Chicago Public Art Blog
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Chicago Public Art Blog is one of the most comprehensive guides to outdoor public art in the city of Chicago. The blog posts are all about art structures and detailed information on them like Lions, Batcolumn, Abraham Lincoln, the Head of State (Seated Lincoln), Bust of Jean Baptiste Pointe DuSable, and more!
Chicago Public Art Blog
2y ago
Batcolumn, 1977
Claes Oldenburg
Plaza of Harold Washington Social Security Administration Building
600 West Madison Street
In 1965, Pop artist Claes Oldenburg (1929-2022) began making drawings for colossal monuments consisting of everyday objects enlarged to gargantuan proportions. Some of his proposals included a giant electric fan to replace the Statue of Liberty, a pair of giant scissors to replace the Washington Monument, a Good Humor ice cream bar for Park Avenue, New York, and a railroad station in the form of a ..read more
Chicago Public Art Blog
2y ago
Abraham Lincoln, the Head of State (Seated Lincoln), 1908 (installed 1926)
Augustus Saint-Gaudens
Grant Park
Court of Presidents
North of Congress Parkway near Columbus Drive
Depicting a deeply thoughtful and isolated leader, the work commonly described as the “Seated Lincoln” is the second portrait of the sixteenth president located in Chicago completed by sculptor AugustusSaint-Gaudens. Although the “Standing Lincoln” in Lincoln Park is better known and more critically acclaimed, the sculptor believed this one more success ..read more
Chicago Public Art Blog
2y ago
Bust of Jean Baptiste Pointe DuSable, 2009
Erik Blome
Pioneer Court
Michigan Avenue at the Chicago River northeast side of Michigan Avenue Bridge
Haitian-born Jean Baptiste Pointe DuSable (1745-1818) was recognized by the State of Illinois and the City of Chicago in 1968 as the first known settler in area and the founder of the city. In the 1770s, DuSable, a fur trader, opened the first trading post on what would later be named the Chicago River. The bust is located close to the site of the Pointe DuSable House, designated a National Historic Landmark by the United States of the ..read more
Chicago Public Art Blog
2y ago
Cloud Gate (“The Bean”), 2004
Anish Kapoor
Millennium Park
East of North Michigan Avenue, on axis with East Washington Street
Often it is difficult to predict how the public will respond to an innovative, large-scale work of art. It is even more difficult to imagine which work of public art, among the many located in a place like Chicago, might emerge as the “icon” of the city. Following the opening of Millennium Park, the one thing about which most Chicagoans would agree is that Cloud Gate, better known locally as “The Bea ..read more
Chicago Public Art Blog
2y ago
Untitled (The Picasso), 1967
Pablo Picasso
Richard J. Daley Plaza
Washington Street between Dearborn and Clark Streets
Representing a major step in bringing contemporary art into a civic space, The Picasso was unveiled on August 15, 1967 to equal amounts of fanfare and skepticism. Thousands attended the dedication, which began with the first-ever outdoor performance by the Chicago Symphony Orchestra and included a reading by Pulitzer Prize-winning poet Gwendolyn Brooks. Mayor Richard J. Daley pulled the white ribbon that rem ..read more
Chicago Public Art Blog
2y ago
The Flight of Daedalus and Icarus, 1991
Roger Brown
120 North LaSalle Building
In Greek mythology, Daedalus, a very skilled Athenian artisan, was called upon by King Minos of Crete to build a labyrinth to confine the dreaded Minotaur, a half-bull and half-man monster. Instead, Daedalus helps a young hero escape from the monster and the angered king imprisons him and his son Icarus in the labyrinth. To escape, Daedalus makes wings of wax for himself and his son, and he warns his son not to fly too low because they will get wet from the waves of the sea and not to fly too high. However, Icar ..read more
Chicago Public Art Blog
2y ago
Alexander Hamilton Memorial, 1940
John Angel
Lincoln Park
North Stockton Drive at North Cannon Drive
Philanthropist and art patron Kate Sturges Buckingham (1858 – 1937) , best known for her donation of the Clarence F. Buckingham Memorial Fountain to the city, considered Alexander Hamilton “one of the least appreciated great Americans.” It was her belief that the first Secretary of the Treasury was responsible for securing the nation’s financial future, hence making it possible for her family to make its fortune in grain elevators and banking. In 1928, she established a fund and pledge ..read more
Chicago Public Art Blog
2y ago
William Shakespeare Monument, 1894
William Ordway Partridge
Lincoln Park
West of North Stockton Avenue on axis with West Belden Avenue
After winning the competition to create a memorial to William Shakespeare (1564-1616), artist and one-time actor William Ordway Partridge (1861-1930) devoted himself to researching the Bard’s life, the customs of Elizabethan England, the available portraits of Shakespeare, including a death mask, and the type of costume that would be appropriate for his portrait. Funded by north side business ..read more
Chicago Public Art Blog
2y ago
Fountain of Time, 1922
Lorado Taft
Washington Park, west end of Midway Plaisance
5900 South Cottage Grove Avenue
Located in Washington Park, a 367-acre expanse designed by Frederick Law Olmsted, Lorado Taft’s Fountain of Time is the only realized portion of his grand beautification scheme for the Midway Plaisance, a mile-long and 220 yard-wide area linking Washington and Jackson Parks on Chicago’s south side. Originally, he envisioned an equally monumental “Fountain of Creation” to be erected on the east end of the Midway, consisting of figures emerging from the earth, acting out the Gree ..read more
Chicago Public Art Blog
2y ago
Eternal Silence: Dexter Graves Monument, 1909
Lorado Taft
Southeastern section
Graceland Cemetery
4001 North Clark Street
Dexter Graves (1789-1844) was a hotel owner and one of first settlers in the area, bringing a colony of 13 families to Chicago from Ohio in 1831. This bronze figure, 8 feet high and standing against a polished black granite backdrop, was commissioned by Graves’ son, Henry, to mark the site of his father’s burial. Taft’s approach to the work signals his awareness of innovative funerary art, such as the Ada ..read more