Afro R&B artist Sofie has released her latest single Party Pooper on Friday 3rd May 2024. The rising star is back  after her well-received EP “Waves in the 233” that dropped in August 2023. Her new single Party Pooper, produced by the talented Reef Boii is a wavy record that combines Sofie’s smooth vocals with a fun and bouncy beat guaranteed to get you moving. Although the song’s lyrics transport you to a rather sad scene of a lover witnessing their love interest deceive them on a night out, you have no other choice than to dance away the heartbreak. Thus, this is the song for thos ..read more

Following her last release in July of 2023, Nigerian songstress Elmina kicks off 2024 with new music. Regarded as an exceptional writer with a soft vocal touch, Elmina combines her musical influences across multiple genres R&B, Pop and Soul which she laces with afrobeats music from Nigeria to produce her music.  The release is a two-pack consisting of Desire and DBL. The songs run on the theme of love, lust and assurance. Elmina’s ability to embody the emotions she sings about in her songs is her strongest attribute as an artist and she does so effortlessly in this release.  On ..read more

The music of Holly Roseanna literally shakes you up with an explosion of power and soul that just cannot be ignored. Her latest jam “Show Me The Gold” mixes appeal with an infusion of Scottish hip hop that will make you love the flavour of Holly’s witty, tongue-in-cheek approach. With every piece of the music you experience, you discover a person whose heart and mind are in everything she does, putting lyrics that linger even long after the last song ends. Holly’s “Prima Donna” EP was directly form a time that she spent looking inwards and figuring herself out. Through her song ..read more

Cristina Noujaim must be proud of herself, with this latest single of hers, “I Should’ve Said No,” she displays a very high artistic depth and a wonderful mastery of music. After an excruciating three-year production process, Noujaim has crafted a mesmerizing auditory experience which is difficult to categorize into a single genre. While 150 various vocal parts play in a complicated combination, this illustrates her exceptional talent as a musical narrator and requires that listeners would listen from the beginning to the end being transfixed by the story. Just as Noujaim has done since the v ..read more

Jane N’ The Jungle’s decision to drop an acoustic version of “Life of The Party” might’ve caught some off guard, but it’s a move that pays off big time. This stripped-down rendition brings a whole new vibe to the table, showcasing the band’s raw talent and emotional depth in a way that hits you right in the feels. From the get-go, you’re hit with Jordan White’s vocals, dripping with passion and vulnerability, perfectly complemented by Brian Dellis’s soulful guitar work. It’s like they’ve peeled back the layers of the original track to reveal the heart and soul of the song, and man, does it pa ..read more

In “I Want You,” Diya Dhar orchestrates a symphony of yearning, each note a tear crystallizing in the crucible of her voice. Aryan Haanz’s acoustic strings beckon with sylvan fingers, while Mikail Mirza’s lead guitar lines shimmer like auroras writhing across an insomniac sky. All the while, Manasvi Baheti’s piano cascades as tender as raindrops kissing leaves in an enchanted forest at twilight. Dhar weaves heartache and desire into auditory gold; it is not music but alchemy that she practices. Her lyrical loom spins gossamer threads connecting star-crossed lovers to cosmic despair – this tr ..read more

In the shadowed alcove of today’s musical bazaar, where neon echoes pirouette with soporific reluctance, emerges “I Want Everything” – a phantasmagorical mosaic from Pork Pie that distills the wistfulness of an Elysian bygone era through a prism of anarchic dance-floor defiance. With Shane Brett’s drums raining down like cosmic anvils against Michael Laverty’s bass-lines – serpentine rivers carving valleys into virgin planets – this osmotic tapestry unfurls like fever dreams in an opium den. Amidst this genesis springs forth Stafford, alchemist and siren both; his vocal cords spun from gossa ..read more

Upon the iridescent wings of Johan Davis’s “Heaven,” we are swept into a voracious vortex where electronic pulses beat against our temporal lobes like primal drums heralding a new dawn. Each synth stroke paints vibrant strokes across the canvas of consciousness, invoking a euphoria so electric it could resurrect Da Vinci to dance under disco lights. Davis pulls at Avicii’s strings while whispering secrets into Kygo’s ear, all the while pelting us with beats as relentless as David Guetta’s urban heart and harmonies as haunting as Lost Frequencies echoing through love-lorn catacombs. But make ..read more

In the shadowy womb of silence, Hilgrove Kenrick’s album “Fragments: Part 1” emerges, a piano whispering secrets in the language of sorrow and joy. This is not mere music; it is raw cartography of the soul. Each note, like a tear fallen upon an ancient manuscript, blurs lines—between harmony and dissonance, pain and ecstasy. Here lies “Charlbury”—a single ascending majestically from this body of work—where keys are caressed with such purity that each chord blossoms into epiphany. The BBC music introducing saw fit to unveil its beauty; we listen rapturously as if privy to the confessions with ..read more

In the labyrinthine echo of Russell Oliver Stone’s latest auditory mosaic, ‘We Gotta Wake Up,’ there lies a tremulous heartbeat thumping beneath a variegated veneer of jazz and R&B, frenetic yet precise like dragonflies skimming over an ancestral river. This release, plucked from the soul-stirring tree of ‘The Calling’, is less song than it is a clarion call to the slumbering giants within us all, rousing our social consciousness with the fervor of a revivalist preacher in the throes of divine communion. Stone’s voice—a dulcet elixir laced with gravitas—is both balm and blade as he cuts ..read more