Only the Brave-Hearted Will Take the Bride: Bollywood and Western Cinephilia
Senses of Cinema » Bollywood
by Darragh O’Donoghue
1y ago
Bombay cinema was my first film passion – starting with the Hindi film records our Indian neighbour constantly played when I was a child in late-1970s Dublin.1 Long before I was initiated into the mysteries of Melville and Mizoguchi, I swaggered along with Raj Kapoor and swooned with Nargis. I couldn’t believe there was an ..read more
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The Self and the Other: Racialisation of the Northeastern Region
Senses of Cinema » Bollywood
by Anushka Chaudhuri
1y ago
Violence plays an integral role for post-colonial nations. However, violence is not always as explicit as a revolution or military intervention. Its manifestation can be slower and more ideologically charged. The interwoven politics of the central Government of India (hereby, GoI) and Bollywood, the world’s largest popular cinema industry, epitomises this. Bollywood uses soft power,1 ..read more
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The Caste Blindness of Bollywood NRI Genre Films
Senses of Cinema » Bollywood
by Dr. Vikrant Kishore
1y ago
When High Caste Trumps Low Class! In a recent Netflix series Decoupled (Hardik Mehta, 2022), high profile, upper class/caste couple Arya Iyer (R. Madhavan), a renowned author, and Shruti (Surveen Chawla) a businesswoman, can’t stand the body odour of their driver Ganesh. On Shruti’s insistence a drunk Arya categorically tells Ganesh that he stinks, and ..read more
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A Devdas For Every Generation
Senses of Cinema » Bollywood
by Jaymini Mistry
1y ago
Devdas is an epic semi-autobiographical Bengali novella written by Sarat Chandra Chattopadhyay. The novel was written in 1901, though was not published until 1917 due to Chattopadhyay’s embarrassment over his story1. He published several novels such as Nishkriti, Parineeta and Srikanta, but Devdas remains his most popular novel.  Devdas is a tragic love story of ..read more
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Coincidence and catastrophe: the unsettling cinema of Manmohan Desai
Senses of Cinema » Bollywood
by Darragh O’Donoghue
1y ago
b. 26 February 1937, Bombay, British India d. 1 March 1994, Bombay, India ‘No event of any importance in India is complete without a goof-up’ – Ramachandra Guha1 Prologue It is one of the most famous moments in Indian film. Superstar Amitabh Bachchan is in Coolie (1983), pacing through one of the many stylised fight ..read more
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Dream Girls Under a Different Moon: The Hidden Melancholy of Yash Chopra Films
Senses of Cinema » Bollywood
by McKenzie Clarke
1y ago
Chandni kuch kaha/raat ne kuch suna. [The moon said something, which the night heard]. Soft blue moonlight enters a room awaft in billowing curtains, the full moon’s face gently pushes aside a sheer covering of clouds, and the camera cuts to a mid-level close-up shot of Pooja (Madhuri Dixit) looking dreamily, knowingly at the moon ..read more
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Indian Cinemas, Bollywood and the World
Senses of Cinema » Bollywood
by Clelia Clini
1y ago
2010: it’s a cold March afternoon and a group of secondary school students is gathered to watch My Name is Khan (Karan Johar, 2010). The atmosphere is electric: the film has been advertised for a good part of a year and there is a lot of anticipation, not only because Shahrukh Khan and Kajol make ..read more
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Modi’s Bollywood: How ‘Social Message’ Films Amplify the Indian Government’s Policies
Senses of Cinema » Bollywood
by Uttaran Das Gupta
1y ago
On April 16, 2022, violence broke out between the Hindu and Muslim communities on the outskirts of the northern Indian city Roorkee. The Hindus claimed that a procession to celebrate their festival Hanuman Jayanti, marking the birth of their deity Hanuman, had been pelted with stones by Muslims.1 The incident was not isolated – throughout ..read more
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Why You Don’t Leave? Bandra English and its Sources in Love Per Square Foot
Senses of Cinema » Bollywood
by Claire Cowie
1y ago
Love per Square Foot (Anand Tiwari, 2018), “Bollywood’s debut on Netflix”1 , is a romantic film with Mumbai as love object2. The opening credits are a montage of the major landmarks of the city with its famous commuter trains. Sanjay Chaturvedi (Vicky Kaushal) and Karina D’Souza (Angira Dhar) are both employees at a large bank ..read more
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An Ominous Shade of Crimson: Anurag Kashyap’s Gulaal
Senses of Cinema » Bollywood
by Karthick Ram Manoharan
1y ago
Anurag Kashyap is Bollywood’s enfant terrible. The release of his first film Paanch (2003) was prevented by the Indian censors owing to its violent content. The film, loosely based on serial killings that happened in the Indian city of Pune, was banned for its explicit portrayal of violence. His second film Black Friday (2004), a ..read more
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