What Shakespeare can teach us about racism
The Conversation » English literature
by David Sterling Brown, Associate Professor of English, Trinity College
4d ago
A scene from Shakespeare's play 'Othello.' Universal History Archive/ Getty Images William Shakespeare’s famous tragedy “Othello” is often the first play that comes to mind when people think of Shakespeare and race. And if not “Othello,” then folks usually name “The Merchant of Venice,” “Antony and Cleopatra,” “The Tempest,” or his first – and bloodiest – tragedy, “Titus Andronicus,” my favorite Shakespeare play. Among Shakespeare scholars, those five works are known as his traditionally understood “race plays” and include characters who are Black like Othello, Jewish like Shylock, Indigenous ..read more
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How literature teachers can create anti-racist classrooms
The Conversation » English literature
by Basmah Rahman, PhD Candidate, Department of English Language and Literatures, Queen's University, Ontario, Clarissa de Leon, PhD Candidate, Education, Queen's University, Ontario
1w ago
Many schools say anti-racism and equity initiatives matter for quality education, yet specific plans are often wanting. In 2023, the not-for-profit organization People for Education reported that 73 per cent of schools included anti-racism and equity in their school improvement plan, but only 28 per cent of school boards actually have an anti-racism policy, strategy or approach. More work is needed from school boards to support anti-racist teaching and learning. However, in the interim, what can classroom teachers do to create equitable and anti-racist classrooms that meet their racialized stu ..read more
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The Zone of Interest: the dark psychological insight of Martin Amis’s Holocaust novel is lost in the film adaptation
The Conversation » English literature
by Paul Giles, Professor of English, Institute for Humanities and Social Sciences, ACU, Australian Catholic University
2M ago
Martin Amis, who died last year, was always very concerned about his future place in the literary canon. He said that, since the “truth” about writers is only revealed 50 years after their death, they “feel the honour of being judged by something that is never wrong: time”. Jonathan Glazer’s new film The Zone of Interest is based on Amis’s 2014 novel of the same name. It will undoubtedly revive general interest in the author’s work. But in truth Glazer’s film has very little in common with Amis’s original novel. Its use of the same title verges, in some ways, on travesty. The verbal complexit ..read more
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Rethinking masculinity: Teaching men how to love and be loved
The Conversation » English literature
by Jamie Paris, Instructor, Department of English, Theatre, Film & Media, University of Manitoba
3M ago
We need to speak more about how to become the kind of man who can openly show love for others while accepting love from those who care. (Shutterstock) How will young men learn to love when many messages seem to be either focused on what is wrong with them — or how they can dominate? Many masculinity critics speak of the dangers of traditional gender ideologies, rape culture or toxic ways of being male. Meanwhile, some men, like Andrew Tate, promote visions of masculinity based on misogyny and male domination, while others, like Jordan Peterson, reinforce traditional gender ideologies as a misg ..read more
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Why Taylor Swift belongs on English literature degree courses
The Conversation » English literature
by Clio Doyle, Lecturer in Early Modern Literature, Queen Mary University of London
4M ago
Taylor Swift performs at Madison Square Garden in New York, 2019. Brian Friedman/Shutterstock When I started my podcast, Studies in Taylor Swift, in the spring of 2021, I felt that I was simultaneously helping to invent, and trying to catch up to, the academic discipline of Taylor Swift studies. Though there wasn’t much published on reading Swift as literature, I had no trouble finding guests who had some kind of experience teaching Swift or thinking academically about her lyrics. I went on to design a summer school course at Queen Mary University of London on Taylor Swift and Literature in 20 ..read more
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How A.S. Byatt’s northern identity and anger over climate change informed her fiction
The Conversation » English literature
by Barbara Franchi, Teaching Fellow in Postcolonial and World Literature, Durham University
5M ago
A.S. Byatt’s highbrow fiction has a vast, international appeal. The writer, who died in November, was known for her voracious appetite for knowledge and her insatiable curiosity. Inspiration for her work draws from as diverse sources as Elizabeth I, Norse mythology, Amazonian butterflies and Matisse’s paintings. And she turned her hand to many different styles, from Victorian poetry to fairy tales. In their statement about Byatt’s death, her publisher, Penguin, called her “a girl from Sheffield with a strong European sensibility”. That European sensibility is evident in her writing and intervi ..read more
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Booker prize: rediscovering the first female winner, the often-forgotten Bernice Rubens
The Conversation » English literature
by Michelle Deininger, Senior Co-ordinating Lecturer in Humanities, Cardiff University
5M ago
One of the most captivating and enigmatic novelists of the 20th century, Bernice Rubens remains largely unknown despite her remarkable literary achievements. She was the second recipient of the Booker prize in 1970 for her novel The Elected Member and its first female winner. She remains the only Welsh winner in the history of the prize – a fact that perhaps speaks volumes for the way Welsh writing in the English language is perceived and recognised outside of Wales. Rubens was born in the working class area of Adamsdown in Cardiff in 1923, to Polish and Lithuanian Jewish immigrants. She atten ..read more
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Booker Prize 2023: the six shortlisted books reviewed by our experts
The Conversation » English literature
by Ananya Jahanara Kabir, FBA Professor of English Literature, King's College London, Alison Donnell, Professor of Modern Literatures in English, University of East Anglia, Bethany Layne, Senior Lecturer in English Literature, De Montfort University, Leighan M Renaud, Lecturer in Caribbean Literatures and Cultures, Department of English, University of Bristol, Liam Harte, Professor of Irish Literature, University of Manchester, Muireann O'Cinneide, Lecturer in English, University of Galway
5M ago
From a longlist of 12, six novels have been shortlisted for the 2023 Booker Prize. Our academics review the finalists ahead of the announcement of the winner on November 26. Western Lane by Chetna Maroo Chetna Maroo’s subtle novel follows a British Asian girl, Gopi, who plays squash fiercely to cope with the grief of her mother’s death. In Western Lane, the squash court becomes an arena for playing out the conflicting emotions flowing between a grieving father and his daughters. Here other tensions also come to the fore, such as her father’s memories of Mombasa in Kenya, the delicate negotiati ..read more
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Five works of Welsh gothic literature you should read this Halloween
The Conversation » English literature
by Sophie Jessica Davies, PhD Candidate and Part-time Teacher, Aberystwyth University
6M ago
Celebrate Nos Galan Gaeaf with some Welsh gothic fiction. zef art/Shutterstock Wales has sought to rediscover its identity and autonomy since the devolution referendum of 1997. Authors and publishers have embraced the gothic genre as a means of exploring Welsh language, culture and heritage – reflecting on the anxieties Welsh society has experienced since becoming a devolved nation. Halloween (or Nos Galan Gaeaf, as we say in Wales) presents the perfect opportunity for us to explore these social tensions through the macabre. Here are five eerie works of Welsh literature for you to catch up wit ..read more
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George Eliot’s Middlemarch: egoism, moral stupidity, and the complex web of life
The Conversation » English literature
by Helen Groth, Professor of Literary Studies, UNSW Sydney
1y ago
Rufus Sewell as Will Ladislaw and Juliet Aubrey as Dorothea Brooke in the BBC adaptation of Middlemarch (1994) IMDB In our Guide to the Classics series, experts explain key works of literature. Middlemarch (1872) is a slow read and a deeply immersive one. George Eliot – the pen name of Mary Ann Evans (1819-1880) – built rich and complex fictional worlds that she hoped would allow readers to be “better able to imagine and to feel the pains and joys of those who differ from themselves in everything but the broad fact of being struggling, erring human creatures”. This avowedly humanist world-buil ..read more
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