Send us a text Rome was a neglected swamp when Pope Nicholas V came to power. An extremely well educated humanist, Medici ally, and frequenter of the classicist circles in Florence and Bologna, Nicholas was elected pope in 1447, arriving in a city whose former glory was buried in the mud.  The papacy he inherited was fragile, as it recently endured the relocation from Avignon and the infamous Papal Schism. A relatively peaceful man, Nicholas V was intent on dispelling further papal conflicts and focus on rebuilding the Eternal City. Only through his mass patronage of artists, architects ..read more

Send us a text Lustful, unpredictable, and mischievous, Fra Filippo Lippi is a notorious figure of the Italian Renaissance. This episode surveys his life, looking primarily at three artworks: the San Lorenzo Annunciation, the Double Portrait at the Metropolitan Museum of Art, and his famous Lippina. Together, these works uncover a story about a skilled artist, but one who constantly upset his social structure. We use his work to glimpse into the world of Renaissance women, including the nun Lucrezia Buti who he stole from her convent and eventually married. Beyond the works, we explore storie ..read more

Send us a text San Marco, Florence: Nowhere else does the entirety of Renaissance social history converge in such a dynamic way. Upon returning from exile in 1434, Cosimo de' Medici found himself laden with guilt over the means in which his family had acquired their massive fortune. Certainly, with Pope Eugenius IV living in Florence with the Papal Curia, there was no better time for the wealthy banker to invest in religious buildings, namely the convent of San Marco.  On this site, Cosimo de' Medici would display the wide range of his patronage, extending to architecture, painting, and ..read more

Send us a text What does it look like across three mediums when a new style harmonizes, and the conventions of the Middle Ages take a new form? Looking at three diverse artists and three different patrons, as well as an example of painting, sculpture, and architecture, this episode argues for the legibility of new stylistic concepts that constitute the modernity of the 15th century. Ultimately, this interaction gives insight to the intentions of the patrons in question, Cosimo de' Medici, Paolo Guinigi, and the Uzzano family (or Capponi?).  In doing so, works like Michelozzo's Palazzo Me ..read more

Send us a text In this monumental 50th episode, join me in discussing a likewise monumental artist of the early Renaissance: Donatello.  This episode examines the landmark works of the Florentine sculptor, taking a close look at his early life, mature works, and cultural impact. Donatello skillfully navigated the practical world of civic sculpture, then became a sought-after court artist in the elite world of early modern Italy. Looking closely at three sculptures in three mediums, this discussion details Donatello's vast innovations towards embedding life and sensation in his figures, a ..read more

Send us a text Undoubtedly one of the most important painters of the Florentine Renaissance, Masaccio broke the barriers of convention, producing the first monumental works in the Renaissance style. This episode discusses Masaccio's life and works, focusing on the famous Brancacci Chapel and his Holy Trinity in Santa Maria Novella. A close look at these works illuminates the effects of heightened naturalism and linear perspective as artists looked away from the conventions of Gothic painting, particularly in the Holy Trinity, which demonstrated a new mastery over perspectival techniques, pavi ..read more

Send us a text The early 1400's in Italy saw the transition from the Gothic to the Renaissance style in painting. In major areas of patronage, be it for churches or wealthy patrons, a new style flourished that was representative of the interconnectivity between European cultures and the wider Mediterranean, one that bridges the Gothic and Renaissance styles - the International Gothic. Looking at two masterworks, one from Lorenzo Monaco and one from Gentile da Fabriano, this episode examines the historical moment and the stylistic factors that unify and separate the Gothic and International Got ..read more

Send us a text While the idea of an entirely joyous rise of Renaissance culture might sound apt for a period known for mesmerizing art and literature, history tells a different story, one of war, of plague, and of death. This episode discusses just a small amount of the social issues that contributed to the rise of Renaissance culture in Italy, from the multiple plagues that continued after the Black Death, to the banking crisis in Florence at the dawn of the Hundred Years' War, and Milanese military aggression under Gian Galeazzo Visconti.  In the 14th and 15th centuries, Italy was a ce ..read more

Send us a text It is time to open the next chapter of our dive into Renaissance history, dialing back to look at the early Renaissance and the Proto-Renaissance. The terminology of periodization is loose and malleable, and brings to light of other renaissances that occurred throughout the Middle Ages. What is the difference between the way classical revival was exercised from the 8th and 12th centuries, and the world of Renaissance Italy?  This episode provides the fundaments of the earliest years of the Renaissance in Florence. The discussion links the literary developments of Dante, Pe ..read more

Send us a text I am joined by the Florence based artist and art historian Dr. Alan Pascuzzi for a thrilling interview about his career as an artist following the techniques of the Renaissance masters. We first discuss the process of becoming a sculptor and painter in the Renaissance techniques. He walks us through his technical process, looking closely at his recent allegorical bronze group for Florida State University in Florence. Our conversation drifts to the monumental Perseus by Benvenuto Cellini, where Alan talks us through the relationship between the casting process in the Renaissance ..read more