Welcome back to Transmissions—far out conversations for far out times. This week, we're joined by synthesist Jill Fraser. She's lived a remarkable life in music: mentored by Morton Subotnick, she went on work in film and television, with projects like 1974's sci-fi fantasy Zardoz and Paul Schrader's 1979 film Hardcore to her name, in addition to a litany of commercials featuring her inventive sound design. In the '80s, she found herself on the outskirts of LA's thriving punk scene, and now, she's released a new album, Earthly Pleasures, on the storied Drag City label. A science fiction saga in ..read more

This week on Transmissions, guitarist Phil Manzanera, who joins us to discuss his latest project, a memoir called Revolución to Roxy. Writing about his childhood in revolutionary Cuba, his lifelong fascination with music, and his collaborations and run-ins with people like Brian Eno, David Gilmour, Robert Wyatt, and more, Manzera reveals his Zelig-like status as one of art-rock’s most creatively pivotal figures.  On albums like Brian Eno's Here Come the Warm Jets (celebrating 50 years in 2024) and Quiet Sun's Mainstream, Manzanera's guitars sound otherworldly and overheated; his further w ..read more

This week on the show, we're pleased to present a conversation with Matt Sweeney. He’s lived a truly dazzling life in music. After coming up playing with the great band Chavez, he contributed to masterworks of indie rock—including records by Cat Power and Bonnie “Prince” Billy, with whom he crafted the monumental 2005 classic Superwolf, a classic in the Aquarium Drunkard canon. He's also worked as an in-demand session player, working on recordings for the likes of Cat Stevens, Johnny Cash, Neil Diamond and other legends. Is Matt the only guy to play on both a Current 93 and Dixie Chicks projec ..read more

If you’ve been listening to Transmissions for a while, you've noticed how often host Jason P. Woodbury brings up “time” when talking about music. And while he's certainly apt to talk about music in spiritual or "out there" terms, songs are in some ways literal time machines: they can take you back to your own past or in the case of traditional music, preserve some essential “nowness” of the human experience. Songsmith Jake Xerxes Fussell grew up understanding this intimately. As the son of folklorist, photographer, and artist Fred C. Fussell, he spent time on the road with his father, document ..read more

This week on Transmissions, we're sitting down with a genuine legend: Joe Boyd, author of And The Roots of Rhythm Remain: A Journey Through Global Music, out September 24 from ZE Books. On the front cover of the book Brian Eno—a venerated saint in the Aquarium Drunkard canon—declares: “I doubt I’ll ever read a better account of the history and sociology of popular music than this one.”  Joe Boyd’s career is the stuff of myth. As a producer, he’s worked with a murder’s row of collaborators, including Pink Floyd, Nick Drake, Fairport Convention, R.E.M., Richard and Linda Thompson, Incredibl ..read more

This week on Transmissions, the return of Leah Toth, aka Amelia Courthouse. She was last here on the podcast in its earlier, more feral incarnation—and by feral we mean "updated with elss regularity"—but back in 2018 she reviewed Shinya Fukumori Trio’s incredible ECM release For 2 Akis. We've wanted to have Leah back on ever since, and this now we've got a great excuse to do so: the release of her incredible new album under the Amelia Courthouse name, broken things. Blending Protestant solemnity with dream pop bliss with extended, meditative ambient music and skeletal folk, she’s created a wor ..read more

From early mystic folk inclinations to more fried and psychedelic work, Ben Chasny's Six Organs of Admittance project has never settled into an easy, definable zone. But 2024 sees the Six Organs sonic universe expanding kaleidoscopically, even by Chasny's prodigious standards. First was Time Is Glass, an album that documented his return to Humboldt County; then Jinxed By Being, a collaboration with ambient dub master Shackleton, and on September 27th, Companion Rises (Twig Harper Remix), which finds Chasny's 2022 album Companion Rises completely reimagined and re-created by sound artist Twig H ..read more

Welcome back to Transmissions, our weekly conversational offering. On today's show? Nashville’s own Rich Ruth.  Opening his review of Ruth’s latest, the Third Man Records LP Water Still Flows, Aquarium Drunkard’s Brent Sirota states: “We don’t even have a name for what has been going on in instrumental music lately. There’s plainly some kind of new fusion afoot…[but] it doesn’t really sound like old-school fusion. There’s electrified jazz there, to be sure, but now it sits alongside krautrock, kosmische, psychedelia, minimalism, and ambient.”  Like many, Ruth began making meditative ..read more

This week, we have an exceedingly rare interview with Jason Martin, of California dream pop band Starflyer 59. Fermented in the nascent Riverside dream pop underground alongside his brother Ronnie Martin of Joy Electric in the early '90s, Martin's band SF59 released its debut album, Silver, 30 years ago in 1994 on the fledgling Tooth & Nail label. His latest, Lust for Gold, finds him winking knowingly at the title of his 1995 album Gold, a record routinely cited as one of the best shoegaze albums of all-time. Incorporating elements of the band’s feedback-drenched early sound, the new album ..read more

Sometimes, background music moves to the foreground. That’s the case with today’s guests, guitarist Zac Sokolow, bassist Jake Faulkner, and drummer Nicholas Baker. Together, they form LA LOM, short for the Los Angeles League of Musicians. In 2019, they were hired to bring suitably vibey music to the lobby of the historic Roosevelt Hotel on Hollywood Boulevard. Employing a rotating cast of guest players, they filled the air with twangy cumbias, boleros, chicha, and reverberating Bakersfield-style twang. Eventually people began taking notice, as vivid performances clips began to go viral.  ..read more