for dramatic lighting, pictures of things framed through windows, and wildlife photography taken at dangerously close proximity.
Another big change for this year is that I started work on some longer-term photography projects. These will all be ongoing, but I’m happy to share three works-in-progress. You can follow the links below to see the full galleries:
"Holiday Windows" is a sentimental portrait of people’s reactions to 5th Avenue’s enchanting holiday window displays.
Without further ado, here are my top 20... er... 36 photos from 2017.
"Just Grand" June 7, 2017. Grand Canyon, South Rim Fujifilm X-Pro2, 10-24mm, f/22, 1/3 sec, ISO 200
As the sun set over the Grand Canyon, I spent a half hour cursing these guys under my breath to get out of my shot. (Photographers spend an inordinate amount of time trying to harness the power of telekinesis to move strangers in and out of their compositions. It's not normal.)
Eventually the mind trick worked, the guys left, and I had a clear scene.
Of course, when I got back home and downloaded all of the photos from the series, I liked the one with the people in it better. (Although I'm still cursing the guy on the right for wearing his sunglasses on the back of his head like Guy Fieri.)
"London Nights" January 7, 2017. St. Paul's Cathedral. London, England Fujifilm X-Pro1, 14mm, f/11, 10 seconds, ISO 200
The hardest thing about taking photos of iconic locations like St. Paul's Cathedral in London is that they've been photographed TO DEATH. So you have to work a little harder to try to find something more original than the typical postcard shot.
After taking a dozen photos of this scene, I noticed the traffic pattern and had an idea. Using a trash can as a makeshift tripod, I waited for a double decker bus to pass by on its route, then left the camera shutter open for ten seconds – long enough to create these bus-shaped light trails.
"The Navy and the Pizza." May 23, 2017. Cobble Hill. Brooklyn, NY. Fujifilm X-Pro2, 23mm, f/2.5, 1/125, ISO 5000
During Fleet Week, Naval officers are nice enough to wander around New York in uniform and sit in front of things, making every photographer feel a bit like Alfred Eisenstaedt.
"Colors of Cape Town" November 20, 2017. Bo-Kaap. Cape Town, South Africa Fujifilm X-Pro2, 23mm, f/11, 1/250, ISO 320
I wish I could say that I saw this photo coming together, dropped to the ground and snapped it. But the truth is, I was awkwardly crouching, cheek to the pavement, trying to compose a shot for the stripe and the scooter. Then this guy who perfectly matched the bike (right down to the fur hat and shoelaces) just wandered into frame.
"We were all yellow" November 17, 2017. Cape Town, South Africa Fujifilm X-Pro2, 23mm, f/2.8, 1/8000, ISO 400
"Some have said that if you take a great picture in color and take away the color, you’ll have a great black-and-white picture. But if you’re shooting something about color and you take away the color, you’ll have nothing." - Jay Maisel
"Sad Emoticon." January 7, 2017. Notting Hill. London, England. Fujifilm X-Pro1, 14mm, f/8, 1/125, ISO 1600
I took this photo at the edge of a triangular island of sidewalk in Notting Hill, London. It's my favorite photo yet in my ongoing Literal Street Photography project.
"Camp's Bay Beach Crossing" November 9, 2017. Camps Bay, South Africa. Fujifilm X-Pro2, 23mm, f/8.0, 1/750, ISO 200
Moments after I took this photo, this group of kidstook off sprintingacross the beach. Pure joy.
"Rainy Paris" January 15, 2017. The Louvre. Paris, France. Fujifilm X100s, 23mm, f/4, 1/60, ISO 6400
"A window covered with raindrops interests me more than a photograph of a famous person." - Saul Leiter
The Louvre is another one of those locations where it's really hard to make an original photograph. After spending the morning walking around the courtyard searching for a unique angle, I found it in an unexpected place - the back seat of the Uber on the way back to my hotel.
"Park job." November 17, 2017. Cape Town, South Africa Fujifilm X-Pro2, 23mm, f/8, 1/500, ISO 1250
I traveled halfway around the world to Cape Town and one of my absolute favorite shots is also the most mundane.
"Road trip to Zion" June 9, 2017. Zion National Park, Utah Fujifilm X-Pro2, 23mm, f/11, 1/125, ISO 500
I took this photo in standstill traffic at the tunnel entrance to Zion National Park. Hey, you've gotta pass the time somehow.
"Sins and vases." January 7, 2017. Portobello Road Market. London, England. Fujifilm X100s, 23mm, f/5.6, 1/125, ISO 1250
I don't take a lot of photos deep with symbolism. But there's a lot going on in this shot. You've got Jesus in the foreground faltering under the weight of the cross, gazing out longingly from between flea market trinkets (including an empty decanter of wine). His plight is completely unnoticed by the crowd of onlookers. And in the background, the weirdly devilish-looking salesman hides a blood-red cloak under his jacket and has ACTUAL HORNS on his truck.
Art historians, go nuts.
"Ascend." January 7, 2017. Tate Modern. London, England Fujifilm X-Pro1, 14mm, f/4, 1/70, ISO 6400
When I visited London, the Tate Modern was hosting "The Radical Eye," an exhibition of Sir Elton John's extensive photography collection. Just beyond the ticket window, I captured this shot for my own collection.
"Horseshoe Bend" June 8, 2017. Page, Arizona Fujifilm X-Pro2, 14mm, f/8, 1/13, ISO 200
Horseshoe Bend is not a great location to visit if you're a photographer who is also afraid of heights. I honestly don't know how those rooftopper people do it. I was sitting a good five feet back from the edge, and just holding my tripod near the cliff was making me sweat bullets.
"Passion." June 8, 2017. Antelope Canyon. Page, Arizona Fujifilm X-Pro2, 10-24mm, f/8, 1.1 seconds, ISO 400
The photographer's tour of Antelope Canyon is great, because the guides idiot-proof it for you. They tell you what camera settings to use, then show you just where to set your tripod to get all the best angles. Like this heart-shaped skylight in the canyon ceiling.
"Table Mountain Sunset." November 9, 2017. Cape Town, South Africa Fujifilm X-Pro2, 14mm, f/5.6, 1/70, ISO 800
I was in Cape Town for two weeks in November, but we spent most of the time in meetings or on location for a film shoot, so I had to find photo-ops wherever I could. Fortunately, this was the view from our pre-production meeting.
"Canyon Breath." June 8, 2017. Antelope Canyon. Page, Arizona Fujifilm X-Pro2, 10-24mm, f/8, 0.5 seconds, ISO 200
I've admired these magical photos of light shafts in Antelope Canyon for years. Peter Lik's version of this shot is the most expensive photo ever sold, fetching $6.5 million dollars. (For the record, I'll happily take ten grand for mine if anyone wants a print. I'll even sign it with Peter Lik's name).
The thing I never knew was how they get that ethereal misty effect in the light beam.
Here's how: a photo tour guide chucks shovelfuls of sand into the air, then tells you to take a picture.
Time once again for the annual struggle to choose 20 photos that best represent my year in photography. As any creative-type might imagine, the process of choosing images for the Year in Review is both rewarding (in sifting through the thousands of photos taken this year, I found a few nice surprises that I'd overlooked at the time) and torturing ("was last year's Year in Review better? Am I actually getting worse at this? Were these really the best shots that I got?")
In choosing this year's favorites, I noticed the following:
1) I took tens of thousands of photos of my 1 year old daughter this year, and not much else. There were just a handful of days this year that I actually went out to take pictures. New Year's Resolution #1 for 2017 is to get out there and shoot more.
2) I don't know if this represents an evolving personal style, but this year, a few things caught my eye much more-so than in years past: geometry, primary colors and umbrellas. Read into that what you may.
Without further ado:
"Tribute in Light" September 11, 2016. New York City Fujifilm XPro1, 14mm, f/8, 10s, ISO 400
I've been photographing the September 11th Tribute in Light for about five years now, and each year I try to find a new vantage point. This year, I planned to start on the Manhattan Bridge and make my way into the city to wander the streets around Lower Manhattan. But the views were so stunning, I spent 3+ hours on the bridge and called it a night.
"Tribute in Light over Chinatown" September 11, 2016. New York City Fujifilm XPro1, 14mm, f/4, 2s, ISO 200
Another one from September 11th. This one was taken a few hours later from the Manhattan end of the bridge. The graffiti in the foreground is Chinatown, and the smell from the bridge was amazing. After taking this photo, I called it quits and went for dumplings.
"A ray of hope. Wall Street, 9:25 a.m." October, 2016. New York City Fujifilm X100s, 23mm, f/8, 1/500, ISO 200
Presidential debate #2 between Donald Trump and Hillary Clinton was an especially dark, ugly and discouraging affair, sure to make anyone anxious-at-best about the future of our country. The next morning on the way to work, I climbed the stairs from the subway, stepped out onto Wall Street and saw this.
"The center of attention" May 2016. Downtown Los Angeles Fujifilm X100s, 23mm, f/8, 1/125, ISO 1000
I'd love to say this moment just happened. But I camped out in this spot for about 15 minutes hoping a pedestrian would walk through the street instead of along the sidewalk.
"The Refresher" September 2016. Los Angeles Fujifilm XPro2, 35mm, f/8, 1/150, ISO 200
Los Angeles' original Farmer's Market is amazing for vintage signs and old school Americana. I was taking photos of this great old soda shop when this guy wandered into my shot. Sometimes the photography gods just hand you a scene from a Wes Anderson movie and you just have to be there to take the picture.
"Beautiful" November, 2016. Brick Lane, London U.K. Fujifilm X100s, 23mm, f/8, 1/125, ISO 2000
Full credit for this photo goes to the graffiti artist.
"Baltimore's Best Pawn" April, 2016. Westminster, MD Fujifilm X100s, 23mm, f/5.6, 1/350, ISO 200
I mean, come on. You couldn't have asked for a better car to be parked there. Even the colors on the Louisiana license plate match.
"Stripes and squares" May, 2016. Downtown Los Angeles Fujifilm X100s, 23mm, f/5.6, 1/250, ISO 200
Downtown L.A. is weird. There are pedestrian overpasses connecting nearly every building so it's entirely possible to traverse the city without ever touching the sidewalk. It must make urban planners insane. On the bright side, the walkways offer some interesting perspectives, transforming the streetscape below into a living Mondrian painting.
"Calling for snow" January, 2016. Carroll Gardens, Brooklyn Fujifilm XPro1, 35mm, f/1.4, 1/2000, ISO 640
In January, New York got the largest snowstorm on record with 27.5 inches falling in Central Park. Laziness prevailed and I only made it about four blocks from home before deciding it was too cold/windy/snowy and calling it quits. I'd make a terrible mailman.
This photo was taken about a half block down from the previous one. I told you I didn't make it far.
"Black and blue" May, 2016. Downtown Los Angeles Fujifilm XPro1, 56mm, f/8, 1/125, ISO 500
This was another intervention from the photography gods. I was working this scene, taking some really mediocre photos of the reflection of these umbrellas in the marble when this guy in his perfectly matching blue shirt walked out to take a phone call smack in the middle of my shot.
"Come together" March, 2016. New York City Apple iPhone 6
One of my favorite photographers, Jay Maisel, says that all great photographs are about one of three things: Light, Color or Gesture. Light and color are easy to understand. Gesture is a bit harder to explain, but you know it when you see it.
"The interloper" September, 2016. The Rose Bowl, Pasadena, CA Fujifilm XPro2, 14mm, f/8, 1/100, ISO 500
One of these things is not like the others. One of these things just doesn't belong...
"Buff" May, 2016. Downtown Los Angeles Fujifilm X100s, 23mm, f/8, 1/100, ISO 6400
We were staying at the Standard Hotel in Downtown L.A. for a quick work trip. I stepped out of the elevators and saw this.
"Somewhere West" May, 2016. Location unknown Fujifilm XPro1, 56mm, f/6.4, 1/2200, ISO 200
I took this photo from the airplane window on the way to the LA trip mentioned above. Taken somewhere between Kansas and California.
"Santa Barbara Sunrise" September, 2016. Santa Barbara, CA Fujifilm XPro2, 56mm, f/8, 1/850, ISO 200
While staying in Santa Barbara, I motivated myself to get out of bed stupid-early in the morning and go try to take some photos from the pier at sunrise. It was the right decision.
"The night swimmer" August, 2016. Santa Monica, CA Fujifilm X100s, 23mm, f/2, 1/70, ISO 6400
I took 20 or 30 shots of this kid running in and out of the surf. Not many came out. Not because they were out-of-focus, but because he needed the lightness of the waves crashing in the background in order to make out the shape of his silhouette.
"Chase" May, 2016. Pier 5, Brooklyn, NY Fujifilm X100s, 23mm, f/16, 1/900, ISO 800
The nice thing about taking the ferry to work is that, instead of crowding onto a train and being wedged into a stranger's armpit, your commute home looks more like this.
Closed in 1975, Brighton's West Pier sat vacant and partially collapsed for years, until a fire gutted the structure in 2003. To get the ghostly effect in the water, this photo is a 28 second long exposure. I got this shot just in the nick of time. A few minutes later, those storm clouds unleashed a massive downpour and I went for fish and chips.
In June, my wife and I had a daughter. Which means that 95% of the photos I took in 2015 were baby photos. Here are the best of the rest.
Click on any photo to view it in lightbox mode
"The snowstorm and the smokehouse" January 2015. New York City Fujifilm X100s, 23mm, f/5.6, 1/20, ISO 6400
In January, winter storm Juno was forecast to bring a major blizzard to New York City. The storm missed New York (sorry Boston!), but gave us enough snow for some magical twilight photos on Stone Street in the Financial District. I love the way the warm glow from the lights plays against the blue evening sky in the distance.
"Sunset snapshot" April, 2015 Islamorada, Florida Keys Fujifilm XPro1, 14mm, f/4.0, 4.3, ISO 200
One of the most annoying things that can happen as a photographer is to frame up a beautiful shot of the last fleeting moments of the sunset only to have a bunch of thirteen year olds walk into said sunset shot and start posing for several hundred iPhone photos. After briefly cursing them and wishing that they would fall off the end of the pier, I realized I could use them to make a more interesting photo. I used a slow shutter speed to capture the flash from their iPhone, which cast a spotlight onto the girls while leaving the boys in silhouette.
"Bahia Honda State Park" April, 2015 Florida Keys Fujifilm XPro1, 14mm, f/11, 210s, ISO 200
Bahia Honda State Park in the Florida Keys is at the foot of an old abandoned railroad bridge. To get the smooth water effect and movement in the clouds, I used a three minute long exposure. Here's a shot from the other side of the bridge.
"!" April, 2015, Islamorada Florida Fujifilm XPro1, 14mm, f/8, 340s, ISO 200
Here's another long exposure shot from the Florida Keys. This photo was taken at the Amara Cay Resort in Islamorada. This exposure was nearly six minutes long. It's also cool in Black and White
"Daybreak in Jamestown" November, 2015 Jamestown, Rhode Island Fujifilm XPro1, 56mm, f/16, 1/125, ISO 200
I guess I had a thing for water and pylons this year. This shot is taken at sunrise in Jamestown, Rhode Island. I love the ethereal mood created by the fog rolling across the harbor.
"Washington, DC sunrise" November, 2015, Washington, DC Fujifilm XPro1, 56mm, f/8, 1/25, ISO 200
This was taken just before sunrise at the Lincoln Memorial in Washington, DC. To get the reflection in the marble, I sat on the floor and set the camera on the ground.
"Here comes the sun" November, 2015, Washington, DC Fujifilm XPro1, 14mm, f/22, 1/125, ISO 1600
It wasn't easy to get this shot from inside the Lincoln Memorial. There was a boot camp class with about three hundred people running laps up and down the stairs and weaving in and out of the pillars. Fortunately, I got enough of a break between runners to make it seem like a much quieter morning than it actually was. The lone runner created just enough mystery to the shot with the shadow on the wall.
"The Bird Feeder" December 25, 2015, Coney Island, NY iPhone 6
Coney Island is magical in the fog. Especially on Christmas Morning. Something about this photo feels like it could have been taken 75 years ago.
"Head in the clouds" March 2015, New York, NY iPhone 6
I took this photo of the clouds draped over downtown Brooklyn from my office window in Lower Manhattan.
"Across the bridge" August, 2015 New York, NY Fujifilm X100s, 23mm, f/16, 1/80, ISO 6400
The new transportation hub at the World Trade Center is controversial because of its four billion dollar price tag. But it does make for some really great photo ops.
"Scenes from a Taxi" August 2015, New York, NY Fujifilm X100s, 23mm, f/4, 1/9, ISO 6400
I took this photo of the World Trade Center from the back seat of a taxi somewhere in TriBeCa. The red glow is from another car's brake lights hitting the plexiglass divider in the cab.
"31st Street Sunset" August 2015, New York, NY Fujifilm X100s, 23mm, f/8, 1/90, ISO 6400
I'd just gotten off a train from Washington, DC and turned the corner in front of Amtrak's Penn Station just in time to catch this incredible sunset. I love the way the neon lights along the side of Madison Square Garden blend with the purple glow in the sky and reflect on the buildings across the street.
"Never sleeps" November, 2015 New York, NY Fujifilm XPro1, 35mm, f/8, 8, ISO 200
In November, we edited a film project at a studio called Work in TriBeCa. This is the view from their office. Not bad.
"Castle Hill Lighthouse" November 2015, Newport, Rhode Island Fujifilm XPro1, 14mm, f/11, 1/125, ISO 500
Hard to go wrong with lighthouse shots. This one was from a trip to Newport, Rhode Island in November. I like the way the cracks in the rocky cliffs draw your eye down to the lighthouse. Classic leading lines stuff.
"Lincoln Memorial Reflections" November 2015, Washington, DC Fujifilm XPro1, 14mm, f/3.2, 1/140, ISO 2500
The trouble with shooting famous landmarks like the Lincoln Memorial is that it's photographed thousands of times every single day. And often by photographers with much fancier equipment. To avoid taking the same postcard picture everyone else took, I came out at sunrise to try to find a unique perspective. I found it in a tiny puddle of water on top of a metal wayfinding sign.
"Not Forgotten" September 2015, Jersey City, NJ Fujifilm XPro1, 56mm, f/2, 1/30, ISO 6400
The September 11th Tribute in Light as seen from the waterfront in Jersey City, New Jersey.
"Statue of Liberty at Sunset" December, 2015 Brooklyn, New York Fujifilm XPro1, 200mm, f/4.8, 1/25, ISO 800
This was shot from the Brooklyn Heights Promenade with my telephoto lens at 200mm, using the fence as a makeshift tripod.
"Synchronized selfies" December 2015, Brooklyn Bridge, NY Fujifilm X100s, 23mm, f/2, 1/20, ISO 3200
"But I hadn't run out of things to say to you" July 2015, Brooklyn, NY iPhone 6
I saw this scene while walking the dog. I have so many questions.
"Tough crowd" April, 2015, Central Park, NY Fujifilm X100s, f/8, 1/240, ISO 400