Katie West and the anti-metaphor
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The Art-Raft Project: Activism at work, rest and play
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Wills Projects: Low impact art in the age of impact
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The Gouldian finch and the "Save Lee Point" campaign
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Fragile tethers: Art after floods
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REE dependency, 24/7, 2024
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Agents of design: Driving climate action from within the museum
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How not to care about ecology
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The Adelaide Art Scene: Becoming contemporary 1939-2000
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2M ago
Bernard Smith's assertion in 1943, that it is "truly absurd nowadays to talk of 'modern art' as a single entity," encapsulates a sentiment that has persisted through the decades and finds resonance in Margot Osborne's exploration of Adelaide's art scene. Osborne's work, a solidly researched and expansive history, with re-printed archival material and an extensive index forming a doorstop omnibus which chronicles the critical historical events and figures who have shaped Adelaide and South Australian art. Through a series of overview chapters by Osborne and commissioned essays by a ra ..read more
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Marshmallow Laser Feast: Works of Nature
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3M ago
The Blue Mountains Cultural Centre (BMCC) has a long relationship with artist, educator and curator Leanne Tobin. She has been part of the art scene in the Blue Mountains prior to the Cultural Centre opening in 2012, and Rilka Oakley, Artistic Program Leader, and the BMCC team have worked with her on multiple projects as both an artist and curator. When the idea of working with the National Gallery of Australia’s (NGA) Sharing the National Collection initiative was put forward, alongside bringing First Nations video works into the World Heritage Interpretive Centre at BMCC, Tobin was invited t ..read more
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