On the latest treat from CloZee‘s label, Odyzey Music, jordnmoody‘s FØRSAKEN EP brings listeners a taste of sultry basslines and rolling drumbeats that are perfect for October’s Halloween aesthetic. A familiar face to FUXWITHIT who’s made waves in the freeform bass scene with releases on Wakaan, Cyclops Recordings, Bassrush, Jadū Dala, and others, jordnmoody has once again hit the jackpot with this malevolent masterpiece. “It’s a madness, I been trappin’, I seen action,” Pete English’s voice echoes on the first track. A devilish tune rooted in UK dubstep, ‘ACT!ØN’ fills the room with a siniste ..read more

If you have ever had the pleasure of catching any members of the bass/deep dubstep trio Ternion Sound doing a live set, you know that they bring outrageous levels of energy and fun. They have a lot of heart and give a lot of love – including in our latest installment of Do You FUXWITHIT?. I got to go in-depth on a few key topics at Department of Civilian Dance‘s annual Dark Matter party, where 2/3s of the group Jack Denney and Aric Okerman headlined. The guys had me laughing all the way through chats about the staple Minneapolis hamburger the Jucy Lucy (alt: Juicy), whether requests are a ..read more

“It’s dangerous to go alone! Take this.” says the old man in the cave, handing the player a sword to aid in the hours of exploration that they can expect to follow from one of the most legendary franchises of all time, The Legend of Zelda. DMVU and Toadface pay homage to the phrase with their new EP, lovingly titled It’s Dangerous to Go Alone, released via Dome of Doom. Much in the same way that the Zelda franchise tantalizes players with exploration, discovery, and treasure, this EP truly evokes a feeling of not knowing what’s around the next corner. The next dungeon is an unknown realm, the ..read more

One of the biggest surprises on Skrillex‘s Quest For Fire, both in terms of the collaboration and in terms of the heat, was ‘Hydrate’ alongside PEEKABOO, Flowdan and BEAM. For Skrillex to tap one of the hottest vocalists out right now and one of bass music’s most promising stars in the same track is surely among the highest recognition PEEKABOO could ever desire. Since the release of the two albums, Skrillex has hinted that perhaps more is to come, while playing unreleased material throughout his shows this year. Notable among this stash of unreleased goodies was a track that sounded like the ..read more

Hot off the heels of ‘HEARTBREAK PARADISE’ Dabow & HEKLER are back at it with another collaboration. The two producers need no introduction to the FUXWITHIT audience given their impeccable back catalogs and frequent appearances on our site. For their latest offering, the two unleash an official remix for Dirty Audio & Bobby Blakdout’s ‘Bands.’ Built around the flex-filled Gucci Mane vocals, ‘Bands’ mixes rap, dubstep, and festival trap tendencies for an absolutely devastating banger. The intro is trapped out as Gucci skates over the minimal backing. The lyrics are repeated for an anthe ..read more

Wraz, a.k.a. Chris Pilon, a Canadian producer based in Sherbrooke, Quebec, has been keeping himself busy releasing dubstep, drum & bass, and halftime anthems for labels such as Deep Dark & Dangerous, Duploc, Dank N Dirty Dubz, and more. Making appearances at a slew of festivals and shows, his audience is expanding rapidly, drawn to the complex sounds and subwoofer-friendly bass. We caught up with Wraz at Shambhala Music Festival where he was part of the Deep, Dark, and Dangerous Showcase at the Amp Stage hosted by Truth, with artists Ternion Sound, PAV4N (4NC¥), Coltcuts, SUBstance, an ..read more

With a discography that spans over thirty tracks released over more than half a decade, Kozmoz has been an undeniable force in the dubstep scene for quite a while now. Lurking beneath the shadows of the heavy-hitters that get the headlining slots, the producer has taken his time to refine his craft and to slowly build a list of accolades that includes but is not limited to blessing the likes of EDC Las Vegas and Red Rocks Amphitheatre. Gaining traction since his early contribution to Halcyon in 2020, Kozmoz has since made his rounds across labels such as Subsidia, Gud Vibrations and Disciple R ..read more

Few topics can unite the wide range of personalities that make up the bass music community. Hating on HitPiece is one of them. Acknowledging the greatness of Space Laces is another. As a legend in the scene who has always delivered top tier material that often blurs the lines between genres, the Louisville-based producer is among the few who can earn the praise from just about every artist in the game. From boundary-pushing ideas to unparalleled execution, Space Laces is on another level. Over the past three years, the artist has unleashed a series of Vaultage mixes that have showcased the bre ..read more

Stepping into the new year with finesse, Kill Feed carefully constructs bass components in a thought-provoking manner. His latest ‘PAYBACK!’ dissects higher-end frequencies and sounds while tossing them across distinct percussion patterns. In the previous year, we saw his first Never Say Die original ‘Without You‘ in addition to plentiful originals and remixes. Being nearly three years since the birth of his new project, it feels as we have barely begun to witness the capability and potential Kill Feed carries. Now, Kill Feed returns to Never Say Die with ‘PAYBACK!,’ where he seeks retribution ..read more

After absolutely crushing the stage at this year’s Wobbleland, late-night shows with Volt always result in top-notch visual production but most importantly his signature hard-hitting sound we all fell in love with from the start. Shifting levels comes naturally to Volt as a series of wobbling bass and slow-tempo madness lures you into Volt’s world of experimental production. From surprising fans during Slushii’s headliner sets to taking full control of the crowd all the way in Japan, Volt really does it all and he is showing no signs of slowing down in 2022. Crafting a unique flip to SPAC ..read more