Why I Use Lens-Sensor Specific Camera Settings PART 2
The Fake Filmmaking Podcast
by SilverLight Photo Co.
2M ago
I talk more about why, I think, every lens needs its own custom settings, and a few related issues ..read more
Visit website
I'm Testing Budget Filmmaking Lenses (Which Should I Focus On?)
The Fake Filmmaking Podcast
by SilverLight Photo Co.
2M ago
I talk about two goals that I have, that seem to contradict each other: Test the most popular lenses, but only test budget lenses ..read more
Visit website
I Prefer Portable, Affordable and Common Budget Filmmaking Gear
The Fake Filmmaking Podcast
by SilverLight Photo Co.
2M ago
I'm revisiting the question of how being organized can affect creativity, but this time I have a new solution: a portable, affordable and common kit list. (When I tried to get organized before, it failed...but this time it's working ..read more
Visit website
Lens-Sensor Specific Settings (WEBSITE UPDATE)
The Fake Filmmaking Podcast
by SilverLight Photo Co.
2M ago
My lens-sensor specific camera settings are now available on my website (in addition to my LUTs). The goal of my settings is to create a more realistic (and cinematic) look from every lens-sensor combination I have (including the Panasonic GH4, G7, G85 and GX85) and a growing collection of lenses ..read more
Visit website
How I Improve Lens-Sensor Relationships (Using Camera Settings)
The Fake Filmmaking Podcast
by SilverLight Photo Co.
2M ago
When I think about my motivation for choosing camera settings, I often think of Ansel Adam's "Zone System". In today's (longer) episode we'll get into how I use contrast, sharpness, noise reduction and color controls IN-CAMERA to capture a more realistic-looking image ..read more
Visit website
More Dynamic Range Isn't The Solution
The Fake Filmmaking Podcast
by SilverLight Photo Co.
2M ago
Will having a camera capable of more dynamic range create an image with more dynamic range (with Ansel Adams like detail in the highlights and shadows)? Not if a lens delivers even greater contrast and/or sharpness than the sensor can handle! We start to talk about how I think a better solution is to simply match how light is delivered to a sensor (i.e. the contrast, etc.) and to keep it within the dynamic range it can handle ..read more
Visit website
What Audio Recorders I Recommend (The Zoom F2?)
The Fake Filmmaking Podcast
by SilverLight Photo Co.
2M ago
Important update regarding the Zoom F2, plus why I plan to stop recommending the Zoom H1 as a wired lavalier body pack recorder (HINT: It is affected by radio frequency interference from newer smart phones ..read more
Visit website
Q-P-A-C-E: My Fake (Budget) Filmmaking Kit List Explained
The Fake Filmmaking Podcast
by SilverLight Photo Co.
2M ago
The #1 thing to understand about all of my kit recommendations is that they're focused on helping the budget-conscious, but there are actually 5 things I make sure each item of my kit conforms to, and I call them "Q-P-A-C-E ..read more
Visit website
My Physical & Digital Workflow For a Small (Fake) Filmmaking Business
The Fake Filmmaking Podcast
by SilverLight Photo Co.
2M ago
Can one improve their small business workflow? It all begins with defining what you do, and who does it, but I'll also talk about the differences between physical and digital workflows, and give examples from my small (fake) filmmaking business ..read more
Visit website
In-Body Image Stabilization (Why I Think It's Important)
The Fake Filmmaking Podcast
by SilverLight Photo Co.
2M ago
This episode presents a few reasons why I think IBIS (or In-Body Image Stabilization) is a super important technological advance in filmmaking ..read more
Visit website

Follow The Fake Filmmaking Podcast on FeedSpot

Continue with Google
Continue with Apple
OR