Anna Bella Geiger, “Our Daily Bread (O Pão Nosso de Cada Dia),” 1978. Six postcards and screenprint on paper bag mounted on card. Tate Modern I recently returned from helping to co-lead a study abroad program in London. Our group visited the Tate Modern and I became familiar with Anna Bella Geiger’s work, Our Daily Bread (O Pão Nosso de Cada Dia). The postcards on display in the museum document a performance in which Geiger ate bread to highlight the poverty in Brazil, as well as South America. The holes in the bread depict the outline of Brazil and South America, in addition to th ..read more

Earlier this week I discovered a new(ish) Smarthistory video about Karel Van Mander, an early 17th-century biographer of painters who is sometimes referred to as the “Northern Vasari.” The video spends some time featuring a print which depicts the painter Jan Van Eyck. This portrait appeared in Van Mander’s publication Het Schilderboeck. Karel van Mander, Het Schilder-Boeck (Haarlem: Paschier van Wesbusch, 1604), first edition in two volumes with added illustrations, 21 x 16.7 x 5.8 cm (Museum of Fine Arts, Boston). Image courtesy of Steven Zucker and Smarthistory via Fickr. The video repor ..read more

Ansel Adams. The Tetons and the Snake River, Grand Teton National Park, Wyoming. 1942. Image via Wikipedia, courtesy of National Archives and Records Administration Earlier last week, I taught my students about Ansel Adams’s photography. In preparation for our class discussion, I watched this documentary on Ansel Adams from the Master Photographers series (1980). I learned while watching that Adams had trained to become a concert pianist but ultimately decided to become a photographer. It was interesting to hear him discuss photography in comparison to music. In explaining the range of ..read more

This school year I’ve been volunteering at my child’s elementary school, making videos for the Meet the Masters curriculum and helping out with art projects in a few classrooms. So far we have done the Van Gogh unit as a school, and I’ve also created some videos for the Hokusai project coming up in January. It’s been fun to do, although I have been finding some errors and misleading information in both the Van Gogh and Hokusai units. Someone needs to hire an art historian to fact-check the Meet the Masters curriculum! The Van Gogh unit inaccurately states that Van Gogh wore a hat with candles ..read more

Paul Delaroche, “The Execution of Lady Jane Grey,” 1834. Oil on canvas, 246 cm × 297 cm (97 in × 117 in). National Gallery, London. Image courtesy Wikipedia Yesterday I was watching an episode of “Fake or Fortune” that discusses a flood of the Thames River in January of 1928 (see 31:05 in the video episode linked above). The flood filled the basement of the Tate up to eight feet of water and many paintings were damaged. One of these paintings was The Execution of Lady Jane Grey (shown above) which did sustain some damage and tears, but clearly was not destroyed. Instead, the p ..read more

Yesterday I finished listening to an audiobook of The  Secret Garden by Frances Hodgson Burnett. I have loved that story since I was a girl and it was fun for me to revisit the book. While I was looking up some favorite quotes from the text, I came across a Puffin classic collector’s series which incorporates William Morris designs into the covers of the books. All of the covers are designed by Liz Catchpole, who collaborated with the V&A Museum in order to choose Morris designs from the museum’s collection. This is the cover for  The Secret Garden in the series: Cover of ..read more

Nicholas Galanin, “Ism #1,” 2013. 19″ x 32″, digital photographic print. Image courtesy of the artist At the end of last month, I heard Dr. Christopher Green give a presentation that included some works of art by Nicholas Galanin, who is a Tlingtit-Unanagax contemporary artist. I was particularly struck by the digital photographic print Ism #1, which features the famous icon of Christ from the Monastery of Saint Catherine at Mount Sinai. However, in Galanin’s image, the face of Jesus has been covered with a Tlingit shaman’s mask (and not an actual shaman’s mask, which the Tlingit consider pe ..read more

Braque, “Homage to J S Bach,” winter 1911-12. Oil on canvas, 21 1/4 x 28 3/4″ (54 x 73 cm). Link to MoMa image   Last week one of my students selected to write about Georges Braque’s “Homage to J. S. Bach” for their weekly assignment. I think that this painting is clever in several different ways, including how the signature of Braque seems to also be a witty reference to the similarity between the artist’s last name and the last name of the famous Baroque composer. Braque includes musical instrument or references to music ins several of his paintings, and he himself was a gifted m ..read more

Over the weekend, I listened to author and curator Suzanne Fagence Cooper present a Zoom lecture titled “At Home with Jane and William Morris,” drawing information from a book scheduled to come out next year. I was especially interested in the passing comment that Cooper made about William Morris’s painting La Belle Iseult (1858, shown below). This is the only completed oil painting by William Morris that exists; today his work in the arts is more closely associated with designs of tapestries and wallpaper prints. However, early in his career (when he fell under the beguiling spell o ..read more

Editor’s Note: Nicholas Bielby contacted me after coming across  my post “Parrots in Art.” Below is his essay on parrots in poetry and religious art, which adds new ideas to consider in tandem with  the things that I have written previously. Enjoy! -M “Some Notes on Parrot Symbolism in Poetry and Religious Art” Nicholas Bielby Detail of some of the carved parrots, nestled in the gold foliage, from the chancel at the Studley Royal chapel of St. Mary, 1871-78. Image is a detail of a Creative Commons Image via Wikipedia When I took a guided tour of William Burges’s ..read more