Theatre review: Casserole
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by nick730
1w ago
Yes, among the many less-than-highbrow reasons for me choosing what shows to see is when a title is as hilariously banal as James Alexandrou, Kate Kelly Flood and Dom Morgan's Casserole, although the one-acter itself proves to have a lot less to laugh about. On the other hand I'm on the record as being wary when writers direct their own work or actors direct themselves, so how would I get along when Alexandrou does both? He plays Dom while Flood plays Kate, a couple both of whom are music video directors - although while his career is over for reasons that are never revealed, hers is at its p ..read more
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Theatre review: King Lear (Almeida)
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by nick730
1w ago
Given that it doesn't look like Yaël Farber’s going anywhere anytime soon, I feel like Rupert Goold's Almeida has really found the right match for the highly ritualistic South African director, by sticking to those Shakespeare plays where an apparent complete absence of a sense of humour isn't a major obstacle. So after her Macbeth we now get a nearly four-hour long King Lear that despite being a particularly nihilistic take on the play is easily the best work I've ever seen Farber do. Regular readers of this blog may both decide for themselves how much of a compliment that actually is - but ..read more
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Theatre review: The Lonely Londoners
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by nick730
1w ago
Roy Williams' The Lonely Londoners is the first stage adaptation of Sam Selvon's classic novel of the Windrush generation, and he makes a concise, intense evening out of its sweeping journey through the lives of six people who've arrived in London from Trinidad in the 1950s. At the centre of the group is Moses (Gamba Cole,) one of a trio of early arrivals who've developed a healthy cynicism after years of struggling to find and keep work, and experiencing casual and not-so-casual racism in a mother country they'd been told was desperately in need of their help. To his irritation, Moses has fo ..read more
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Theatre review: Uncle Vanya
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by nick730
2w ago
Mere months since Chekhov's Vanya last graced a London stage he's back, although this time he's brought the rest of the cast with him too. With Trevor Nunn both adapting and directing this version of Uncle Vanya it's not particularly surprising if it's a bit more traditional - Simon Daw's designs definitely take us to late 19th century rural Russia, and you bet there's a samovar in pride of place centre stage. But Nunn isn't just ticking another classic off his list or indulging in a bout of nostalgia, as the Orange Tree production has elements that give it its own personality. Not least of a ..read more
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Theatre review: Macbeth (Dock X & tour)
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by nick730
2w ago
Trigger Warning: This review contains references to an old man who shouts at clouds about trigger warnings. We might be a couple of months into 2024 but the 2023 Macbethorama isn't quite done with us yet, as Simon Godwin's production, which has already played Liverpool and Edinburgh, reaches its London leg in a warehouse in Canada Water. Rafe "Ralph" Fiennes plays Macbeth, the Scottish war hero promised the keys to the kingdom by a trio of witches. Egged on by his wife (Indira Varma) he decides not to leave anything to chance and speeds the prophecy up by murdering the king and taking his th ..read more
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Theatre review: Nachtland
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by nick730
2w ago
Despite an incredibly irritating social media publicity campaign (who were those messages raving about the show months before it opened even meant to be from, anyway?) I've been looking forward to the Young Vic's Nachtland: Marius von Mayenburg's dark satire (translated here by Maja Zade) has a viciously clever premise, and Patrick Marber's production has a great cast. The resulting evening is an entertaining one, but a frustrating one as well. The audience enter to Anna Fleischle’s set absolutely covered in dusty old props, which the cast clear away before the action starts: Siblings Nicola ..read more
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Theatre review: The Human Body
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by nick730
3w ago
Plays can take a while to go through development and writing and get to production, often ending up with similar ideas making it to the stage at the same time. I wonder if it was the sound of people banging pots and pans every Thursday night four years ago that now gives us a batch of plays about the founding of the National Health Service? I didn't have any particular preconceptions about how Lucy Kirkwood would take on the subject, but it certainly wouldn’t have been something quite as camp as the Donald and Margot Warehouse's The Human Body turns out to be, filtering the birth of the NHS t ..read more
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Theatre review: Shifters
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by nick730
3w ago
Benedict Lombe's Shifters is one of those two-handers that follows a couple who seem perfect for each other but may or may not figure it out by the end of the show. And while it doesn't actually take place across the multiverse, there's musing about the choices we make and the different paths they could have led to, which makes it yet another show to give me flashbacks to Constellations, surely one of the most influential shows on British theatre so far this century. (I'm not knocking it, it's better than when it looked a couple of years ago like every young theatremaker was going to fill the ..read more
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Theatre review: Out of Season
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by nick730
3w ago
Back to Hampstead and this week I'm Downstairs for its latest commission, Neil D'Souza's Out of Season and a midlife crisis comedy that gently takes in some themes you don't often see on stage. Thirty years ago, a trio of university friends went on a memorable holiday to Ibiza. Now, to celebrate his 50th birthday, Chris (Peter Bramhill) has asked that they recreate the trip - right down to the same room in the same hotel. Regardless of how many times he and Dev (D'Souza) say it's been done up since they were last there, the grubby walls and fading paint of Janet Bird's set suggest both the fa ..read more
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Theatre review: Cable Street
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by nick730
3w ago
The 1936 Battle of Cable Street in East London is known as the biggest anti-fascist protest on British soil. It's a piece of English history that can still be looked back on with pride at a time when most re-examinations of the past don't see it hold up too well, so it remains a popular subject. It also marks a significant moment of unity between the Jewish and Irish communities that until then might not have necessarily been on the same side, so there are bound to be many people in both those modern-day communities who have personal family stories about it. Which is all to say that when Sout ..read more
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