The Journal of Film Music
The Journal of Film Music
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The Journal of Film Music is a forum for the musicological study of film from the standpoint of dramatic musical art. The analytical tools and methodologies of historical, systematic, cognitive, and ethnomusicology all are relevant and essential to this study, which seeks to both document and illuminate film practice through source studies, analysis, theory, and criticism.
Hollywood’s First Background Score in a Talking Picture
The Journal of Film Music
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2M ago
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Thematic Development in E.T. (1982) and How to Train Your Dragon (2010)
The Journal of Film Music
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2M ago
The Metric Spell of a Metadiegetic Sorcerer ..read more
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The Metric Spell of a Metadiegetic Sorcerer
The Journal of Film Music
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2M ago
The Metric Spell of a Metadiegetic Sorcerer ..read more
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Tugging at Heartstrings Bittersweet Harmonies in the Classic Hollywood Love Theme
The Journal of Film Music
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1y ago
Michael W Harris, Jeff Lyon, Heather Fisher, Joshua Henry, Sienna M Wood ..read more
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Proceedings of the Second Max Steiner Symposium, “Film Scoring in the Classic Hollywood Period,” Brigham Young University, November 1–2, 2019
The Journal of Film Music
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1y ago
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Innocence and Grace Bach’s Organ Music in Ermanno Olmi’s L’albero degli zoccoli
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1y ago
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The Best Years of Our Lives Hugo Friedhofer’s American Sound
The Journal of Film Music
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1y ago
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Mayhem, Madness and Distorted Mirrors in Herrmann’s Music for Hitchcock’s Psycho
The Journal of Film Music
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1y ago
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Hollywood’s “No Man” Leonid V. Raab (1900–1968)
The Journal of Film Music
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1y ago
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