Send us a text Security breaches were reported to the previous platform over the past week and no commitment for resolution or even a word in the status. Digital security is a priority for you and for us.  All posts and content are being moved this week to our profile in Ko-Fi: https://ko-fi.com/operawelovesinging Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging ..read more

Send us a text This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging ..read more

Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this song by Mexican composer Maria Grever?  Tenors and Sopranos of all nationalities very often make it part of their recitals.  In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging ..read more

Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this Neapolitan song by Maestro Cardillo? One of the most beautiful melodies ever written for the tenor voice. There is no tenor (and many times sopranos) who doesn't have it in his repertoire.  In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.  This episode was premiered on Youtube. This episode is the audio piece of it. This will be a live session ..read more

Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Turandot by Maestro Puccini? At the end of the last century Luciano Pavarotti made this a regular in his concerts. By far, one of the most beautiful melodies ever written for the tenor voice. Most tenors would like to have it in their repertoire, though very few can handle it. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show Yo ..read more

Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Samson et Dalila by Maestro Camille Saint-Saens? Ceertainly one of the most beautiful melodies ever written for the mezzo soprano voice. There is no mezzosoprano who doesn't want to have it in her repertoire. But it is also a likely aria for a contralto. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.   Support the show You can join our c ..read more

Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this duet from La Traviata by Maestro Verdi? By far, the great favorite to close a concert. There are times when even other tessituras join it and make it a superb experience for the public. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. You can join our channel in Telegram: https://t.me/OperaWeLoveSinging   You can always check our page in Ko-fi wher ..read more

Send us a text In this season we are reviewing the most popular arias of all times. This time another great favorite from La Traviata: Giorgio Germont's aria. By far, one of the most beautiful melodies ever written for the baritone voice. There is no soprano who doesn't have it in her repertoire.  In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in Telegram: https://t.me/OperaWeLoveSinging ..read more

Send us a text In this last time travel to Palacio de Bellas Artes in Mexico City, year 1952, we will witness a good variety of titles that show the wide range of roles and the versatility of her voice. Achievements that would add to would later be known as La Divina. The result is a little uneven, with Rigoletto standing on the way and whose results are not that good, as she herself would admit years later. Few times have the Orchestra and the Choir honored the singer and this farewell is wrapped up with one of the most touching moments in the history of this Opera house. As a reference you c ..read more

Send us a text In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Rigoletto by Maestro Verdi? By far, one of the most well-known melodies ever written for the tenor voice. All tenors would like to have it in their repertoire. By far one of the melodies people have heard before even if they're not familiar with Opera. In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through. Support the show You can join our channel in ..read more