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Giuseppe Bonaccorso
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Giuseppe Bonaccorso is a multifaceted individual based in Italy, known for his work as a classical guitarist and poet. He has a long-standing passion for literature, music, and technical subjects, having delved into creative activities from a young age. His interests span from poetry, novels, and essays to technical best-seller books.
Giuseppe Bonaccorso
2w ago
For more information, see the Kaledosmusic page.
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The post Kaleidosmusic – A. Vivaldi – The Four Seasons, Summer III movement – Presto appeared first on Giuseppe @ Bonaccorso ..read more
Giuseppe Bonaccorso
3w ago
For more information, see the Kaledosmusic page.
If you like this video, you can always donate to support my activity! One coffee is enough! And don’t forget to subscribe to my weekly newsletter!
The post Kaleidosmusic – F. Chopin – Waltz in A min. B 150 Posth. appeared first on Giuseppe @ Bonaccorso ..read more
Giuseppe Bonaccorso
1M ago
In this article, I want to present five haiku by the great Japanese master Matsuo Bashō (1644 – 1694), accompanied by as many musical fragments composed and recorded by me on various instruments, including the Koto, a typical chordophone resembling a small harp and widespread throughout Japan.
For the time structure, I adopted an irregular tempo of 5/8 for the first and last bars and one of 7/8 for the middle bars. This way, the haiku’s syllabic (or, more accurately, blackberry-based) structure can be reproduced according to the 5/7/5 pattern. Of course, these are not authentic compositions wh ..read more
Giuseppe Bonaccorso
1M ago
It is almost astonishing that a writer like Edgar Allan Poe, a romantic in soul and literary intention, fascinated by the Gothic and the murky enchantments that intrigued the French cursed poets, could turn so and directly to the Virgin Mary of all people. Yet, his shortest poem is precisely titled “Hymn.” It is more of a prayer, devoid of all forms of allegory and rhetoric, simple and direct: a thanksgiving and an invitation, elements that, however, as we will have a chance to discuss, become almost utopian, transmuting from desperate urges to lucid realizations of reality.
Table of Conten ..read more
Giuseppe Bonaccorso
1M ago
Today, death came to visit me.
She had the bill between his fingers
and was waiting for my turn,
inescapable,
statuary,
as the ferromagnetic cashier
Counting souls in the heart of the Zen labyrinth.
…
My cart is empty now:
Thirsty, I drank on the sly,
while a clerk (a novice)
Careless, turned his back on me.
But everyone in Hell is all too careful
And I have no more money in my pockets.
What is the penalty, then,
for those who do not have enough to pay
The (long) list of their sins?
…
Maybe selling the soul to God?
Deposited for legal protection with Patamu: certificate
A brief note on the la ..read more
Giuseppe Bonaccorso
1M ago
Music appears to be an art based on precision and rigor. Anyone who has studied solfeggio knows this well and will remember the emphasis on tones and semitones. Woe to name E# or F♭! But are things really in those terms? Unfortunately, that is not the case. In this short article, I will highlight the existing problems and have no solution!
Table of Contents
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7 Minutes Read
Is it fair to say that B# is different from C?
The names of the notes are conventional.
Tones and semitones: How high are these steps only?
Pythagoras and his love of whole numbers
Who determined that ..read more
Giuseppe Bonaccorso
1M ago
The shortest poem by Majakovsky dates from 1913, the most fruitful period for the celebrated Russian poet, and is entitled “Exhaustive Picture of Spring.” Before any discussion, it is good to read it:
Leaflets.
After the fox lines -
Points.
Table of Contents
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4 Minutes Read
Commentary on the verses
Short biographical note on Majakovsky
For references and further reading
Commentary on the verses
The title itself is a statement of intent. We know how Majakovsky used irony and crudity to emphasize his ideas and make them resonate like drum and cannon shots. In this case ..read more
Giuseppe Bonaccorso
2M ago
In this short article, I wish to clarify (which, by the way, has already been done extensively by many scientists) what is true about the alleged benefits of a 432 Hz pitch compared to the modern standard of using an A at 440 Hz. Without unnecessary preamble, I can already anticipate that the pseudo-scientific theories supporting the 432 Hz are, as is almost always the case, the product of people who wish to invent conspiracies and all other forms of collective lies just to satisfy an ego not much gratified by daily life.
In short, they are just blatant hoaxes that, like chakras and various co ..read more
Giuseppe Bonaccorso
2M ago
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2 Minutes Read
Video
A brief note on the Shadow archetype according to Jung
For more details
As soon as I began to understand,
a delirious gasp woke me up.
…
The ancient millstone,
Motionless as a statue,
croaked,
Chewing crumbs of stone.
A woodpecker,
tireless,
telegraphed its laments
On the gnarled ropes
Of an old,
immense fir tree.
The dream just gone
glowed at times:
swirling,
fulminant,
screeching on the dark slate
as whispered words
By splintered rusted irons.
…
Golden slides,
Buried among memories,
maybe someday,
Will rise already awake,
Bef ..read more
Giuseppe Bonaccorso
2M ago
In a harmonious dance between chaos and order, the realm of modern music invites curious minds to delve into its enigmatic depths. Get ready for a sonic journey as we unravel the mysterious interweaving of atonality and seriality in the evolution of musical craftsmanship. A symphony of dissonance and structure awaits, promising to challenge every preconceived notion you’ve ever had about melody and composition.
As we embark on this odyssey through the avant-garde landscapes of musical innovation, prepare to be captivated by the unconventional beauty that atonality and seriality bring to the fo ..read more