Plainly & Painfully » Garage
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Discover newly released, niche tracks from Garage Rock. Plainly & Painfully.com is a website dedicated to Classic Rock, expounding on albums, artists, and tracks from a variety of sub-genres like lo-fi, muck, and jangle // garage and bedroom banished.
Plainly & Painfully » Garage
3M ago
5/5 golden merles
The Palestine Solidarity Compilation is one of the most stacked comps of the era and for the cause eating at the conscience of the world. Just look at the list for many favorites of this portal: Billiam, Busted Head Racket, Rude Television, Cool Sorcery, Gee Tee, Cherry Cheeks, and the many and the more, 27 tracks of playful and cursed invention. Further good news, all the included songs are unreleased, demos, covers, or live versions, so you may become a craprock completionist and cleans some small portion of your soul in the process.
Highlights for me are Balaclava‘s ..read more
Plainly & Painfully » Garage
6M ago
5/5 golden merles
In praise of unpolished polemics: there is a reasonable case to be made that half-articulated rage is the purest form. It’s straight from the source, cut with the contextual and peripheral distractions, before it is honed into a refined simulacra for mounting on the wall. “Harnessed Energy” by Aarhus Denmark’s Gob Psychic is a good approximation of that impulse, the documented split between archetype and the feeling, language grappling with emotion.
Of course the art is in the perpetual reimagining of the scene: the accumulation of experience cultivated into a written ex ..read more
Plainly & Painfully » Garage
8M ago
5/5 golden merles
Oslo’s The Uptights have created in “Jasper” a multifaceted fuck-you of a tune, some real fun experimental lo-fi post-punk. Early hooks are hung on a static howling, doused in reverb and abandoned in sequence. From this admirable mire three distinct subsections are carved and then collapsed at the emergence of each newly favored form. It is resolute in relation to what it is not, competently corrupted. The contrasting components of this set provide by their shared presence a murky but welcome depth of field, one that is surprisingly vast and inviting.
Within this arrange ..read more
Plainly & Painfully » Garage
11M ago
5/5 golden merles
The Being Dead duo put out one of my very favorite albums of last year, Zero Percent APR’s Higher and Higher Forever. They consistently identify and deliver strange causes for celebration in a homogenized period of concentrated wealth and rights restrictions that desperately needs them. The whimsy and wrath is what is warranted, having fun in hell, and holding court on the ineffable indelible shit. Artpop can be good and have a big heart.
A couple of real go getters. Weird but with good cause. Good movements. Melodies as intricate and warbling as the sentiments, complexi ..read more
Plainly & Painfully » Garage
11M ago
5/5 golden merles
Another sprouting from the top-tier Leipzig scene, REIZ are relentless in their kinetic thresh. There’s a good pallet of blotchy bloodied tones and a proudly pop sentimentality to it. The care in detailing is always elevating it slightly beyond your ability to anticipate, appreciably above the good-enough imitators and pretenders. You’ll probably find enough fine warp to feel familiar if for some god forsaken reason you consume this text and curation regularly. It didn’t arrive in the summer but the summer suits it.
The set is fun and funny but not defanged. Playful and ..read more
Plainly & Painfully » Garage
1y ago
5/5 golden merles
Writing on Busted Head Racket in December I accused them of crafting “delightful and difficult to kill earworms.” The new work is just as infested and likewise just as rabid and relentless, a prized commotion carved in synths and the probable simulacra of a slide whistle. Or is it the real deal? I would ask you to decide. Asundered with intention and contented in collected the notions, it’s rattling along with conviction and guts.
It finally, mercifully, drove out an alternate jingle from my mind. Lyrics are something to do with everything, or faced with the daily phases ..read more
Plainly & Painfully » Garage
1y ago
5/5 golden merles
Undeniably Spared Flesh are at the pinnacle of the pump, deep in the heart of it, perched near one of the prime spigots for what remains of the corroded valve of rock. Look at this fucking line up of the beloved: Gee Tee, Zero Percent APR, EXWHITE, Billiam, MESH, Nick Normal, Cupid and The Stupids.
Mercifully, these petty thugs are united temporarily in a common cause of good: all proceeds from this release benefit the National Network of Abortion Funds.
True to their individual representations of self, the collected works are not lacking passion and composure. Far from ..read more
Plainly & Painfully » Garage
1y ago
5/5 golden merles
NW Indiana’s Liquids have returned with more proto garage feelings nailed onto the egg punk skeleton. Songs is more raw and seeping, less refined in production than Life is Pain Idiot. The rate at which these things degrade is variable. Less a crack in the foundation of the prior effort and more a rebuilding upon the rubble of the pile of limited releases. Half digested or about three quarters gestated, anyway, viable, and better out than in. New: now with more new.
There’s plenty of melodic invention within the parameters of the genres sterling decrepitude. And the murk ..read more
Plainly & Painfully » Garage
1y ago
5/5 golden merles
From the C:/ of Ishka Edmeades, in the style of garage punk and powerful pop: some new, prolific and defiant portents for the year in death ahead. “Bus Stop” wouldn’t by any stretch of the imagination sound out of place in a Riptides/Numbers set, save maybe for its general state of tightness and refinement. A warmth of tube derived tones coincide with a lament for missed opportunities, experiments wide in the channel with the organ/lead pulsing.
For better or worse it’s a timeless track, at least for the last 50 or 60 years. That’s a lot of influence to synthesize, to re ..read more
Plainly & Painfully » Garage
1y ago
5/5 golden merles
Eloquent Chicago post-punk embracing the only remaining righteous fury, “Do Not Reply” corroborates your feeling that the present strait we reside within is relatively dire. Early on the tempo shifts and scales with the realization of these guiding affirmations, “I see you thrive / but I just know your soul’s diseased.” If we are to address the rot at the core of our civilization (…the leeches at the top which insatiably siphon wealth to such extreme severity with no regard for the common good) the language of morality, as it is here, must be employed to express the enormity ..read more