Ma & Stott close long musical partnership in generous style in Boston
New York Classical Review
by Lawrence A. Johnson
5d ago
Yo-Yo Ma and pianist Kathryn Stott offered a fitting tribute to ..read more
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Tetzlaff & Gerstein explore the radical side of Brahms and others for Celebrity Series
New York Classical Review
by Lawrence A. Johnson
1w ago
Arnold Schoenberg thought so highly of Johannes Brahms that he grafted ..read more
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Retooled Quatuor Ébène in first-class form at Shriver Hall
New York Classical Review
by Lawrence A. Johnson
1w ago
The Quatuor Ébène was last heard locally in 2014 at the ..read more
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Tapped as Chicago Symphony music director, Klaus Mäkelä makes an exhilarating stand with Shostakovich  
New York Classical Review
by Lawrence A. Johnson
1w ago
Klaus Mäkelä was announced as the future music director of the ..read more
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Bruce Liu brings a remarkable array of nuanced artistry to Boston debut
New York Classical Review
by Lawrence A. Johnson
3w ago
It is, or now should be, a truth universally acknowledged that ..read more
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Mäkelä, Orchestre de Paris conjure a spectacular “Firebird,” visceral “Rite”
New York Classical Review
by Lawrence A. Johnson
1M ago
A hundred and eleven years ago, a ballet audience in Paris ..read more
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Trifonov delivers stylish, individual Mozart with the Rotterdam Philharmonic
New York Classical Review
by Lawrence A. Johnson
1M ago
The Russian-born pianist Daniil Trifonov has joined the handful of classical ..read more
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Curtis on Tour impresses with music old and new for string sextet
New York Classical Review
by Lawrence A. Johnson
1M ago
Curtis on Tour, a crack ensemble of string players from the ..read more
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Ólafsson delivers a Bach night to remember for the Celebrity Series
New York Classical Review
by Lawrence A. Johnson
2M ago
“Not every concert,” Erich Leinsdorf once quipped, “needs to be a ..read more
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Seiji Ozawa 1935-2024
New York Classical Review
by Lawrence A. Johnson
2M ago
Seiji Ozawa, who served as Boston Symphony Orchestra music director for ..read more
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