Blue Box, Vol. 9 | By Kouji Miura | Viz Media – This is still a sports-lite volume of the series, which is good news for the reader but very bad news for Hina, who desperately insists she does not need an answer to her confession but she’s gonna get one anyway. Blue Box is, at nine volumes, assured of being a Jump success story, so you’d expect the author to start extending plotlines. As such, I really appreciate it’s not done here. Taiki knows that he’s starting to see Hina as a girl rather than a friend, and her confession is just making him stress. So he has to be fair to Chinatsu and rejec ..read more

By Shinji Cobkubo and K Akagishi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jake Humphrey. I had wondered in previous reviews why Sabikui Bisco wasn’t simply in Shonen Jump, given its sensibilities, its dialogue, and its homoeroticism, but I think after this volume I’ve figured it out. Jump is a title where, if the author said “hey, I’ve decided that for the next 26 weeks I want this series to be a samurai drama starring a bunch of cats”, editorial would say, “No, you will not be doing that”. But this isn’t a Jump manga, it’s a light novel series, a ..read more

SEAN: April is lurching towards its conclusion. What can we find? ASH: Hopefully my mind; try as I might, it’s convinced that March comes next. SEAN: There’s a lot of print Airship titles, as we see Free Life Fantasy Online: Immortal Princess 6, The Most Heretical Last Boss Queen: From Villainess to Savior 6, She Professed Herself Pupil of the Wise Man 10, and The Weakest Tamer Began a Journey to Pick Up Trash 6. In early digital we see The Mimosa Confessions (Mimosa no Kokuhaku), an LGBT novel from the creator of The Tunnel to Summer, the Exit of Goodbyes. A young man gradually drifts away f ..read more

By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham. I’ve said before that I think the Bofuri series works best when it’s just Maple and Sally taking on a fresh new challenge, and the author agrees. Actually, the author may be starting to agree a bit TOO much. This is the 3rd book in a row that’s been about 75% Maple and Sally, 25% rest of the cast. I joked on social media that the extended scene with Kanade was inserted at the request of the editor ..read more

By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse. I had been referring to this as Silent Witch 4.5, which some retailers are using, likely to better differentiate it from the 4th volume. But the author states in the afterword that they did not want to have it be a .5, and I get that. Generally speaking it’s hard enough when you realize that the next volume is going to be a short story volume, and when the volume number ends in .5 it can be even more highly variable. You never know if you’re ..read more

SEAN: For my pick this week I think I’ll go for My Gemini. Licenses from Asuka are pretty rare to begin with, and this dark twin mystery sounds pretty good. It’s also complete in one volume. MICHELLE: Me, too, and for all the same reasons! ASH: I’ll join you in picking My Gemini as the debut release I’m most interested in this week. But I’ll also admit to being rather curious about I Want You To Make Me Beautiful!, too. ANNA: I’m not going to go against this emerging consensus! The post Pick of the Week: My Gemini first appeared on Manga Bookshelf ..read more

By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie. Well, I got my wish. Sort of. Kuma Kuma Kuma Bear, like My Next Life As a Villainess, has a problem. It has cultivated a large yuri audience it absolutely does not want, but it cannot afford to piss that audience off too much as they’re one of the big reasons that it’s a success. It doesn’t help that Yuna has accumulated a “harem” of underage girls, which yes is the main draw of the series (the moe aesthetic, I mean), but also m ..read more

By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara. I’ve talked before about how a lot of these sugary sweet high school romance books tend to be written as a handbook for the awkward teenager reading them, who no doubt does not have a hot big-breasted gyaru girlfriend but would like to know the best way to get one. This really becomes apparent in a scene where Yoshin in checking with his online friends because Na ..read more

By Syuu and Fujigasaki. Released in Japan as “Oguni no Kōshaku Reijō wa Tekikoku nite Kakusei Suru” by PASH! Books. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma. The thing I think I enjoyed best about this short series (it ends with this second volume) is that it is 100% dedicated to its title. This is not about a young lady finding romance living with the enemy, though the book does end with her marriage. That’s not as important, though, and the confession almost seems like an afterthought. What’s important here is Bertine coming alive in this new country, d ..read more

SEAN: Yen Press is here to bury us in titles once more. Yen has slid some releases at the last minute, so their calendar hasn’t quite caught up yet. I believe the only debut for Yen On this week is You Can’t See the Snow (Kimi wa Yuki o Miru Koto ga Dekinai), a one-shot about a college couple who meet in the summer, but she breaks up with him in the autumn – as she has an illness that causes her to sleep half the year. This has “tearjerker” written all over it. ASH: I could use half a year’s worth of sleep. ANNA: I would also look forward to sleeping. SEAN: Also from Yen On: Apparently, Disil ..read more