The men of Glen are back! Long-running Barons of Floridian death metal, Deicide return for their lucky number 13 full-length. With a legacy of brutality running back to 1990, Deicide and controversial founder Glen Benton were instrumental in defining the sound of American death metal. Albums like Legion and The Stench of Redemption loom large in the Pantheon of Death, and though they’ve had a spotty track record over the years, a new Deicide platter will always earn attention from yours Steely. 2018’s Overtures of Blasphemy was a surprisingly vicious album and a significant step up from the re ..read more

If you don’t know ACxDC, then what are you doing with your life? Like listening to actually good metal? Too bad for your sorry ass. The LA natives are back in black for their own highway to hell, and it’s too good to be true. For the woefully uninformed and uncultured, don’t even think alternate or direct current and Brian Johnson, you swine. It’s Antichrist Demoncore, and the peanut butter cup moniker of divine apathy is so sweet and gummy. ACxDC’s EP The Second Coming was introduced when I first got to college, and if I’d had my way, debut full-length Antichrist Demoncore would have been bla ..read more

Ah yes, February. Wait, what? It’s almost MAY!!! Who approved this two-months-late bullshit? Oh… right, that would be me. Shit. Well, you know, sometimes life gets in the fucking way, you know? It’s been rough days, and I know I’m not the only one struggling. With 2024 on such a rocky start, it should come as no surprise that we grasp desperately for media to help us escape and find solace in the art of others. Unfortunately for my Filter minions, they don’t get to escape from the mire and muck of the neglected filtration system from which we find what could be generously described as “art ..read more

The 17th album by the unstoppable Germanic horde known as Accept is upon us and resistance is brutile. After the enjoyable machinations of 2021s Too Mean to Die, those who keep their balls to the wall opted to stick with the same basic formula. Their three-guitarist wall of sound is back along with no-longer-so-new frontman Mark Tornillo, and Accept find themselves in a late-career groove, very aware of who they are and what they want to be. And that means Accept continue to drift closer and closer to AC/DC territory as their core metal sound drills down further into hard rock idioms. This is ..read more

Have you ever wondered what modern melodic death metal might sound like if these up-and-coming bands would take a moment to find a sound that isn’t pure pastiche? Now, I know that might seem critical—and it is. But with so many bands out there that are variations on At the Gates, In Flames, Dark Tranquillity, and whatever other big name you can think of, pure worship of these bands, who wield extended discographies and active tour schedules, just isn’t enough. That kind of retread with a tinge of mix-up can be good, of course. Just look at our latest rodeö for the proudly olde-reaching Veriter ..read more

When I happened across one of the singles for Adon, I recall thinking it sounded, quote, “impossibly good.” Adon formed in 2019 and has thus far released one EP, Arkane, in 2020. They currently maintain a humble online presence; unsurprising for a relatively new band, but from what I’d heard I couldn’t help but believe they deserved better. When I got the chance to review their self-titled debut I felt excited at the prospect of potentially helping their following grow… but that depends on the music, doesn’t it? And so I dug in, hoping the potential I saw in their pre-release material would b ..read more

Throughout the tapestry of shimmering tones, weighty riffs, and desperate fry vocals in Light Will Shine, a common thread courses, of vulnerability and tension. Belgium’s Divided offers a style not unlike Glassing, Amenra, and Envy, with crystalline melodies colliding with unforgiving heaviness, with a distinctly unfriendly guitar harmonic approach. However, it professes a soundtrack for anxiety, recalling the tragically short-lived Sufferer project in its depiction of inner struggle and striving for better. Light Will Shine offers no easy answers, but is a voice through the storm. Influenced ..read more

In the blurred-boundary world of black metal, Selbst is quite special. Possessing neither the cold grit, folk-leaning whimsicality, or vivacious bombast of European and Northern American variants, the Latin American influence instead lends their sound a lilting, layered musicality. It’s been clear from the project’s beginning that this music is both incredibly personal and a way of exploring the darker and more devastating of shared human experiences. This is more true than ever with third LP Despondency Chord Progressions, of which sole composer and member N1 says, speaking also to the surrea ..read more

Tomorrow’s Rain is an interesting beast. The Israeli six-piece treads between doom and gothic metal, and made a splash with their debut Hollow in part because of the sheer number of guest musicians who participated in the album. Now, four years later, the band returns with their sophomore full-length, Ovdan (“Loss”), an album with a deeply personal backstory. This was recorded after vocalist and founding member Yishai Swartz suffered a heart attack severe enough to warrant open heart surgery. The result is a noticeable shift in sound for Tomorrow’s Rain, but one still grounded in the band’s fo ..read more

I’ve been listening to My Dying Bride’s entire discography, including this new one, nonstop for a good two weeks straight. It’s begun to affect my daily life. A couple nights ago, after putting the Cherdlet to bed, my wife asked me what I’d like to do with the rest of our evening and without thinking I said, “Drink deep of your neck chalice.” While she was still quietly processing this, I complimented her on the whiteness of her breasts. She decided she wanted to watch “one of her shows” instead and bid me good night. I spent the next hour impulse-shopping online for candelabras and a fainting ..read more