“As Much As I Want to Explore a Character, I Can’t Lose Sight of Those Thriller Elements”: John Rosman on His Horror Drama Hybrid, New Life
Filmmaker Magazine
by Scott Macaulay
1d ago
Fifteen minutes into John Rosman’s elegantly scripted and emotionally harrowing debut feature, New Life, you’re wired into the psyche of Jessica Murdock, a young woman fleeing an unspecified old life and grappling with primitive elements of survival: where to sleep and what to eat. And, within a few scenes, where to live, find a job and rebuild. In her impressive feature debut, a fierce Hayley Erin brings both a feral intensity as well as a wary calm to these moments, which are of the sort found in many independent films dealing with women leaving bad relationships, or of those searching ..read more
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“I Was Definitely Paying Homage to Stories Set in Chicago”: Minhal Baig on We Grown Now
Filmmaker Magazine
by Natalia Keogan
3d ago
Through chronicling a critical turning point for the residents of Chicago’s now-defunct Cabrini-Green public housing project, writer-director Minhal Baig’s We Grown Now explores how the reverberations of this bygone time and place continue to register today. Set in 1992 amid the real-life death of 7-year-old Dantrell Davis—who was walking to school with his mother when a stray bullet struck him—Baig’s film follows young boys Malik (Blake Cameron James) and Eric (Gian Knight Ramirez) as they grapple with the aftermath of the tragedy.  Despite the oppressive living conditions due to Chicag ..read more
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There’s Nothing Better than Working with Talented Peers Who Give.” Judy Reyes, Back To One, Episode 289
Filmmaker Magazine
by Peter Rinaldi
4d ago
Judy Reyes is best known for playing Carla on the TV series Scrubs, but her nearly three-decades-long career is packed with roles on long-running shows like Devious Maids, and in movies like Birth/Rebirth, for which she was nominated for an Independent Spirit Award for Best Actress. Her latest is Hannah Marx’s highly anticipated screen version of John Green’s celebrated novel Turtles All The Way Down (coming to MAX on May 2nd). On this episode, she takes us back to the beginning—her “dramatic” childhood household serving as a form of acting training, defying her mother when she wanted to actu ..read more
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Sundance Institute Announces Fellows for the 2024 Directors, Screenwriters, and Native Labs
Filmmaker Magazine
by Filmmaker Staff
5d ago
The Sundance Institute announced today the the fellows selected for its 2024 Directors, Screenwriters, and Native Labs. The Native Lab in New Mexico will support four fellows and two artists in residence, and the Directors Lab in Colorado will support the development of eight projects with nine fellows, with an additional three fellows also joining for the online Screenwriters Lab held immediately after. For the first time the Directors Lab will be held at the Stanley Hotel in Estes, Colorado — Stephen King’s inspiration for The Shining — while the Native Lab will be returning to Santa Fe, Ne ..read more
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“All Documentary Filmmakers Should Receive or Seek Out Some Kind of Training in Vicarious Trauma”: Alix Blair on Her Hot Docs-Debuting Helen and the Bear
Filmmaker Magazine
by Lauren Wissot
1w ago
Fourth generation Californian Paul McCloskey — aka “Pete” and “Bear” — is a former US Congressman who represented San Mateo County from 1967 (when he trounced Shirley Temple in the Republican primary) to 1983; a decorated Korean War vet, who torpedoed Pat Robertson’s ’88 campaign by revealing his lies about having served in combat; and an ultimately unsuccessful challenger to President Nixon in ’72, when the maverick Stanford Law grad went on Firing Line to make the case for his anti-Vietnam War platform to an electorate likely more receptive than the program’s highly condescending, pro ..read more
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“We Wanted To Show a Teacher with All His Weaknesses, Who Doesn’t Know Everything, Who Sometimes Makes Big Mistakes…”: Laurent Cantet on The Class
Filmmaker Magazine
by Brandon Harris
1w ago
French director Laurent Cantet, whose films include Human Resources, Heading South, The Workshop and his Palme d’Or-winning The Class, died today at the age of 63. With this sad news we are reposting Brandon Harris’s interview with Cantet about The Class from our Spring, 2008 print edition. — Editor Starting with 1999’s Human Resources, Laurent Cantet has quickly built an international reputation as France’s most socially engaged narrative filmmaker, crafting films that highlight the ever lingering issues of race and class in both France and, as in the case of his 2006 film Heading South ..read more
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Visions du Réel 2024: The American Way and Other Options
Filmmaker Magazine
by Vadim Rizov
1w ago
Having living abroad for 19 years, music critic Philip Sherburne recently described the culture shock of returning home and trying to navigate an American supermarket: “the self-checkout machine accuses me of stealing and runs back video of me while calling for an employee to come intervene. Every time you turn around, it seems like a corporation is trying to screw you out of yet more money via another hidden fee. It’s no wonder Americans seem pissed off all the time. It’s a fundamentally hostile environment.” For me, some of the fun of attending Visions du Réel, a Swiss festival focused ..read more
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“I’m Writing This Because I Want To See This Movie”: Screenwriter Justin Kuritzkes on Writing Challengers
Filmmaker Magazine
by Jesse Pasternack
1w ago
On the surface, Challengers is about a single tennis match between former friends turned rivals Art Donaldson (Mike Faist) and Patrick Zweig (Josh O’Connor). But as it flashes back and forth in time to show how their relationships with tennis champion turned coach Tashi Duncan (Zendaya) led them to this competition, it becomes much more than a typical sports drama. Challengers intelligently and entertainingly deals with issues of communication, aging, and how the pursuit of excellence can saddle one with both limitations and opportunities for transcendence. It also does all that while providi ..read more
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“Seeing an Actor Experiencing the Limits of Transcendence is More Interesting than Pretending” Ryan Czerwonko, Back To One, Episode 288
Filmmaker Magazine
by Peter Rinaldi
1w ago
As a working actor, Ryan Czerwonko’s credits include The Endgame, Chicago Med, Chicago Fire, Cherry, Paint, and Watchmen, to name a few. He’s also the artistic director of Adult Film, an exciting Brooklyn theater and film group where he acts, directs, and teaches. His latest project is a year-long exploration of Chekhov’s Sea Gull that will culminate in a limited engagement in Manhattan in May and a documentary on the whole process. On this episode, he explains why Chekhov is so important to him and what he set out to do with this ambitious endeavor. He gives us a deep […] The post “Seeing an ..read more
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Trailer Watch: 25 New Face Filmmaker John Rosman’s New Life
Filmmaker Magazine
by Scott Macaulay
1w ago
Newly released is the first trailer for the thriller, New Life, the directing debut of Emmy-award-winning journalist John Rosman. Rosman was one of Filmmaker‘s 2023 25 New Faces, selected on the basis of this film, which Erik Luers described thusly: “A tale of two women—one being chased, the other a fixer doing the chasing—New Life is a pandemic-era horror film that rewards its audience with gory twists and a surprisingly heartfelt center.” One of the film’s two lead characters faces ALS, a subject Rosman covered for PBS while a journalist. Of the journey of his Fantasia-premiering film ..read more
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