It’s rare that a concert is stopped midway through a piece, but that’s exactly what happened during Sunday’s MOZART SERENADES concert when part of an instrument broke off mid-performance. The heroic actions and incredible sight-reading talents of one California Symphony musician saved the day. Rarely played today, the basset horn is featured in a number ..read more

Saad Haddad (b. 1992) Mishwar (World Premiere, 2024) Saad Haddad, the California Symphony’s current Resident Composer, is acclaimed for his distinctive blend of Western art music and Middle Eastern idioms. Haddad has drawn Mishwar (Arabic مشوار(, meaning “A Trip,” out of his own memories. He tells us that: “Throughout my childhood, my family and I made frequent ..read more

Robert Thies shot to fame in 1995 when he became the first American in four decades—since Van Cliburn’s Cold War win in 1958—to win a Russian piano competition, but things didn’t quite work out as planned… Robert talks with us ending up at zero after his feted win, diving into Clara Schumann’s diaries, and looking ..read more

One violin, 12 brakedrums, 6 flowerpots, windchimes (glass and metal), dustbins, plumbing pipe… You could be forgiven for mistaking the instrumentation for Lou Harrison’s Concerto for Violin and Percussion Orchestra for a shopping list for ACE Hardware. This month in MOZART SERENADES, sandwiched between two giants of the wind repertoire—Strauss’ Serenade and Mozart’s Gran Partita—comes a quirky and rhythmic concerto by American maverick composer Lou Harrison. Concertmaster Jennifer Cho becomes the sole strings player on the program, featured alongside five stellar percussionists who use a vari ..read more

Richard Strauss (1864–1949) Serenade in E-flat Major, Op. 7 (1881) Richard Strauss may have been a mere puppy when he wrote his Serenade for wind ensemble, but he was a frisky puppy indeed, already the author of a handful of compositions including a string quartet, a piano sonata, and even an unpublished symphony. He was ..read more

New York Times music critic Olin Downes described the opening passage of Gershwin’s Rhapsody in Blue as “an outrageous cadenza of the clarinet” after the piece’s premiere in 1924. 100 years later, this passage is considered an iconic orchestral excerpt for professional and amateur clarinetists alike. We talked to California Symphony principal clarinetist Cory Tiffin about his history with the piece ahead of his solo in GERSHWIN IN NEW YORK ..read more

GERSHWIN IN NEW YORK guest artist Marcus Roberts has been called “the genius of the modern piano” and has the honors to show for it—he’s been a recipient of the Helen Keller Award for Personal Achievement, Artist-in-Residence for the 2002 Winter Olympic Games in Salt Lake City, commissioned composer for Chamber Music America, and Grammy nominee for his 1996 album Portraits in Blue. We talked to Marcus to learn more about his music history and what it’s like to improvise classics such as Gershwin’s Rhapsody in Blue ..read more

GERSHWIN IN NEW YORK guest artist Marcus Roberts has been called “the genius of the modern piano” and has the honors to show for it—he’s been a recipient of the Helen Keller Award for Personal Achievement, Artist-in-Residence for the 2002 Winter Olympic Games in Salt Lake City, commissioned composer for Chamber Music America, and Grammy nominee for his 1996 album Portraits in Blue. We talked to Marcus to learn more about his music history and what it’s like to improvise classics such as Gershwin’s Rhapsody in Blue ..read more

He’s been a fixture in the brass section at California Symphony concerts for nearly 30 years and he plays a loud and shiny instrument… Please meet trumpeter Bill Harvey ..read more

Dedication. Practice. Training. The tireless pursuit of excellence, and a commitment to a collective goal… It turns out that professional musicians and athletes have a lot in common! Artistic and Music Director Donato Cabrera takes us through his conducting play book ..read more