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The Funniest Things Are Chaotic, Tragic: Jake Brush Interviewed by Eric Dean Wilson
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I’ve been thinking about Kara Walker’s work for a long time. Two years ago, a bleeding barn from one of her watercolors appeared in one of my poems. , Charles Burnett's 1977 film set in LA after the Watts riots, there is a scene you may recall: a group of friends sit in a car outside a liquor store; on the hood rests a can of beer, and the man in the passenger seat reaches through the empty windshield to sip from it ..read more
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