by Cláudio Alves NAUSICAÄ OF THE VALLEY OF THE WIND (1984) is the only Miyazaki film ever screened at Cannes. In 1997, to mark the occasion of its 50th edition, the Cannes Film Festival awarded a special Palme des Palmes to Ingmar Bergman. Afterward, and since 2002, it has also attributed the Honorary Palme d'Or to film artists in honor of their esteemed careers. Until now, the prize has gone to directors, producers and actors such as Catherine Deneuve, Manoel de Oliveira, and Agnès Varda, among many others. This year, however, the festival will award its first Palme d'Or to animated cinema an ..read more

by Cláudio Alves What has BOHEMIAN RHAPSODY wrought?! Over the past five years and across nearly a thousand write-ups for The Film Experiences, you might have denoted my slight distaste for biopics. To be fair, "slight" might be an understatement. I bring this up to admit my bias against these projects, often conventional to a fault and dripping with mercenary intent. But even if you're a fan of them, you must admit there's been a disproportionate influx of these productions in the past few years, especially in the context of dramas about musicians. It's likely a consequence of Bohemian Rhapso ..read more

by Nathaniel R Is it anticlimactic to start our annual blindfold guessing with Best Picture? Of course! Does it make sense? That, too! You all know the drill. If a film has Best Picture heat they have a leg up in every single category, whether or not they deserve it in that particular category. Best Picture heat means that people end up aware of and actually screening your movie. If you think about it, that’s half the battle. So as we stumble foolishly into April prophecies in all categories, roughly ten months before Oscar nominations will even roll around (exact date still to be announced ..read more

by Baby Clyde With their increasingly bizarre choices and lamentable decision to move recipients from the main telecast, long gone are the days when the Academy’s Honorary Awards made any cultural impact. We’re all the losers, because not only did truly deserving legends of the industry being belated rewarded give deep satisfaction to the Oscar nerds at home, from an ailing Myrna Loy and triumphant Charlie Chaplin to a sprightly Lillian Gish and a regal Deborah Kerr, they created some of the most memorable and moving moments in Academy history. None more so than the man who celebrates his cen ..read more

by Cláudio Alves It's been a while since the Over & Overs series has shown up on The Film Experience's timeline, and it's as good a time as any to rectify that. Indeed, revisiting a beloved picture one has seen more times than one can count is the perfect idea for today's celebration. You see, a century ago, Stanley Donen was born in Columbia, South Carolina, the son of a dress shop manager and future movie lover. He'd also be a movie magician, capable of turning the screen into materialized joy, like an alchemist who used the camera to transform and transport his audiences. Though one fi ..read more

by Cláudio Alves Starting yesterday, Strange Way of Life is streaming on Netflix. To commemorate the occasion, I thought about diving into the collaboration between Pedro Almodóvar and cinematographer José Luis Alcaine, a recurring creative partner since they filmed Women on the Verge of a Nervous Breakdown back in the late 80s. Even though I had issues with the short film, its lensing wasn't one of them. Indeed, playing with Western iconography and Saint Laurent fashions, Strange Way of Life is as visually enchanting as one would expect from something bearing the Spanish auteur's signature ..read more

by Cláudio Alves Appearing on 77 ballots, Spike Jonze's HER was the most voted film. Two years ago, Sight & Sound released the results of their polls, voted by critics and filmmakers, on the best pictures ever made. Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles topped the former, causing various reactions that ranged from ecstatic to outraged. In total, the 2100 participants voted for 4366 unique titles. And yet, much great cinema was left without a single vote. In response, Ángel González devised another project for They Shoot Pictures, Don't They?, focusing on all ..read more

by Cláudio Alves Early this morning, journalists congregated around Thierry Frémaux for the announcement of the 77th Cannes Film Festival Official Selection. The director shared titles from various sections, confirming some suspected rumors and setting the world of cinephilia abuzz. As ever, the main focus is on the Competition titles, as the next Palme d'Or may be among the films already announced. But of course, a project or two are usually added before the festivities start at the Croisette, so our champion may remain in mystery. Many predicted Audrey Diwan's Emmanuelle remake to be s ..read more

by Juan Carlos Ojano Hear ye, gays and allies! This month marks the tenth anniversary of the Brazilian coming-of-age rom-com The Way He Looks (Hoje Eu Quero Voltar Sozinho, lit. Today I Want to Go Back Alone), written and directed by Daniel Ribeiro. Since its premiere at the Berlin International Film Festival in 2014, the film - and the short film that it was based on - has attracted warm response from viewers since. Released in Brazil on April 10, the film tells the story of a visually impaired high school student named Leonardo (Ghilherme Lobo) who befriends and later on becomes attrac ..read more

Nick Taylor and Cláudio Alves are watching and recapping RuPaul’s Drag Race season sixteen. This week, it’s time for episode fourteen… Ronan Farrow has that All Stars glow-up. CLÁUDIO: Just when we were starting to think the season had turned into a two-way race for the crown between Sapphira and Plane, here comes a new episode to shake things up. After years of top fours and a one-time fiver, RuPaul’s Drag Race has returned to a triadic finale, using this fourteenth chapter to boot its fourth-placer, fragilize one of the frontrunners’ bid, and bolster another contender’s narrative. A well-pro ..read more