Indian Classical Music
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Explore Indian Classical Music, Classical Music, Banaras, Raga and the History of Indian Music. This page is specially designed to contribute to the E-resources in Indian Classical Music Theory and Practicals. The Content written in the Blog is the original of its kind with proper quality analysis and interpretation in a particular topic. The blog is focused on academic content which might be..
Indian Classical Music
3w ago
Saang Tradition in Haryana: A Cultural and Artistic Exploration of Pandit Lakhmichand's Performance
Geeta Mattu1, Kumar Sargam2
http://swarsindhu.pratibha-spandan.org
Abstract:
The research provides a concise overview of its focus and objectives, centered around acknowledging Pandit Lakhmichand's significant contributions to Haryana's folk music tradition known as "Saang." It highlights Saang as a vibrant reflection of Haryana's culture, utilizing historical and mythological stories, theatrical elements, and societal values to enrich its musical expressions. The present work specifi ..read more
Indian Classical Music
2M ago
Will update soon ... thank you for your patience and support ..read more
Indian Classical Music
4M ago
Raga Nayaki Kanhara is a raga from the bunch of kanhara-aang raga falls under the Kafi Thaat. Nayaki is one of the famous types of Kanhra supposed to composed by Gopal Nayak in late 12th century which share the similar scale to Raga Suha, Sahana and Devsakh and Saghurai . The most common and similar raga to Nayaki Kanhara is Suha .
The Raga Nayaki Kanhara is the complex raga with the combination of three raga. Raga Darbari in Purbang (first phase), Raga Sarsang in Uttrang(Second half) and the mixture of Malhar in the centre. Phrase form t ..read more
Indian Classical Music
7M ago
How to improve vocal range and sing flawless
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Happy New Year 2024....
Thanking for Reading my Blog ..read more
Indian Classical Music
9M ago
Will publish soon
https://youtu.be/wLQjecxo69A?si=aS7PXfdVYW7AFIeq ..read more
Indian Classical Music
1y ago
Brihaddeshi is another milestone text that spans the period from Natyashastra to Dattilam to Sangitaratnakara. It carries forward the tradition of Natyashastra and Dattilam; and, at the same time, it establishes the Desi Sangita on a firm pedestal. Brihaddeshi bridges the Marga and the Desi class of Music; and, it also provides the basis for the emergence of the Thaat/Mela system of classifying the Ragas. One could say; Brihaddeshi gave a new birth to Indian Music; and, revitalized its creative ..read more