BWA-HA-HA! Keith Giffen and J.M. DeMatties may not have originally set out to turn DC’s signature superteam into a workplace sitcom, but with artist Kevin Maguire they produced a screwball series still treasured by fans. With a roster assembled largely out of desperation and a constantly shifting status quo, Justice League International reinterpreted how the superhero would be perceived in a post-Crisis, post-Watchmen comics landscape by leaning into the absurdity instead of making its subject grimmer and grittier ..read more

Our continued deep dive into the comic book that defined the Iron Age begins with a lengthy appreciation of Dave Gibbons’ art and storytelling, then gets into the weeds talking about the novel’s themes, worldbuilding, and its legacy of superhero deconstructionism. We’ll also discuss the ownership dispute over the rights to Watchmen, and the various adaptations, sequels, and prequels that exist today because of that ownership dispute. Unorthodox opinions abound, and your hosts may have to resolve their disagreements with pistols at dawn before it’s all over ..read more

What’s left to say about Alan Moore and Dave Gibbons’ novel Watchmen? Plenty, as it turns out! In our first of two episodes on the subject, we talk about the changes in the larger comics industry that needed to be in place for Watchmen to exist, consider the degree to which the series relies (or doesn’t) on the Charlton Action Heroes for inspiration, and finally do a deep dive on the major characters and what drives them. Jim and Justin may disagree about how well Watchmen holds up today, but several assumptions about this book will be challenged in any event ..read more

This fifth Wednesday, the Iron Age boys throw a bit of a curveball by taking a look at an obscure fantasy series from the early 1980s! Designed to serve what was perceived as an untapped audience for Marvel and entice toy manufacturers to create a line of licensed tie-in action figures, The Saga of Crystar, Crystal Warrior throws a few curveballs of its own with a somewhat conceptually abstract central conflict and an antagonist who's more of a victim of circumstance than your standard unambiguous bad guy. We discuss the comic, the toys, and the Marvel Universe guest stars (who never again men ..read more

When up-and-coming writer Joe Kelly got the keys to Deadpool’s first solo series, he subverted fan expectations by downplaying the character’s connections to the larger X-franchise. Similarly, he decided to fulfill the constant requests for the Merc with a Mouth to team-up with Spider-Man in a way nobody expected. We take a look at the innovative, Forrest Gump-inspired techniques used to insert a time-traveling Deadpool into a semi-obscure issue of Amazing Spider-Man by Stan Lee and John Romita, Sr. and discuss whether this oversized issue’s jokes about Norman Osborn’s weird hair and Gwen Stac ..read more

Forget whatever you think you know about Hawkman! Tim Truman’s 1989 prestige format miniseries Hawkworld drew from inspirations including cop shows, Vietnam War movies, and The Count of Monte Cristo to update the winged warrior’s Silver Age origin for a grittier, more grounded era. The result is a science fiction adventure offering a critique of imperialism and class inequality that resonates just as strongly today. We’ll also dig into the confusing tangle of Hawkman’s post-Crisis continuity, but rest assured that Hawkworld itself won’t require you to be an expert in Thanagarian lore before or ..read more

Riding the wave of comics’ “British Invasion” of the 1980s, Grant Morrison made their mark on U.S. superhero comics with the unlikely reinvention of an obscure DC Comics do-gooder. In time, Morrison and penciller Chas Truog would elevate Animal Man’s consciousness to a state of awareness about his own fictional nature, but in the early part of their run, the book is mostly concerned with a middle-class family man balancing a passion for animal-rights activism with his attempts to “make it” in the superhero biz. We look at the first nine-issue arc (collected in the first Animal Man trade), an o ..read more

Riding the wave of comics’ “British Invasion” of the 1980s, Grant Morrison made their mark on U.S. superhero comics with the unlikely reinvention of an obscure DC Comics do-gooder. In time, Morrison and penciller Chas Truog would elevate Animal Man’s consciousness to a state of awareness about his own fictional nature, but in the early part of their run, the book is mostly concerned with a middle-class family man balancing a passion for animal-rights activism with his attempts to “make it” in the superhero biz. We look at the first nine-issue arc (collected in the first Animal Man trade), an o ..read more

With the Avengers and Fantastic Four temporarily outsourced to Rob Liefeld and Jim Lee in 1997, Marvel touted the ostensibly brand-new heroes of the Thunderbolts as the next big thing to a somewhat skeptical comics readership. The legendary twist ending to the first issue made the book into an overnight success but sometimes overshadows the work Kurt Busiek and Mark Bagley did on the rest of the series, making this comic worth a re-examination. We’ll discuss the origins of the concept, the first year of the series, and how the creators refreshed Silver and Bronze Age superhero tropes while dev ..read more

As popular as the X-Men were in the comics industry during the Iron Age, the 1992 Saturday-morning cartoon adaptation found its way into more homes than the source material ever did, and it continues to be a nostalgic favorite for many X-fans. We invited our first-ever guest, Cameron Kunzelman (co-host of Just King Things, Shelved By Genre, and other shows on the Ranged Touch podcast network) to offer a fresh perspective. Together, we go through the first 13 episodes of the show and talk honestly about what holds up, what doesn’t, and what made this such a unique series for its time ..read more