Hua Language Centre director Chew Wee Kai gives his thoughts on school songs of Chinese-medium schools, and the ideologies and values they embody ..read more

Following the pandemic, pent-up demand for live concerts is driving up ticket prices to astronomical levels. Amid a less than encouraging economy, people are generally cutting down on non-essential spending, but the hope is that concerts will encourage travel and consumption and revitalise the economy. Lianhe Zaobao correspondent Chen Jing takes a closer look at the situation ..read more

What is the hottest song in China right now? Apparently, a little rap song called Wolf Disco has been making waves, with its take on what life was like in the late '90s and early 2000s. Journalist Yew Lun Tian is reminded of her own teenage years, as she delves into what makes this song so popular ..read more

Art colleges today may be missing the point by teaching students various forms of aesthetics without offering a true path to beauty. An affinity for beauty — to see, appreciate, and ultimately to create it — is best honed keeping close to nature, says art historian Chiang Hsun. Qing dynasty calligrapher and painter Zheng Banqiao would have approved. After all, didn't he ask, “If people really love birds, why not plant more trees ..read more

Last month, Chinese pianist Li Yundi was arrested for hiring a prostitute, setting off a storm of controversy, including the loss of some titles and accolades, and various institutions distancing themselves from him. His arrest shows that Chinese laws are fair but does it also expose the immaturity of Chinese society ..read more

In Pu’er, Yunnan, if you get the chance to meet the Lahu, Wa, Yi, Hani or the Dai people, you’d be blessed, as cultural historian Cheng Pei-kai was, with their down-to-earth hospitality. Their ties to the land and their traditions are captured beautifully in Can’t Bear to Part, a folk song that every Pu’er native knows ..read more

Lee Huay Leng was touched by the live broadcast of a concert in the park put up by the Nuremberg Symphony Orchestra with Singaporean conductor Wong Kah Chun at the helm and Singapore Chinese Orchestra musicians taking part. Chinese instruments found their place in Wong’s arrangement of 19th century Russian composer Modest Mussorgsky’s “Pictures at an Exhibition”. In the aftermath of Covid and an international milieu where politics meddles even in the arts, the young Wong had found a way to stay composed and build a bridge with music. Can countries learn to do the same ..read more

Former journalist Lim Jen Erh reflects on two boxes of old books he chanced upon, containing dance manuals and guqin scores. Before the advent of technology, these old volumes were the only way to pass on such knowledge and instructions, which makes them invaluable today ..read more