Do we really need another screen version of The Talented Mr Ripley? I have mixed views. Part of me thinks that it would be good for less well-known books to be given an airing on TV. Part of me recognises the commercial realities. Just as TV companies (and screenwriters) go for the easy option of recycling endless Agatha Christie stories because of the strength of the brand, so Patricia Highsmith is notable enough to draw viewers who might not give a less renowned author the time of day. And Tom Ripley is undoubtedly one of the great characters of twentieth century crime fiction. Anyway, fo ..read more

The starting point for Leo Bruce's 1965 Death at Hallows End is the mysterious disappearance of a solicitor. Duncan Humby seems to have vanished into thin air while visiting a remote village called Hallows End. There he intended to see a client called Grossiter, who wanted to change his will. In the time-honoured fashion of characters in detective novels who are about to disinherit people, Grossiter has also died, albeit apparently of natural causes. The police have got nowhere as regards finding the missing lawyer so his partner, Thripp, asks Carolus Deene to help. When Carolus goes to Hall ..read more

Today, a guest post from Elizabeth Crowens, whose new book (above) has just been published by an excellent American firm, Level Best Books. 'Growing up as a child in the Midwestern United States, we didn’t have cable channels with over one hundred channels or a variety of streaming services. All we had were the three major network stations on an analogue television set, and when my hometown had access to PBS programming, we set up an antenna to get a fourth channel. We got very few British shows except for old Hammer horror films during Saturday afternoon television after the cartoons were ..read more

At his best, Woody Allen is a witty and clever writer and the 1994 film Bullets over Broadway, which he scripted (and later turned into a jukebox musical) benefits from one of his strongest screenplays, co-written with Douglas McGrath. Woody Allen also directs, but he doesn't feature in the cast. The film was nominated for no fewer than seven Academy Awards, with one win, for Dianne Wiest's witty performance as the fading, alcoholic star Helen Sinclair. The story is set in Prohibition-era New York and concerns God of Our Fathers, a play written by the earnest young idealist David Shayne (Joh ..read more

I'm delighted to bring exciting news. Well, exciting to me, anyway! I'm happy to announce not one but two new editions of my most successful non-fiction books, both published by HarperCollins. First, I'm glad to say that the paperback edition of The Life of Crime, due to appear in May, has been expanded very significantly (not that it was a slim volume to begin with). The paperback is about 7000 words longer than the hardback, with the result that more than 200 additional authors and works have been included.  A book as wide-ranging as The Life of Crime ,which covers the whole history o ..read more

This is a blog about crime writing and crime fiction in its various forms, but of course the boundaries between crime and other genres, such as the ghost story and the horror story, both of which I'm keen on, are blurred. As a teenager I used to read the short horror story anthologies published by Faber, Fontana, and Pan, and I still think that (with various exceptions) the short form is the best medium for horror fiction - but of course there are many good horror films too. A fairly good example is the 1976 film Burnt Offerings. I watched it a day after watching the very recent Brandon C ..read more

When I walked into Cambridge University Library's new 'Murder by the Book' exhibition for a preview last Thursday evening, I didn't expect to have one of the most gratifying experiences a crime novelist could possibly hope for, but so it proved. I was greeted by the sight of my very first novel, All the Lonely People, included in a selection of 100 landmark titles in 20th century British crime writing, in a display case alongside the likes of Dorothy L. Sayers' Murder Must Advertise, Cyril Hare's Tragedy at Law, Nicholas Blakes' The Beast Must Die, and Celia Fremlin's ..read more

When I walked into Cambridge University Library's new 'Murder by the Book' exhibition for a preview last Thursday evening, I didn't expect to have one of the most gratifying experiences a crime novelist could possibly hope for, but so it proved. I was greeted by the sight of my very first novel, All the Lonely People, included in a selection of 100 landmark titles in 20th century British crime writing, in a display case alongside the likes of Dorothy L. Sayers' Murder Must Advertise, Cyril Hare's Tragedy at Law, Nicholas Blakes' The Beast Must Die, and Celia Fremlin's The Hours Before Dawn ..read more

Crime fiction is almost inevitably linked to violence of one kind or another. There aren't many truly victimless crimes and violence takes many forms, psychological as well as physical. For those of us who find violence horrific, crime fiction - when it is well written - offers readers, among other things, a means of coming to terms with a better understanding of violence and its well-springs. And I think it's good for writers to think about the way they deal with violence in their books; that is not in any way to suggest that violence should be excluded or sanitised, although personally ..read more

Paul Charles has combined a highly successful career in music as an agent, promoter, manager, and songwriter (one of his numbers was covered by Norah Jones) with a distinct career as a crime writer. He and I first met in Philadelphia, of all places, at a Bouchercon in the late 90s and we hit it off right away. We don't manage to meet up too often, because of our other commitments, but I always enjoy his company. We had a very enjoyable afternoon together in London recently, when Paul told me about his recently published memoir Adventures in Wonderland. I've now devoured the book. As you'd e ..read more