Episode 20: Plagal Cadences: Concluding on a IV chord
Music Theory for Songwriters
by Erol Oz
4M ago
Not all songs have chord progressions that end on a V chord, and often songs will end with a IV resolving to I, known as the plagal cadence ..read more
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Episode 19: Why Chord Progressions Work
Music Theory for Songwriters
by Erol Oz
4M ago
In a previous episode, we analyzed "Stand By Me" by Ben E. King. This episode discusses the "why" of the I-vi-IV-V chord progression and explain the basics of the 4-chord phrase structure. We cover Tonic, Chords with common tones, Pre-Dominant, and Dominant Chords containing a leading tone ..read more
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Episode 18: Diminished 7th Chords
Music Theory for Songwriters
by Erol Oz
4M ago
For the half-diminished 7th chord, we take the minor 7th chord and flat the 5th, which is why these chords are often called m7(b5). Fully diminished 7th chords also flat the 7th. When we flat a minor 7th, we get an interval called a diminished 7th chord ..read more
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Episode 14: Triads, Chord Voicing, and Intervals
Music Theory for Songwriters
by Erol Oz
4M ago
In this episode we talk about the pattern used to construct major and minor chords or TRIADS. We also discuss how to use this information to create different VOICING of a chord. We also build on our previous discussion of intervals by introducing three new ones: Major 3rds, Minor 3rds, and Perfect 5ths ..read more
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Episode 13: Diatonic Chords in Major, Natural Minor, and Harmonic Minor Keys
Music Theory for Songwriters
by Erol Oz
4M ago
This episode outlines the Diatonic chords–the ones that fit with no added sharps or flats–within a key.  In a Major key we have 1, 2m, 3m, 4, 5, 6m, 7dim. In a Minor key we have 1m, 2dim, 3, 4m, 5m, 6, 7. In Harmonic Minor we raise the 7th note of the key by a half step creating a LEADING TONE: 1m, 2dim, 3, 4m, 5*, 6, #7dim ..read more
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Episode 10: Circle of Fifths, Flats, Invertible intervals, and Intro to Capo Transposition.
Music Theory for Songwriters
by Erol Oz
4M ago
In this episode we discuss the remaining sharp keys in the Circle of Fifths as well as moving into the flat keys. The order of flats is BEADGCF or simply the order of sharps backwards. And always remember your order of sharps: Fat-Cats-Go-Down-Alleys-Eating-Birds. We also introduce the idea of using a capo to help guitarists transpose our songs to some of the less common keys ..read more
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Episode 9: Key of D Major & B minor, Notes on the Treble Staff, Order of Sharps
Music Theory for Songwriters
by Erol Oz
4M ago
This episodes dissects the order of sharps and the keys of D Major and B minor at 2 o'clock on the Circle of Fifths, as well as the letter names of the notes on the treble staff ..read more
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Episode 8: Sharps, Circle of Fifths, Key of G Major & E minor
Music Theory for Songwriters
by Erol Oz
4M ago
I recommend using a guitar or keyboard and a diagram of the Circle of Fifths while you're listening to this episode ..read more
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Episode 7: Minor Scales, Circle of Fifths, Relative Keys
Music Theory for Songwriters
by Erol Oz
4M ago
In this episode we will discuss major scales, scale degree numbers, minor scales, relative keys, and an introduction to the Circle of Fifths. You will also hear guest appearances from my two chocolate lab mutts ..read more
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Episode 6: Scale Degree Numbers, Nashville Number System, and Intervals
Music Theory for Songwriters
by Erol Oz
4M ago
Last episode we discussed Whole Steps and Half Steps and the pattern of steps to create a C Major Scale. In this episode, we shift the perspective to refer to each note of the scale (scale degree) as a number, rather than a letter. Sort of an introduction to the Nashville Number System. We also use numbers to identify Intervals in melodies. For example, C to D is a 2nd, since D is the 2nd note of the scale. Thanks for listening, and search for Erol Oz on Spotify ..read more
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