Lot 172
The Urban Prehistorian » Rock Art
by balfarg
1w ago
Me, tracing my fingers in and out of the coarse surface of cupmarks on a stone in the sun, with red paint marks on the rock beside me. Again. Not in Faifley, but Oslo. To be precise this happened on a walk with fellow archaeologist Ingrid Mainland in Ekebergparken, on the south side of the ..read more
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The V word
The Urban Prehistorian » Rock Art
by balfarg
1y ago
Graffiti has been on my mind a lot recently, prompted by a visit to Machrie Moor on the island of Arran in the summer where we noticed that one of the standing stones at circle 3 had been horribly defaced with a variety of very recent scrapings and markings. The markings are a combination of scraped words including the F word, sketchy lines, and a hand-shaped zone where lichen seems to have been removed from the stone, perhaps using some sort of solvent or cleaning fluid. This is as egregious an act of vandalism as I have seen at an ancient monument for some time, and literally a crime. It wa ..read more
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The twice-named stone
The Urban Prehistorian » Rock Art
by balfarg
2y ago
Rock art in a church. A little niche and in a little niche. Nice. The church is St John Lee in the small village of Acomb to the north of Hexham, close to the bustling A69. Nestled beside the entrance to this church is a liver-shaped stone with carved cup-and-ring marks and some other wounds. This stone is unfussily sitting, recumbent, on the church floor, accompanied by an information panel of some care and attention. The handwritten note tells us that this ancient sacred object – The Oakwood Stone – was found nearby and ‘many years ago’ dragged to this propitious location by chain. Already ..read more
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Faifley Rocks AC19
The Urban Prehistorian » Rock Art
by balfarg
2y ago
This is a summary account of the excavations at Auchnacraig 1 and 3 rock art panels between 20th and 27th June 2019. This report was written with site supervisor, Alison Douglas. This is a summary and provisional account, with a more detailed publication to follow in the future. The project was featured in the Clydebank Post. Introduction and background Faifley Rocks! is a project researching prehistoric rock art sites to the north of Faifley, Clydebank, West Dunbartonshire, using excavation, survey, oral history and archival research. The largest rock art site in the area, the Cochno Stone, h ..read more
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The art of the Cochno Stone part 3
The Urban Prehistorian » Rock Art
by balfarg
2y ago
In two previous blog posts, I have explored the art of the Cochno Stone, riffing off the art bit of rock-art. As a reminder, this monument is one of the most densely decorated prehistoric abstract rock-art sites in Britain. It is located on the fringe of Faifley, Clydebank, West Dunbartonshire, and has a fascinating modern historiography to match the profusion of prehistoric carvings. The Cochno Stone was buried in 1965 by the heritage authorities to protect it from damage caused by visitors to the site and you can find out more here. In previous blog posts, I have considered different aspect ..read more
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The history of prehistory
The Urban Prehistorian » Rock Art
by balfarg
2y ago
One of the little-known pleasures of researching prehistory is excavating archives. This is because the material remains of the past can only tell us so much. Whisper it, but understanding prehistory sometimes requires an engagement with the written word. From antiquarian accounts and field notebooks, to scheduling and planning documentation, to personal archives and media repositories, there is a wealth of information out there that can tells us about the most recent history of even the most ancient of sites. Documents, photographs, sketches, and even letters can be as informative as a nicely ..read more
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Michael
The Urban Prehistorian » Rock Art
by balfarg
2y ago
My dad Michael is a very talented and creative man. I’m pretty sure his skills working with wood and carpentry would have made him an invaluable member of any Neolithic community. Good with his hands. A solver of problems. An improviser. When I was growing up I remember seeing on a shelf at my gran’s house a rabbit he carved from a block of wood, and to me it looked almost alive, life breathed into it by my father’s hands. It was dad who made the lovely little unit that I display my prehistoric style WH Goss pots on so you have probably seen his handiwork before if you follow this blog. When ..read more
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Seaside rock
The Urban Prehistorian » Rock Art
by balfarg
2y ago
Hanging around outside a gents toilets may not seem the most obvious way to do archaeology but needs must. That’s exactly what I did on a recent visit to Southerness, a beach with benefits south of Dumfries. In many ways Southerness is a throw back to British holiday resorts of old, with its holiday park, amusement arcade, dingy pubs and garish fish and chip shops. Super-sixed plastic ice cream cones are propped outside cafes and it is possible to buy small buckets, spades, fishing nets, flippers and multi-coloured sticks of seaside rock. So it was the last place I expected to stumble upon po ..read more
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Cup and rings in the classroom
The Urban Prehistorian » Rock Art
by balfarg
2y ago
I recently wrote this short blog post for a website promoting University of Glasgow School of Humanities schools activities and resources but misunderstood my brief, and what I wrote was condensed into one short paragraph. Oh well, never one to let writing (and several hours of my time) go to waste, here is a summary of schools activities around the Faifley Rocks! Project and the Cochno Stone. If any teachers would like to explore using cups and rings in the classroom please get in touch via kenny.brophy@glasgow.ac.uk Since 2015, I have been working with community members, organisations, and s ..read more
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Site G
The Urban Prehistorian » Rock Art
by balfarg
2y ago
What should we make of an archaeological site that does not exist in official records of archaeological sites? Without the seal of approval from the authorities, inclusion in the list of record of such sites, is there some doubt as to the authenticity of such a site? And in the void of archaeological engagement, what myths and tales might emerge for those who know the site better than anyone – dogwalkers, nighttime imbibers, those in the know, those who spend time at the site but don’t even know it is there? Is there a value in such urban urban prehistory myths? In this post I want to consider ..read more
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