Theatre Communications Group Announces THRIVE! Grants
American Theatre Magazine
by American Theatre Editors
19h ago
Thirty theatres of color will receive $10,000 grants for general operating support ..read more
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People to Watch: Ingrid Michaelson and Mark Clayton Southers
American Theatre Magazine
by American Theatre Editors
2d ago
Get to know the composer behind Broadway's 'The Notebook,' and the playwright behind the world premiere of 'The Coffin Maker ..read more
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Barclay Goldsmith, Nurturer and Warrior
American Theatre Magazine
by American Theatre Editors
5d ago
With his passing, we've lost a tireless advocate for the talent and potential of others, particularly those on the margins ..read more
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Jonathan Norton Named Dallas Theater Center Interim Artistic Director
American Theatre Magazine
by American Theatre Editors
5d ago
The resident playwright will succeed artistic producer Sarahbeth Grossman and work alongside executive director Kevin Moriarty ..read more
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Eboni Booth on ‘Primary Trust’: Only Connect
American Theatre Magazine
by American Theatre Editors
1w ago
An interview with the playwright about fast writing, big feelings, mai tais, and Munchkins ..read more
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Offscript: Harry Lennix & Ken-Matt Martin Rediscover August Wilson in Chicago
American Theatre Magazine
by American Theatre Editors
1w ago
On this Chicago-themed episode, Rob and J.R. talk to the actor-director duo about staging August Wilson's solo play, 'How I Learned What I Learned,' and check in with arts journalist Mike Davis ..read more
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Amber Ruffin, Happy to Live in the World of ‘The Wiz’
American Theatre Magazine
by American Theatre Editors
1w ago
The busy writer was brought on to preserve the essence of the iconic show, while pruning dated language (and adding fresh jokes ..read more
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Timothy Rogers Named Charleston Stage Managing Director
American Theatre Magazine
by American Theatre Editors
1w ago
Rogers succeeds former managing director Frank Mack ..read more
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‘Tommy,’ Can You Hear Me? I’m Not Gonna Take It
American Theatre Magazine
by American Theatre Editors
1w ago
From its casting to its staging, the acclaimed new Broadway revival of the iconic rock musical misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability ..read more
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