Symphonic metal is a tricky genre to review; it is, at this point, so steeped in clichés that critiquing it for leaning on clichés is itself starting to feel like a cliché. Ever since Nightwish lobbed Once at the masses, it’s been easy to feel like everyone else is trying to do the same thing. Sometimes it’s effective, and sometimes you’re damaging your fist on a completely intact and rather thick layer of ice. For Leaves’ Eyes, who have been around for over twenty years now, I get the sense that the goal is consistency. Clearly, they know what they want to do—write symphonic metal with grand ..read more

March is but a few days away (at the time of writing), so, naturally, we at AMG and Sons feel it’s finally time to leave 2023 behind. Entering 2024 with a fresh vat of anger juice to fuel our findings, we trudge through the thin metal walls of our ever-taxed filtration system. And boy howdy did we get lucky this month! January’s Filter is stuffed to the gills with great options, sure to find a home in the arms of one of you despicable rascals lovely readers. If there was ever a Filter stocked enough to feed an entire readership in one fell swoop, it’s this one. Now, go! Feast! Kenstrosity’s S ..read more

Alright, earMUSIC. We have to talk. It’s important to know that Myrath is one of my favorite bands on the planet. I’ve been listening to them for well over a decade now, so every time the Tunisian five-piece announces a new album, my rapt, anxious anticipation skyrockets. Frustratingly, since the announcement for sixth LP Karma dropped, album leaks and fake release dates ran amok and led hopeful fans like me to dead Spotify links and rampant misinformation. The repeated PR foibles alone were enough to make me worry that the album wouldn’t be any good. Then, to top it all off, you hand us strea ..read more

Just like a sommelier can (allegedly) sense and describe the minutest differences between wines that may seem identical to the less learned, so can the seasoned metalhead identify regional differences and genre influences that laypersons may question with the tried and true adage: “It’s all just noise, isn’t it?” Melodic death metal has many offshoots and flavors, but the Finnish variety tends to be instantly recognizable anyway, often thanks to a melodic core that draws from neoclassical- and power metal. Northern Genocide wears this hat with pride but then proceeds to layer a bunch of other ..read more

Introductions to Emperor’s creative mastermind Ihsahn, as he drops his eighth (and ninth) solo LPs, seem unnecessary. However, a small note is needed for this review because there are two, entirely separate but inextricably related, versions of Ihsahn and I am reviewing only one of them. Ihsahn’s solo work has always involved a significant symphonic component, as did his writing for Emperor albeit to a lesser degree, but he has gone all-out orchestral for his selt-titled offering. Literally. Collaborating with a symphony orchestra,1 the blackened progressive metal of the main studio version is ..read more

Originally from Belgium but now firmly ensconced in the Pacific Northwest of the US, one-woman black metal project Hulder caused some ripples with debut LP, Godslastering: Hymns of a Forlorn Peasantry, in 2021. Steeped in dark medieval themes and even darker folklore, it channeled both an almost second wave black metal harshness and a folk edge to create a unique sound. Although a little rough around the edges, it promised much for the future. Hulder first graced these pages with the follow-up, 2022’s mini-album, the appropriately titled The Eternal Fanfare, which yours truly described as begi ..read more

It is time for the new year, and yet we spend its initial moments reflecting on works of the past. That’s because the works of the past are clogging up our damn Filter, and we need that to breathe in this hellhole we call a headquarters. We toil in the snow and the slush, freezing as the gunk clings to our definitely OSHA compliant protective suits and face masks. All so that you can maybe like but more likely dunk on the nuggets of treasure we find here. Regardless of whether you enjoy what we find, we expect payment for our services. You can submit tithes via Venmo, Paypal, Bitcoin, hobo wi ..read more

Frens, frenemies, poseurs, all. It’s been one helluva year, hasn’t it? Not only has the year of our Jørn 2023 played host to an unseemly number of metal releases, but an unusual quantity of those releases were good enough to earn their place in these hallowed Filters. Now, the end of the year looms, and we’ve got one more collection of filthy chunks to share. I would like to thank all of the many contributors who have supplied material for this feature, helping it thrive these last couple of years. And of course, I’d like to extend my thanks to Steel Druhm and AMG Himself for entrusting me to ..read more

Hi, I’m Liam. I’m backstage right now because we’re doing a Christmas recital tonight. Everyone in my class is in it except for the Horowitz twins. Ezra and Esther don’t have to for some reason. Our music teacher Mrs. Ramsbottom was supposed to be here too but one of her organs blew up and she had to go to the hospital. It’s called an appendix and I’ve got one inside me too but my Mom says mine is ok and probably won’t blow up. Mrs. Ramsbottom was going to play the piano and we were going to sing but when she got sick we got a substitute teacher. Her name is Miss Tarja. She can sing really pre ..read more

One can’t credibly accuse Genus Ordinis Dei of a lack of ambition. Predecessor Glare of Deliverance used bombastic symphonic death metal to weave a tale of religious prosecution and witchcraft. The entire storyline was accompanied by a series of self-produced music videos. A big project, but the album itself was undercut by bloat and failed to impress me as much as 2017’s Great Olden Dynasty had done. Now, as the year draws to a close, the Biblical story-weavers bring us The Beginning, another religion-themed concept album accompanied by videos, but with only 4 videos and a pared-down running ..read more