Wisconsin-based band Three Springs struts a dancefloor-friendly vigor on new single “Lock Eyes,” a track via their upcoming debut album, out in October. The danceable energy is palpable here, as the lyrics desire to “move my feet,” while inquiring to show you how hips can move amidst a funky rhythmic drive and debonair guitar licks. “I wanna stay up late, and make plans with you,” the smitten, nocturnal-set vocal intrigue continues, bolstered by a synth-y reflection into further intrigue. “Lock Eyes” is a memorable mover from Three Springs. — This and other tracks featured this month can be st ..read more

Instrumental funk project Capital 6 unveil an impressive range of songwriting and musicianship across Not My One, an album out on August 28th that channels the group’s love for collaboration and music. Capital 6 comprise six musicians with an eclectic array of influences; they have collectively played throughout Canada the past two decades, and Capital 6 formed in the summer of 2018. The players dazzle throughout Not My One — comprising drummer Andrew DeMerchant, bassist Will Pacey, guitarist Connor Fox, saxophonist Kelly Waterhouse, trombonist Jeannine Gallant, and trumpeter Matte Robinson. A ..read more

A track from Gianfranco GFN‘s upcoming album, “Doctor Wind” is described by the Swiss artist as “a meditation that explores the power of the wind and its impact on our spirit.” A flurry of charismatic brass tones and funky rhythmic undercurrents drive into the “here comes the wind, the Doctor Wind to take my cares away,” refrain. The triumphant arrival of “the wind,” finds compelling bolstering by backing vocal reflections and a series of catching structural twists, particularly upon the yearning “you run through my head,” bridge past the one-minute turn. A grooving, jam-friendly appeal takes ..read more

NYC six-piece Recess strut their funky brand of charismatic pop on new track “Faces.” Suave guitar pulses and smooth vocals dazzle alongside flourishes of piano, reminding fondly of Steely Dan. Brassy emergences compel as the vocals admit “it’s been a long road,” amidst lonely nights. “We may walk down different roads,” they acknowledge during a soaring captivation, culminating in triumphantly climactic brass tones. “Let’s have a couple good times,” furthers a carpe-diem sentimentality, valuing the time together whilst emphasizing the importance of cherishing oh-so-sweet moments in life. We ..read more

The latest track from New York-based artist Nick Marks dazzles with an array of sounds — from brisk, futuristic synth tones to warming brass and excitably funk-laden rhythms. The production marks another eclectic success from the artist, who impressed in September with the Cinematic Chromatics Vol. I EP. The track’s aesthetic sits in the “new era jazz” classification, though is broad enough in its various injections for something well beyond — bridging nostalgia with cutting-edge, in the vein of Kamasi Washington. A comforting symphonic glow becomes accompanied by spacey synths and escalatin ..read more

A funky delight, “Take a Minute” is the latest single from Toronto-based band Love Wagon. The opening shows a captivating yearning, exceling into charismatic allure as the track progresses. “She doesn’t really care about me,” the vocals repeat amidst funky guitar licks and a slight backing organ. The second half flourishes with soulful vocal harmonizing and expansive guitar work, impressing especially after the two-minute mark with a suavely shimmering pull. Love Wagon craft a contagious, addictive blend of funk, soul, and rock throughout “Take a Minute.” — This track and others featured thi ..read more

Maximize, the new album from Perry, presents a stimulating sound ranging from funky charisma to smooth, laid-back jazz. The project of Max Clemmons Jr., Perry crafts a nostalgic sound with groove-friendly allure. The artist describes the sound as “a synthesis of musical forms that I enjoy which I define as kind of Neo-Retro.” The eight tracks on Maximize each strut their own character and personality. The self-titled effort is suave yet excitable, the backing key-laden shimmers and funky pulsations joining with shimmering string effects and minimalist percussion. Elsewhere, “Dinner Table” in ..read more

London-based quartet Late TV present infectious stylistic intrigue throughout their debut full-length, Vanity City, released today. Funk, jazz, and art-rock intertwine on this savvy production, full of both riveting soundscapes and replay-inducing hooks — propelled by funky rhythms, melodic guitar lines, and atmospheric brass. Wailing guitar and vintage synths complement debonair vocals on the opening “Fools Fools Fools,” driving into the delectable “fools’ paradise,” sequence. The vocal charisma builds into an immersive showcase past the two-minute turn, where a funky bass line envelops amid ..read more

Reverberations by Nevaris NYC artist Nevaris struts a funky, soulful composure on “Dub Sol,” the lead single from the newly released Reverberations LP. Its title referencing the leading stylistic touching stones — namely, dub and funk — “Dub Sol” also infuses Afro-Latin rhythms into its intoxicating mix. Representing the artist’s third collaboration with producer-bassist Bill Laswell and this talented cast of musicians (DJ Logic, Will Bernard, Peter Apfelbaum, Lockatron, and Matt Dickey), Reverberations succeeds with a chilled-out, exotic sound. “Dub Sol” enamors with its smooth brass tones ..read more

Strutting a passionate and structurally diverse blending of funk and blues, A.I. Masters, Pt. II is a new EP from Downtown Lester Brown, a quartet from Newcastle-Upon-Tyne. The bustling, creative energy is evident early with the opening “Funky Munky.” Funky guitar licks and a distorted backing pulse drive with intrigue. The addition of organs injects an effervescent, sturdy backbone. The enveloping guitars and multi-layered vocals combine into the title-touting charisma. The dynamic range between organ-laden glimpses and funky ardency makes for a compelling listen throughout. The subsequent ..read more